Results for: “Rural women” (301 collections)SCUA

Common Reader Bookshop (New Salem, Mass.)

Common Reader Bookshop Collection, 1978-1997.

1 box (0.5 linear feet).
Call no.: MS 472

Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts specialized in women’s studies materials, or in their words, “books by, for, and about women.” A couple for almost 40 years and married in 2004, Johnson and Abramson, a professor in the theater department at UMass, opened the store in 1977. After nearly twenty-five years in operation, the book shop closed its doors for business in 2000. Comprised mostly of photographs, the collection highlights not only the shop as a place, but also the the community it fostered.

Subjects

  • Booksellers and Bookselling--Massachusetts
  • New Salem (Mass.)--History
  • Women--Massachusetts

Contributors

  • Abramson, Doris
  • Common Reader Bookshop (New Salem, Mass.)
  • Johnson, Dorothy

Culver, Asa, 1793-

Asa Culver Account Book, 1820-1876.

1 vol. (0.25 linear feet).
Call no.: MS 350 bd

Farmers who provided services (such as putting up fences, shingling, butchering, and cutting brush) for townspeople. Seventy page book of business transactions, and miscellaneous papers including mortgage payments, highway building surveyor assessments, and poems.

Subjects

  • Agriculture--Massachusetts--History
  • Blandford (Mass.)--Economic conditions--19th century
  • Farm management--Massachusetts--Blandford--Records and correspondence
  • Farmers--Massachusetts--Blandford--Economic conditions
  • Wages--Domestics--Massachusetts--Blandford

Contributors

  • Culver, Asa, 1793-

Types of material

  • Account books

Diamond, Arlyn, 1941-

Arlyn Diamond Papers, 1976-1988.

1 box (1.5 linear feet).
Call no.: FS 118

As a member of the faculty in the English Department at UMass Amherst in 1972, Arlyn Diamond became one of the founding members of the Program in Women’s Studies. A scholar of medieval European literature, Diamond received her doctorate from Berkeley in 1970 and became an early proponent of feminist criticism. Among other works, she was author of Authority of Experience: Essays in Feminist Criticism (1988) and editor (with Lee Edwards) of American Voices, American Women (1973). Diamond retired from the University in 2004.

This small collection consists primarily of notes for research and teaching. Of particular interest is a series of women’s studies bibliographies, readings for the Five College Women’s Studies Faculty Seminar (Autumn 1977), graduate level feminist theory courses, and notes related to the history of women’s studies. Also included among the papers are financial records from the 1977 Five College Women’s Studies Faculty Seminar.

Subjects

  • Feminist Criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women, Gender, and Sexuality Studies

Estey, Joseph W.

Joseph W. Estey Account Book, 1809-1827.

1 vol. (0.25 linear feet).
Call no.: MS 093

Joseph W. Estey was the owner of a farm in Greenwich, Massachusetts with a grist and sawmill. The account book (started in Springfield and Ludlow, Massachusetts with his business partner Abner Putnam) documents business dealings, hired male and female help, personal and farm expenses (hiring tanners and blacksmiths), and a deed.

Subjects

  • Agricultural laborers--Massachusetts--Greenwich
  • Domestics--Massachusetts--Greenwich
  • Farmers--Massachusetts--Greenwich
  • Greenwich (Mass.)--Economic condition--19th century
  • Howe, Edward
  • Howe, Gideon
  • Lincoln, Benjamin
  • Ludlow (Mass.)--Economic conditions--19th century
  • Marcy, Laban
  • Mills and mill-work--Massachusetts--Greenwich
  • Oaks, John
  • Parson Clapp Tavern
  • Putnam, A. W.
  • Putnam, Abner
  • Springfield (Mass.)--Economic conditions--19th century
  • Vaughan, Josiah
  • Ware Manufacturing Co. (Ware, Mass.)
  • Warner, John

Contributors

  • Estey, Joseph W.

Types of material

  • Account books

Ferguson, Ann

Ann Ferguson Papers, 1970-2007.

23 boxes (33 linear feet).
Call no.: FS 101

Ann Ferguson began her tenure at UMass as an Instructor in 1964 as she completed the last year of her doctoral work at Brown under supervision of R.M. Chisolm. With academic interests in ethics, aesthetics, women’s studies, and social and political philosophy, Ferguson has been politically engaged in human rights and social justice initiatives since the 1960s, supporting organizations such as Feminist Aid to Central America, Marxist Activist Philosophers, and the Radical Philosopher’s Association. In 1995, Ferguson accepted a three-year term as Director of Women’s Studies, describing the program as one with the “roots in political activism to fight social injustice.” Despite her 2008 retirement, Ferguson continues to teach in both Philosophy and Women’s Studies.

The Ferguson Papers document Ann Ferguson’s academic career at the University of Massachusetts Amherst as well as her commitment to political activism and social change. The papers include material relating to campus politics, the women’s movement and other social movements, Philosophy Department files (1971-1997) from Ferguson’s tenure as Head of the Philosophy Department, and course materials from both Women’s Studies and Philosophy. Also included among the papers are professional correspondence, feminist pamphlets (1970s-1980s), and several posters from Ferguson’s office.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Philosopy
  • University of Massachusetts Amherst. Program in Women's Studies

Contributors

  • Ferguson, Ann

Gershuny, Grace

Grace Gershuny Papers, 1975-1997.

2 boxes (3 linear feet).
Call no.: MS 793
Soul of Soil
Soul of Soil

An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College.

The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny’s role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.

Subjects

  • Farming--United States
  • Northeast Organic Farming Association
  • Organic farmers
  • Organic farming

Contributors

  • Gershuny, Grace

Hall, Madeline

Madeline and Winthrop Goddard Hall Papers, 1907-1957 (Bulk: 1907-1914).

1 box (0.5 linear feet).
Call no.: MS 603

Residents of Worcester, Mass., Madeline and Winthrop Goddard Hall were part of an extended community of young friends and family associated with the American Board of Commissioners of Foreign Missions, including Charlotte and Edwin St. John Ward, Margaret Hall, and Ruth Ward Beach. From 1907 to 1914, Edwin Ward was sent as a missionary to the Levant, working as a physician and teacher at Aintab College in present-day Turkey and Syrian Protestant College in Beirut. Margaret Hall and Ruth Beach were stationed in China, teaching in Tientsin, at the Ponasang Women’s College in Fuzhou, and at the Bridgeman School in Shanghai.

The Hall Papers include 67 lengthy letters from the Ottoman Empire and China, the majority from Charlotte and Edwin Ward. Intimate and often intense, the correspondence provides insight into the social and family life of missionaries and gives a strong sense of the extended community of missionaries.

Subjects

  • American Board of Commissioners for Foreign Missions
  • Lebanon--Description and travel
  • Missionaries--China
  • Missionaries--Middle East
  • Turkey--Description and travel

Contributors

  • Beach, Ruth Ward
  • Hall, Madeline
  • Hall, Margaret
  • Hall, Winthrop Goddard, 1881-1977
  • Ward, Charlotte
  • Ward, Edwin St. John

Types of material

  • Letters (Correspondence)

Henry, Diana Mara

Diana Mara Henry Collection, ca.1960-2012.


Call no.: PH 051
Diana Mara Henry, ca.1985<br/>Photo by Jean Cartier
Diana Mara Henry, ca.1985
Photo by Jean Cartier

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.

Connect to another siteSee the exhibit Photographer: DMH

Subjects

  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs

Types of material

  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)

International Women’s Year Conference

International Women's Year Conference Collection, 1977.

6 boxes (2.75 linear feet).
Call no.: MS 510

After 1975 was designated as the first International Women’s Year by the United Nations, later extended to a decade, President Carter created a National Commission on the Observance of International Women’s Year. A national women’s conference was proposed and funded by the U.S.Congress, the first and only time the federal government funded a nationwide women’s conference. A series of state meetings were held throughout 1977 to elect delegates to the national conference and to identify goals for improving the status of women over the next decade.

This collection consists of state reports prepared and submitted to the National Commission for the Observance of International Women’s Year. Reports include details about the election of national delegates, topics of workshops held at the meetings, and resolutions adopted by individual states.

Subjects

  • Feminism--United States
  • International Women's Year Conference
  • Women's rights--United States

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs
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