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Baschard, David

David Baschard Account Book, 1763-1774
1 vol. (0.25 linear feet)
Call no.: MS 142

David Baschard (sometimes spelled Bichaud) was an innkeeper and merchant in Nantucket during the middle decades of the eighteenth century. Althouth little is known about the specifics of his life, when he died at the age of 50 on Feb. 9, 1770, he left a substantial estate valued at £1000. He left a legacy to his sister Mary and the remainder, including a “negro slave girl” and a pew in the Congregational Meeting House, to his wife Elizabeth (Hussey).

A standard two-column account book, David Baschard’s ledger records the day to day transactions of a Nantucket merchant of the 1760s. Trading actively in a range of sundries and domestic goods such as cloth, apparel, sugar, tea, and tobacco, Baschard also sold liquors of various sorts, including punch, grog, wine, and rum. In addition to his local Nantucket clientele (members of the Starbuck, Coffin, Rotch, and Folger families among them), he traded in towns along the Cape Cod and elsewhere in southeastern Massachusetts, including Harwich, Rochester, Dartmouth, Falmouth, and Martha’s Vineyard. Accounts were settled both in cash and in kind.

Subjects
  • Hotelkeepers--Massachusetts--Nantucket Island
  • Merchants--Massachusetts--Nantucket Island
  • Nantucket Island (Mass.)--Economic conditions
  • Nantucket Island (Mass.)--History
Types of material
  • Account books

Bascom, Eric

Eric Bascom Collection of Jazz Recordings, ca. 1940-1950
ca. 500 phonograph records (10 linear feet)
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects
  • Bop (Music)
  • Jazz musicians
Contributors
  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955
Types of material
  • 78 rpm records
  • Piano rolls

Bates Family

Marcia Grover Church Bates Family Papers, 1712-1999
11 boxes (5.5 linear feet)
Call no.: MS 424

Generations of the Bates and Church families based in North Amherst and Ashfield, Massachusetts. Papers include deeds, a will, correspondence, account books (recording day-to-day expenditures on food, clothing, postage, housekeeping supplies, and laborer’s wages), diaries, an oral history, photographs, genealogical notes, and memorabilia related to the family.

Subjects
  • Ashfield (Mass.)--History
  • Bates family
  • Church family
  • Farmers--Massachusetts--Ashfield
  • Hotelkeepers--Massachusetts--North Amherst
  • Libraries--Massachusetts--Boston
  • Massachusetts Agricultural College--Alumni and alumnae
  • Merchants--Massachusetts--North Amherst
  • North Amherst (Mass.)--History
  • Prescott (Mass.)--History
  • Public librarians--Massachusetts
  • Street-railroads--Massachusetts--Employees
  • Weather--Massachusetts--Ashfield
  • Women--Massachusetts--History
  • Worcester (Mass.)--History
Contributors
  • Bates, Marcia Church, 1908-2000
  • Church, Cornelia, 1906-1978
  • Church, Lucia Grover, 1877-1943
Types of material
  • Account books
  • Deeds
  • Diaries
  • Geneaologies
  • Photographs
  • Wills

Battey, Elizabeth

Elizabeth Battey Papers, 1900-1914
13 items (0.25 linear feet)
Call no.: MS 947

Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.

The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant’s distance.

Gift of I. Eliot Wentworth, Oct. 2016
Subjects
  • Aristocracy (Social class)--Great Britain
  • Gopsall Estate (England)
  • Housekeepers--Great Britain
  • Howe, Francis Richard Henry Penn Curzon, Earl, 1884-1964
  • Howe, Richard George Penn Curzon, Earl
  • Warwick (England)--Description and travel
  • Warwick Castle (Warwick, England)
  • Warwick, Frances Evelyn Maynard Greville, Countess of, 1861-1938
Contributors
  • McCulloch, Elizabeth E.

Berke, David M.

David M. Berke Collection of Nuremberg Trials Depositions, 1944-1945
1 box (0.25 linear feet)
Call no.: MS 804

During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.

The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.

Gift of Cathy Abrams
Subjects
  • Buchenwald (Concentration camp)
  • Dachau(Concentration camp)
  • Flossenburg (Concentration camp)
  • Innsbruck-Reichenau (Labor reform camp)
  • Ravensbruck (Concentration camp)
  • Sachsenhausen (Concentration camp)
  • World War, 1939-1945--Atrocities
  • World War, 1939-1945--Prisoners and prisons
Contributors
  • Franz, Edmund F.
  • United States. Army. Counter Intelligence Corps
  • United States. Army. Office of Special Services
Types of material
  • Depositions

Bezanson, Philip, 1916-1975

Philip Bezanson Papers, 1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bezanson, Philip, 1916-1975

Binet, Maurice Emmanuel Hippolyte, 1877-

Maurice Emmanuel Hippolyte Binet Collection, 1784-1852 (Bulk: 1794-1814)
2 boxes (1 linear feet)
Call no.: MS 738
Image of

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

Language(s): French
Subjects
  • Belgium--History--1794-1814
  • Brabant (Belgium)--History
  • Dyle (Belgium)
  • France--History--1789-1815
  • France--History--Revolution, 1789-1799
  • Napoleonic Wars--1800-1815
  • Police--France--18th century
Contributors
  • Lambrechts, Charles Joseph Matthieu, 1753-1823
  • Mallarmé, François René Augustin, 1755-1831
Types of material
  • Letters (Correspondence)

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964
128 items (3 linear feet)
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects
  • Books--History--United States
  • Dime novels, American
Types of material
  • Almanacs
  • Scrapbooks

Bond, Horace Mann, 1904-1972

Horace Mann Bond Papers, 1830-1979
169 boxes (84.5 linear feet)
Call no.: MS 411
Image of Horace Mann Bond, ca.1930
Horace Mann Bond, ca.1930

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Subjects
  • Africa--Description and travel
  • African American educators
  • African Americans--Education--History--20th century
  • American Society of African Culture
  • Atlanta University
  • Dillard University
  • Fort Valley State College
  • International African American Corporation
  • Julius Rosenwald Fund
  • Lincoln University
  • Race relations--United States
Contributors
  • Barnes, Albert C. (Albert Coombs), 1872-1951
  • Bond, Horace Mann, 1904-1972
  • Bond, James, 1863-1929
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Nkrumah, Kwame, 1909-1972
Types of material
  • Photographs

Book of Hours (Use of Rome)

Book of Hours (Use of Rome), ca.1465
1 vol. (144 fol. linear feet)
Call no.: MS 963
Image of Office of the Blessed Virgin Mary
Office of the Blessed Virgin Mary

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Acquired from Scott Gwara, Feb. 2017
Language(s): Latin
Subjects
  • Books of hours--Belgium--Early works to 1800
Contributors
  • Catholic Church--Liturgy--Texts--Early works to 1800
  • Catholic Church--Prayers and devotions--Latin--Early works to 1800
  • Hammer, Christian, 1818-1905
  • Virgin, Thore, 1886-1957
Types of material
  • Books of hours
  • Illuminated manuscripts

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