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Located in South Dartmouth, Mass., the Dartmouth Monthly Meeting is one of the oldest Friends meetings in the United States, having been founded by Quakers seeking a haven from religious persecution in nearby Massachusetts Bay and Plymouth Colonies. Private worship may have begun in area homes as early as the 1660s, with the Dartmouth Monthly Meeting formally established in 1699. Today, the Meeting has two distinct meetings: the pastoral Smith Neck Meetinghouse and the Apponegansett Meetinghouse.

The records of Dartmouth Monthly Meeting are divided into two centers of gravity. First, the collection contains nineteenth century copies of the meeting’s early minutes (1698-1792) and vital records covering most of that period. Secondly, the collection contains to the meeting since the late 1960s, including minutes (1968-1989) and newsletter (1999-2005). The remaining records of the meeting — the bulk of them — are maintained by the Old Dartmouth Historical Society and available online.

A small group from Greenwich Monthly Meeting in East Greenwich, R.I., separated from the larger body during the Friends’ doctrinal controversies of the 1840s to form the Greenwich Monthly Meeting (Wilburite). Established under the aegis of Rhode Island Quarterly Meeting (Wilburite) in 1844, they were laid down just one year later and its members transferred to Kingstown Monthly Meeting (Wilburite).

These three slender volumes document the short-lived Greenwich Monthly Meeting (Wilburite). A thin notebook contains the surviving minutes of the Men’s meeting, while the Women’s minutes (and partial copy) were continued after the members transferred to the care of South Kingston Monthly Meeting in 1845.

After working for a year on the Standing Rock Indian Reservation in the Volunteers in Service to America (VISTA) program, James Tibensky returned to college, declared a major in anthropology, and soon began to focus on gravestones. For his masters degree at the University of Illinois at Chicago, Tibensky took up an ambitious project, systematically documenting every pre-1800 grave marker in western Connecticut, photographing each stone, and noting the name, date of death, orientation, style, and material. Painstakingly entering and analyzing the data on the computer using Hollerith cards, he completed his thesis, “The colonial gravestones of western Connecticut,” in 1977. During the latter stages of his research, he became a charter member of the new Association for Gravestone Studies.

The Tibensky collection contains the complete product of James Tibensky’s remarkably thorough study of western Connecticut colonial-era gravestones, including approximately 350 rolls of negative film with the accompanying original field nates, printounts, and statistical data, all meticulously maintained.

The Dominikanerinnenkloster St. Gertud (Dominican Convent of Saint Gertrude) operated in Cologne, Germany, for nearly five and half centuries. An important center in connection with German mysticism in the 13th and 14th centuries, the Kloster survived the Reformation, however persistently poor finances led to its decline in the 18th century. After it was abolished during a wave of secularization on October 14, 1802.

This diminutive book of hours was prepared by Dominican nuns at the Kloster St. Gertrud during the 1480s. Like some other German books of hours it lacks the calendar, Gospel lessons, and the two prayers to the Virgin, Obsecro te and O intemerata, however it includes additional liturgical texts, such as Offices for major feasts, as well as music for the funeral service. This copy may have been made for or by the prioress Magdalena Frankengruenerin (1481-1488), and remained in the convent until the eighteenth century.

A long-time leader in the Communist Party in Massachusetts, Otis A. Hood (1900-1983) was a frequent candidate for public office between the late 1930s and early 1950s. At a time of increasing repression, he stood openly for Communist principles, speaking regularly on the radio and at public forums. In 1954, he was one of several activists arrested for violating the state ban on the Communist Party, winning acquittal, and he was acquitted again after a second indictment in 1956 on charges of inciting the overthrow of the federal government.

The Hood papers are a slender reflection of Communist politics during the height of McCarthy-era repression. The collection centers around Otis Hood’s public espousal of Communist ideals as a candidate for public office in Boston, and particularly his runs for the city School Board in 1943 through 1949, but it includes fliers, handbills, and other materials relating to Communist-led campaigns relating to the war, housing, public transportation, and education, but most importantly, transcripts of radio broadcasts made by Hood during his political campaigns and relating to a variety of social issues.

A knitter in a Northampton silk factory during the years of the Great Depression, Carroll Bush was a Socialist and officer with the American Federation of Hosiery Workers.

The Bush papers offer a small but fascinating glimpse into political radicalism and union organizing among Northampton silk workers during the Great Depression. An active Socialist and union member in the Textile Workers Union of America, Bush corresponded with other textile workers and union organizers in Massachusetts and entertained an interest in union agitation more generally. The collection consists entirely of letters received by Bush.

George Naughton was born in 1951 into an academically inclined family. His father, Thomas, was a writer and magazine editor and his mother a music teacher; his grandfather Julius Seelye Bixler was a college professor and president of Colby College (1942-1960); and his great-great-grandfather Julius Seelye served as the fifth president of Amherst College (1876-1890). Naughton grew up in the 1960s in Old Saybrook, Conn. He graduated from Mount Hermon School in 1969 and from New College in Sarasota, Fla., with a BA in General Studies, in 1973. For the next few years, Naughton lived, worked, and meditated in Cambridge, Mass., and California, then in March of 1978 moved to Amherst and took a job at UMass. From 1978 until his retirement in 2011, he worked in University Information Systems in Whitmore Administration Building. Now president of the Amherst Historical Society, Naughton is also active in the Pelham Historical Society and lives in Pelham with his wife, Cindy.

Naughton’s lifelong interests have included mathematics, science fiction, cultural alternatives, and books, and he accumulated a wide collection of print material on a variety of topics. The Naughton Collection is a reflection of many of those interests and comprises underground comics as well as pamphlets, periodicals, and ephemera on spirituality, new age thinking, counterculture, politics, the environment and sustainability, and intentional communities.

A destroyer commissioned in 1936, the USS Reid was assigned to the Pacific Fleet and in 1939 was moved to Pearl Harbor, Hawaii. The Reid was being serviced in port on December 7, 1941, when the Japanese attack on Pearl Harbor occurred. The Reid survived and was re-assembled so quickly it was out patrolling later that morning. Between 1941 and 1944, the Reid served on numerous patrol and escort missions, including in the Aleutian Islands and Solomon Islands and joined forces fighting in Guadalcanal. During the Reid’s involvement in the battle of Leyte Gulf, it was attacked by twelve kamikaze fighters, several of which made contact with the Reid, including one that crashed into the port quarter and exploded, blowing the ship apart and killing 103 of the 268 aboard.

The Gardner/Wilson Collection represents the efforts of Leonard F. Gardner (BA ’49), Pearl Harbor survivor, who served on the Reid from 1941-1944. Gardner collected photographs and documents from former shipmates and produced a newsletter from 1997 to 2015 that recorded the lives of shipmates and included photographs and information about the USS Reid. In addition to the original materials Gardner collected, a full run of the newsletter and other documents related to the Reid’s service in World War II, the Gardner/Wilson collection includes a website curated by Gardner and designed, created, and maintained by James M. Wilson III (MBA ’86, MS ’86, PhD ’00), whose father, James M. Wilson, Jr., served on the USS Reid from 1940 and survived its sinking in 1944. Wilson also conducted oral histories of remaining USS Reid 369 members in 2006. The original website can be found at http://ussreid369.org. SCUA also maintains an archived version of the site. Several documents and photographs relating to the sinking of the Reid were added to the collection by Gordon Seastrom, a Pearl Harbor survivor and Reid shipmate.

A community arts organization founded by Susan Perlstein in 1979, Elders Share the Arts was a pioneer and national leader in the field of creative aging. Beginning as a single living-history theater workshop in the South Bronx, ESTA grew into a citywide organization with national impact that engaged older adults in participatory arts programing. The performing groups that emerged from ESTA typically drew upon the experiences of its members, with the programs running from storytelling and theater to writing, dance, and the visual arts. With the rapid growth of the field, ESTA ceased operations in June 2018, transferring their programs to other organizations.

The records of Elders Share the Arts offer vital documentation of the origins and development of the field of creative aging and the growth of one of the innovators. The collection includes a full set of board minutes, action plans, and by-laws, marketing materials, photographs and media, and a relatively complete record of grants sought and won. Of particular importance are files for ESTA’s senior programs and intergenerational programs, and a thick series of matierlas relating to the National Center for Creative Aging and the history of creative aging as a field.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.