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Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010
23 boxes (12 linear feet)
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects
  • Theater--England--London
  • Theater--New York (State)--New York
Contributors
  • Donohue, Joseph W., 1935-
Types of material
  • Ephemera
  • Playbills

Double Edge Theater

Double Edge Theatre Records, 1970-2002
28 boxes (15.5 linear feet)
Call no.: MS 455
Image of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Drinkwater, Robert W.

Robert W. Drinkwater Collection, ca.1975-2004
2 boxes (3 linear feet)
Call no.: PH 067
Wildwood Cemetery, Amherst, Non. 2004
Wildwood Cemetery, Amherst, Non. 2004

An historical archaeologist with an MA in Anthropology from UMass Amherst, Bob Drinkwater has recorded, photographed, and reported on the eighteenth- and early nineteenth-century gravestones and stonecutters of western Massachusetts for over four decades, and he has identified a number of Connecticut River Valley carvers. A charter member of the Association for Gravestone Studies, he has been active in nearly every aspect of the organization, contributing scholarly articles to its journals, organizing and presenting at its conferences, and serving terms as President and Trustee. He offers a workshop, “Gravestone Studies 101: A Survey of Gravestone Art in the Pioneer Valley”, at Greenfield Community College.

Focused on Bob Drinkwater’s research on western Massachusetts, the collection contains several hundred images recording early gravestones in the cemeteries of Amherst and Hadley, photo documentation of the stonecutters of Berkshire County and the Quabbin region, and two longer works written by Drinkwater: “From quarry to graveyard: a schematic reconstruction of early New England gravestone-carving technology” (his honor’s thesis, ca.1975) and “Notes on Methods of Collection, Classification, Recording, and Analysis of Data for Stylistic and Demographic Studies of Early New England Gravestones.”

Subjects
  • Gravestones--Massachusetts--Amherst
  • Gravestones--Massachusetts--Hadley
  • Stone carving--Massachusetts
Contributors
  • McArdle, Alan
Types of material
  • Photographs

Dunham, Benjamin W.

Benjamin W. Dunham Papers, ca.1897-1907
1 box (0.25 linear feet)
Call no.: MS 573

Situated on a hill overlooking Quabbin Lake, the Quabbin Inn was a well known resort near Greenwich, Mass. During its peak years during the turn of the twentieth century, the Inn was owned by Otis Dunham, but it figured prominently in the lives of the entire Dunham family.

The Dunham papers contain family correspondence addressed to Benjamin W. Dunham during his service as a machinist with the U.S. Navy. In addition to discussions of the business of the Quabbin Inn, the collection includes news and gossip from the town of Greenwich, the attempted suicide and subsequent hospitalization of Benjamin’s brother Asa, and the migration west of another brother, Herbert.

Subjects
  • Greenwich (Mass.)--Social life and customs
  • Machinists--Massachusetts
  • Quabbin Inn (Greenwich, Mass.)
  • Quabbin Reservoir Region (Mass.)--History
  • Spanish American War, 1898
  • United States. Navy
Contributors
  • Dunham, Benjamin W

Ebert, Siegried

Siegfried Ebert Papers, 1933-1986
2 boxes (0.75 linear feet)
Call no.: MS 576
Image of Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Gift of James and Sibylle Fraser, 2007
Language(s): German
Subjects
  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945
Contributors
  • Ebert, Siegfried
  • Thorndike, Andrew
Types of material
  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Ellert, Frederick C.

Frederick C. Ellert Papers, 1958-1984
1 box (0.5 linear feet)
Call no.: FS 055
Image of F. C. Ellert
F. C. Ellert

Frederick C. Ellert, a professor of German at the University throughout the fifties and sixties, had deep local roots, was a leader in University Athletics, and was one of the most instrumental founders of the Massachusetts Review, where he served as the journal’s first editor from 1959-1961. Born in Holyoke, Mass. in 1906, Ellert attended the University as an undergraduate and made notable contributions to the football and basketball teams. Ellert would return to the University after his graduation in 1930 to coach the basketball team before studying in Heidelberg University and Columbia University and eventually earning his M.A. from Amherst College and Ph.D. from Stanford. Ellert was a very active translator of 19th Century German poetry and a passionate teacher, developing his own German textbook. Ellert died in 1983.

Representing his work as a translator and teacher, the Frederick C. Ellert Papers contain a number of his published and unpublished translations of Goethe, Heine, and Morgernstern, some including Ellert’s handwritten notes as well as typescript copies of his German textbooks.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Germanic Languages and Literatures
Contributors
  • Ellert, F. C

Emery, George

George Emery Papers, ca.1900-1975
8 boxes (30 linear feet)
Call no.: MS 982
Image of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a thick sheaf of material from the Tri-County Fair, and four remarkable scrapbooks from the internationally famous animal act Fred Kerslake’s Pigs. Beginning in 1889, Fred Kerslake and his wife, Mary, traveled the world with a team of acrobatic intellectual pigs (and later donkeys) performing to packed houses. In the 1960s, Mary Kerslake gave the scrapbooks to Emery to assist in his research and writing on circus history.

Gift of Chris Emery, July 2017
Subjects
  • Circus performers
  • Circus--History
  • Clowns
  • Pigs
  • Tri-County Fair
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Staff

Enfield (Mass.)

Enfield (Mass.) Collection, 1800-1939
8 boxes (4 linear feet)
Call no.: MS 010
Image of Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects
  • Enfield (Mass.)--History
  • Enfield (Mass.)--Politics and government
  • Enfield (Mass.)--Religious life and customs
  • Enfield (Mass.)--Social life and customs
  • Quabbin Reservoir Region (Mass.)--History
  • Quabbin Reservoir Region (Mass.)--Social life and customs
  • Women--Societies and clubs
Contributors
  • Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
  • Enfield (Mass. : Town)
  • Enfield (Mass. : Town). Overseers of the Poor
  • Enfield (Mass. : Town). Prudential Committee
  • Enfield (Mass. : Town). School Committee
  • Enfield Congregational Church (Enfield, Mass.)
  • Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
  • Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society
Types of material
  • Account books
  • Church records
  • Photographs
  • Sermons

Eshbach, Charles E.

Charles E. and M. Sybil Hartley Eshbach Papers, 1913-1963
14 boxes (7 linear feet)
Call no.: MS 886
Image of Charles Eshbach on pony, ca.1915
Charles Eshbach on pony, ca.1915

Charles Edgar Eshbach, Jr., a 1937 graduate of Massachusetts State College, and Maude Sybil Hartley met in late 1939, while she was a student at Simmons College and he was working for the New England Radio News Service, part of the USDA’s Agricultural Marketing Service. They soon began dating and in February 1941 were engaged. After graduating in 1942, Sybil lived at home in Rochester, Mass., and taught school. Charles was drafted and enlisted in the army December 30, 1942. Trained as a radio operator, he was assigned to the Army Air Force Technical Training Command’s 326th Signal Co. Wing. Charles and Sybil married in September of 1943, and by November, Charles was in England, part of the 67th Fighter Wing stationed at Walcot Hall in Lincolnshire. Although not in combat, Charles rose to the rank of Technical Sergeant. He returned to the U.S. in December 1945. He and Sybil moved to Weymouth and had four children. Charles was appointed professor of Agricultural Economics at UMass in 1959. The family moved to Amherst in 1964, as Charles’ department was transforming into the Hotel, Restaurant and Travel Administration Department. He taught at UMass until 1986, when he retired. He died in 1997. Sybil worked at the University store for thirty years and died in 2009.

Consisting chiefly of their letters to each other, the Eshbach Papers vividly document the courtship and early married life of Charles and Sybil, particularly during their long separation, against a wartime backdrop. The collection also contains diaries, photograph albums, loose photographs, histories and rosters from Charles’ army unit, and a variety of ephemera and memorabilia such as ration tickets, receipts, programs, and Charles’ army badges and dog tags.

Gift of Aimee E. Newell, Nov. 2015
Subjects
  • 4-H clubs
  • England--Description and travel
  • Simmons College (Boston, Mass.)
  • United States. Agricultural Marketing Service
  • United States. Army Air Forces. Technical Training Command
  • World War, 1939-1945
Contributors
  • Eshbach, M. Sybil Hartley
Types of material
  • Diaries
  • Ephemera
  • Letters (Correspondence)
  • Photograph albums
  • Photographs

Farber, Daniel

Daniel and Jessie Lie Farber Photograph Collection, 1973
9 boxes (5.75 linear feet)
Call no.: PH 022
Image of Jonathan Butterfield, Chelmsford, 1750
Jonathan Butterfield, Chelmsford, 1750

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

Subjects
  • Gravestones--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Farber, Daniel
  • Farber, Jessie Lie
Types of material
  • Photographs

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