Gordon Heath Papers, 1913-1992.
44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.
The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
- Abbaye (Nightclub : Paris, France)
- African American actors--France--Paris--History
- African American singers--France--Paris--History
- African Americans in the performing arts--History
- African-American theater--History--20th century
- Baldwin, James, 1924-
- Chametzky, Jules
- Dodson, Owen, 1914-
- Expatriate musicians--France--Paris--History
- Hughes, Langston, 1902-1967
- Musicians--United States--History
- Paris (France)--Intellectual life--20th century
- Payant, Lee--Correspondence
- Primus, Pearl
- Rive gauche (Paris, France)--Intellectual life--20th century
- Studio Theater of Paris
- Theater--Production and direction--France--Paris--History
- Abramson, Doris E
- Heath, Gordon, 1918-1991
Types of material
- Sheet music
Digital (+)Finding aid
Indusco Bailie School Collection, 1940-1952.
1 box (0.25 linear feet).
Call no.: MS 564
Following the Japanese invasion of China in 1937, the New Zealand expatriate Rewi Alley threw his considerable talents behind the war effort. Building upon knowledge acquired over a decade of living in China, Alley helped organize the Chinese Industrial Cooperative Movement (CIC). The CIC coordinated the creation of industrial cooperatives throughout unoccupied China to keep industrial production flowing, and it sponsored a series of industrial schools named after Alley’s friend Joseph Bailie to provide training and support.
The Indusco Bailie School Collection includes documents and photographs relating to the establishment and operation of the Bailie Schools in China during and immediately after the Second World War. Probably associated with the Indusco offices in New York City, these documents include a model constitution for industrial cooperatives, typewritten reports on Bailie Schools, and published articles describing the schools’ efforts. The reports extend through 1949, and include three mimeographed newsletters from the Shantan Bailie School for the months immediately following the school’s liberation by Communist forces. Also included are printed works by Alley and eighteen photographs taken between 1942 and 1944 of students and scenes at Bailie Schools.
- Chinese industrial cooperatives
- Cooperative societies--China
- Shantan Bailie School (Kansu, China)
- Sino-Japanese War, 1937-1945
- World War, 1939-1945
- Rewi, Alley, 1897-1987
Types of material
International Oil Working Group Collection, 1957-1987 (Bulk: 1980-1985).
29 boxes (15 linear feet).
Call no.: MS 268
The International Oil Working Group (IOWG) is one of a number of organizations that worked to implement an oil embargo initiated by the United Nations General Assembly against South Africa to protest the country’s policies of apartheid. The IOWG grew out of the Sanctions Working Group established in 1979. Although the nature and timing of the change in names is unclear, it appears that Dr. Teresa Turner was instrumental in the formation of both groups and was primarily responsible for their organization and administration. Other directors included Luis Prado, Arnold Baker and Kassahun Checole. While the group was loosely organized, it maintained the basic structure of a special advisory board with a pool of research associates. Primary activities involved researching topics related to the oil embargo; writing papers for regional, national, and international conferences; giving testimony at UN meetings; providing information to governments, unions and other groups committed to aiding in the implementation of the oil embargo; lecturing to students and members of the community on the subject of sanctions against South Africa; and collaborating with the UN Center Against Apartheid. Research topics included tanker monitoring to detect and expose those shipping companies that broke the embargo; the energy needs in those countries in southern Africa which depend upon South Africa to meet some of their energy demands; ways to effectively implement and enforce the oil embargo; trade union action by oil transport workers; Namibian independence and decolonization; and underground oil storage in South Africa.
Collection consists of administrative papers including financial records, minutes and association history materials; correspondence; printed materials produced by the IOWG; conference files; UN documents relating to South Africa and sanctions; and reference materials, including published reports, news clippings, newsletters and journals, related to oil shipping, tanker information and South African economic and political activity generally.
- Apartheid--South Africa--History
- Economic sanctions--South Africa--History
- Namibia--History--Autonomy and independence movements
- Namibia--Politics and government--1946-1990
- Petroleum industry and trade--History--20th century
- Petroleum industry and trade--Political aspects--South Africa
- South Africa--Politics and government--1978-1989
- Tankers--South Africa--History
- International Oil Working Group
- Turner, Terisa
IUERMW Local 206 Records, 1936-1986.
30 boxes (14.5 linear feet).
Call no.: MS 132
Union that represented workers at the American Bosch plant in Springfield, Massachusetts, affiliated with the International Union of Electrical, Radio and Machine Workers after 1949.
Records include by-laws, minutes of the Executive Board, General Council, and Membership meetings, correspondence, membership reports, grievance and arbitration records, contract negotiation proposals and counter-proposals, strike materials, and publications documenting the administration, activities, and membership of Local 206. Effects of changing national economy and international trade on workers and union affairs, through time, are evident.
- American Bosch--History
- Collective bargaining--Machinery industry--Massachusetts --Springfield
- Industrial relations--Massachusetts--Springfield
- International Union of Electrical, Radio and Machine Workers. Local 206 (Springfield, Mass.)
- Labor unions--Massachusetts--Springfield
- Machinists--Labor unions--Massachusetts--Springfield
- Metal-working machinery industry--Massachusetts --Springfield
- Plant shutdowns--Massachusetts--Springfield
- Springfield (Mass.)--Economic conditions
- Springfield (Mass.)--Industries
- Strikes and lockouts--Machinery industry--Massachusetts --Springfield
- United Electrical, Radio and Machine Workers of America. Local 206 (Springfield, Mass.)
Types of material
International Women's Year Conference Collection, 1977.
6 boxes (2.75 linear feet).
Call no.: MS 510
After 1975 was designated as the first International Women’s Year by the United Nations, later extended to a decade, President Carter created a National Commission on the Observance of International Women’s Year. A national women’s conference was proposed and funded by the U.S.Congress, the first and only time the federal government funded a nationwide women’s conference. A series of state meetings were held throughout 1977 to elect delegates to the national conference and to identify goals for improving the status of women over the next decade.
This collection consists of state reports prepared and submitted to the National Commission for the Observance of International Women’s Year. Reports include details about the election of national delegates, topics of workshops held at the meetings, and resolutions adopted by individual states.
- Feminism--United States
- International Women's Year Conference
- Women's rights--United States
Edward Judice Photograph Collection, 1973-2010.
281 digital images, 2 videos
Call no.: PH 046
Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.
The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.
- Foundry workers--Massachusetts--Orange
- Northampton (Mass.)
- Rodney Hunt Company
- Serrazina, Joe
- Shu-Fix (Northampton, Mass.)
- Strojny, Benny.
- Wendell (Mass.)--Centennial celebrations, etc.
Types of material
- Digital images
- Video recordings
Randy Kehler Papers, 1978-1997.
17 boxes (7.75 linear feet).
Call no.: MS 396
A veteran of the peace movement and founder of the Traprock Peace Center (1979), Randy Kehler was active in the National Nuclear Weapons Freeze Campaign, the Peace Development Fund, and the Working Group on Electoral Democracy. Beginning in 1977, he and his wife became war tax resisters, withholding federal income tax to protest U.S. military expenditures, donating it instead to charity. As a consequence, their home was seized by the IRS in 1989, setting up a protracted legal struggle that resulted in Kehler’s arrest and imprisonment and the sale of the house. They remain tax resisters.
The Kehler Papers document the five year struggle (1989-1994) against the seizure and sale of the Kehlers’ home by the IRS. The collection includes meeting minutes, notes, correspondence, newspaper clippings; letters to the editor, essays, articles, plans and strategy documents for the vigil set outside the Kehler home; support committee information and actions; correspondence with government officials, the IRS, and the Justice Department; letters of support; documents from the legal proceedings; and political literature addressing the Kehlers’ situation.
- Antinuclear movement--Massachusetts
- Argo, Ed
- Colrain (Mass.)
- Peace movements--Massachusetts
- Political activists--Massachusetts
- Tax collection--Massachusetts--Colrain
- Tax evasion--Massachusetts--Colrain
- Taxation--Law and Legislation
- Traprock Peace Center
- Valley Community Land Trust
- War tax resitance--Massachusetts--Colrain
- Withholding tax--Law and legislation
- Withholding tax--Massachusetts
- Corner, Betsy
- Kehler, Randy
- Link, Mary
- Mosely, Don
- Nelson, Juanita
Types of material
- Court records
- Legal documents
- Letters (Correspondence)
Michael Lenson Collection, 1969-1970.
12 items (0.1 linear feet).
Call no.: MS 745
Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.
Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.
- Blake, William , 1757-1827
- Browning, Robert, 1812-1889
- Burns, Robert, 1759-1796
- Byron, George Gordon Byron, Baron, 1788-1824
- Chaucer, Geoffrey, d. 1400
- Donne, John, 1572-1631
- Eliot, T. S. (Thomas Stearns), 1888-1965
- Keats, John, 1795-1821
- Milton, John, 1608-1674
- O'Casey, Sean, 1880-1964
- Pope, Alexander, 1688-1744
- Shelley, Percy Bysshe, 1792-1822
- Lenson, Michael, 1903-1971
Types of material
Gertrude M. Lewis Papers, ca.1920-2001.
6 boxes (3 linear feet).
Call no.: FS 096
Overcoming a deeply impoverished childhood, Gertrude Lewis struggled to build a career in education, putting herself through college and graduate school. At the age of 32, she earned a bachelor’s degree from Ohio State, continuing on to a masters degree at New York University (1933), and finally, at age 51, a PhD from Yale (1947). For many years after receiving her doctorate, Lewis was employed as a Specialist for Upper Grades with the U.S. Office of Education in Washington. Among other career highlights, Lewis spent two years in Japan (1950-1951) as a Consultant in Elementary Education in the Education Section of the Allied Occupation government (SCAP). Lewis outlived her life partner, Ruth Totman, dying at home on December 10, 1996, a few months after her one hundredth birthday.
The Lewis Papers document the work and life of an educator of the masses, a traveler of the world, and a woman of the twentieth century. Documents pertaining to her work as an educator of both young students and veteran teachers show the changes within the theory and practice of pedagogy over time, over various geographic locales, and also highlight her role in that change. This collection also documents the numerous on-going side projects on which Lewis worked, including fostering creativity in schoolchildren, a biography of Franklin D. and Eleanor Roosevelt, and her own poetry and prose.
- Education, Elementary--Japan
- Education, Elementary--United States--History
- Education--United States--History
- Health Education--United States
- Japan--Civilization--American influences
- Students--Health and hygiene
- Lewis, Gertrude Minnie, 1896-
- Totman, Conrad D
- Totman, Ruth J
Types of material
- Motion pictures (Visual work)
Bill Lichtenstein Collection, 1965-1976.
2 boxes (3 linear feet).
Call no.: MS 790
In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.
The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.
- Alternative radio broadcasting--Massachusetts
- Boston (Mass.)--History--20th century
- WBCN (Radio station : Boston, Mass.)
Types of material
- Sound recordings