Donations that hit the mark
Collection growth is the heart of any archive, and as an active, growing archive, SCUA welcomes donations of personal papers, organizational records, photographs, diaries and journals, books and pamphlets, and other materials relating to our major collecting interests. With the support of our friends and colleagues, SCUA has built substantial depth in documenting:
- The history and experience of social change in America
- Innovation and entrepreneurship
- The social, cultural, intellectual, and political history of New England
- The University of Massachusetts Amherst, its faculty, staff, students, and alumni
SCUA offers secure, permanent housing for collections, excellent access for researchers, and a stimulating intellectual environment. Please help us preserve our history for the future.
For further information, please contact the Head of Special Collections.
Donate to the University Archives
Phyllis Louise Nelson
The University Archives welcomes assistance in preserving the memory of UMass Amherst, our faculty, staff, students, and alumni. We document all aspects of the University and its unique intellectual climate and history, with a particular interest in:
- Personal, professional, or family papers
- Correspondence from students, faculty, staff, administrators, and alumni
- Diaries, journals, or reminiscences
- Memorabilia from UMass Amherst, Mass. Agricultural College, and Mass. State College
- Histories of departments, centers, institutes, and programs
- Syllabi, selected lectures, and lecture notes
- Records of committees, university organizations, or events
- Unique research materials, such as field notes
- Photographs and artwork.
To discuss archiving your papers with the Department of Special Collections and University Archives, please contact the Head of Special Collections.
Tax Equity Alliance of Massachusetts Intiative Collection, 1988-1989.
1 folder (0.1 linear feet).
Call no.: MS 321
Founded in 1987, the Tax Equity Alliance of Massachusetts Initiative (TEAM) was a coalition of government groups, civic and business leaders, human services advocates, unions, and others sharing the conviction that fair taxation and quality services must go hand-in-hand. The collection is limited to their publication, “Talking Tax,” and brochures both for their volunteers and for the public.
Thomas W. and Margaret Tenney Photograph Collection, 1966-1978 (Bulk: 1966-1972).
12 boxes (6 linear feet).
Call no.: PH 045
A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.
The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.
- Sepulchral monuments--Connecticut
- Sepulchral monuments--Massachusetts
- Sepulchral monuments--Rhode Island
- Sepulchral monuments--Vermont
- Tenney, Margaret K.
- Tenney, Thomas W.
Types of material
John Thomson Photograph Collection, 1863.
8 items (0.2 linear feet).
Call no.: PH 002
The Scotsman John Thomson is considered one of the fathers of social documentary photography and a pioneer in the photography of southeast Asia. Between 1861 and 1872, he traveled extensively in Asia, documenting the scenery and people of modern day Malaysia, Cambodia, Thailand, Indonesia, and China.
The collection includes eight albumen prints from wet-plate collodion negatives taken early in Thomson’s photographic career. The images of Penang, Malaysia, are all signed by John Thomson, with five dated November 1863. Subjects include Malay people, a native infantry regiment, sugar mill, temple, and Thomson’s widely reproduced image of tree ferns.
- George Town (Pinang)--Photographs
- Thomson, J. (John), 1837-1921
Types of material
- Albumen prints
Thurber-Woolson Botanical Manuscripts Collection, 1803-1918.
4 boxes (2.5 linear feet).
Call no.: MS 065 bd
Largely self-educated, George Thurber (1821-1890) began a career as a pharmacist before signing on as botanist to the U.S. Boundary Commission from 1850-1854. After completing a masters degree at Brown University, he emerged as a important horticultural writer and editor of American Agriculturist from 1863 to 1885.
Letters, photographs, engravings, and clippings compiled primarily by George Thurber and bequeathed to George Clark Woolson (MAC class of 1871) who added to it and donated it as a memorial to his class, the first to graduate from the College. The collection includes 993 letters written by 336 correspondents, and 35 photographs and engravings, primarily botanists and other scientists, including Asa Gray, Louis Agassiz, John Torrey, Frederick Law Olmsted, John James Audubon, Henry Ward Beecher, Jefferson Davis, Edward Payson Roe, Donald G. Mitchell, and George Brown Goode.
- Thurber, George, 1821-1890
- Woolson, George Clark
Types of material
Frederick Tillis Papers, 1970-2010.
10 boxes (8 linear feet).
Call no.: FS 156
A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.
The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.
- African American composers
- African American musicians
- Fine Arts Center (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Types of material
C.S. Toppan Account Book, 1845-1861.
1 vol. (0.25 linear feet).
Call no.: MS 084
A wealthy merchant from Portsmouth, New Hampshire. Includes details of his ventures in ship owning and his investments in manufacturing companies and real estate. Also contains total assets of his “property in possession” as of January 1845, and lists of debtors, including men, women, businesses, religious groups, and political groups.
- Debtor and creditor--New Hampshire--Portsmouth--History--19th century
- Inventories of decedents' estates--New Hampshire--Portsmouth
- Merchants--New Hampshire--Portsmouth--Economic conditions--19th century
- Portsmouth (N.H.)--Economic conditions--19th century
- Shipowners--New Hampshire--Portsmouth--Economic conditions--19th century
- Toppan, C. S. (Christopher S.)--Estate
- Toppan, C. S. (Christopher S.)
Types of material