Roger Allaway Collection, 1941-2010.
9 boxes (13.5 linear feet).
Call no.: MS 754
The journalist and writer, Roger Allaway is one of the preeminent historians of soccer in North America. Born in New York City in 1945, Allaway graduated from Ohio Wesleyan University and worked in newspapers for over 30 years, including stints in Detroit, Toledo, and Philadelphia. From 2007, he was an historian at the National Soccer Hall of Fame. Allaway is author or co-author of numerous articles and books, including The Encyclopedia of American Soccer History (2001); The United States Tackles the World Cup (2002, updated 2011); Rangers, Rovers and Spindles (2005), and Corner Offices and Corner Kicks (2009).
The Allaway collection includes a variety of materials collected and used by Allaway in the course of his research. In addition to some research notes and a suite of books on the history of the game, the collection includes nearly 100 VHS tapes of international matches played by the men’s and women’s national teams, a selection of media guides from professional and national teams (1990s-2010), and photocopies of the exceptionally scarce Bill Graham Guides (1948-1972) and American Soccer League News (1941-1960).
- American Soccer League
- Major League Soccer (Organization)
Types of material
ACWA Boston Joint Board Records, 1926-1979.
(8 linear feet).
Call no.: MS 002
The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.
Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.
- Boston (Mass.)--Economic conditions--20th century
- Clothing trade--Labor unions--Massachusetts
- Labor unions--Massachusetts--Boston
- Textile industry--Massachusetts
- Textile workers--Labor unions--Massachusetts--Boston
- Textile workers--Massachusetts--Economic conditions--20th century
- Amalgamated Clothing Workers of America. Boston Joint Board
- Salerno, Joseph, fl. 1907-1972
Types of material
- Financial records
Harold Ambellan Memoir, 2005.
1 item (75p.)
Call no.: MS 855
A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.
In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.
- Artists--20th century
- Depressions, 1929
- Expatriate artists--France
- New Deal, 1933-1939
- Sculptors--20th century
- World War, 1939-1945
- Diehl, Victoria
- Guthrie, Woody, 1912-1967
Types of material