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Maland, Jeanine

Jeanine Maland Papers

1951-2007
24 boxes 36 linear feet
Call no.: MS 467

Born in 1945 in Iowa, Jeanine Maland attended Iowa State University before enrolling at UMass Amherst to pursue a second bachelor’s degree in women’s studies in 1978. While in Western Massachusetts, Maland continued the advocacy work she began at the Rhode Island Women’s Health Collective. Throughout the 1970s-1990s Maland was involved in countless organizations representing a variety of activist movements from prison reform and labor to disarmament and peace.

Jeanine Maland’s papers represent a wide sampling of the activity and career of a lifelong activist, spanning the years 1951-2007. Although the collection contains limited personal information, these materials reflect Maland’s passion and commitment to social justice and social action. Her interests intersect with a number of the major social movements since the 1960s, ranging from the peace and antinuclear movements to critiques of the growing Prison Industrial Complex. While much of Maland’s activism took place on a local level, her efforts were often coordinated with national and international interests and movements.

Gift of Jeanine Maland, 2005

Subjects

  • Antinuclear movement--Massachusetts
  • Iraq War, 2003-
  • Labor unions--Massachusetts
  • Persian Gulf War, 1991
  • Political activists--Massachusetts--History
  • Prisoners--Massachusetts
  • Racism
  • United States--Foreign relations--Central America
  • University of Massachusetts Amherst

Contributors

  • Maland, Jeanine
Marshall, Perry

Perry Marshall Papers

1902-1929
1 box 0.25 linear feet
Call no.: MS 493

A minister, published poet, and physician from New Salem, Massachusetts, Perry Marshall carried on a lively correspondence with Dorothy Bullard, also from New Salem, from 1927 until 1929.

Although personal in nature, Marshall’s letters are not romantic, but are written from the perspective of an older gentleman who late in life has come to admire, and perhaps adore, a young woman. Bullard, a lively and thoughtful young woman, clearly returns the admiration, if not the affection. The collection also includes several of Marshall’s published works.

Subjects

  • New Salem (Mass.)--History
  • Poets--Massachusetts

Contributors

  • Bullard, Dorothy
  • Marshall, Perry

Types of material

  • Poems
McQueen, Madge

Madge McQueen Papers

ca.1935-2017 Bulk: 1975-2017
100 linear feet
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects

  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists

Types of material

  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)
Meier, August, 1923-2003

August Meier Collection

1837-1984
3 boxes, 329 titles 34.5 linear feet
Call no.: MS 844
Image of

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.

Subjects

  • African Americans--History
  • Antislavery movements
  • Camps--New York (State)
  • Civil rights movements
  • Communists--United States
  • Depressions--1929
  • Du Bois, W. E. B. (William Edward Burghardt),1868-1963
  • Oberlin College--Students
  • Pioneer Youth of America
  • Race relations
  • World War, 1939-1945

Contributors

  • Braunthal, Gerard, 1923-

Types of material

  • Newsletters
  • Songbooks
Morehouse, Ward, 1929-

Ward Morehouse Papers

ca.1950-2012
120 boxes 180 linear feet
Call no.: MS 764
Image of Ward Morehouse at his desk in the Educational Resources Center, New Delhi, 1966
Ward Morehouse at his desk in the Educational Resources Center, New Delhi, 1966

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Gift of Ward Morehouse and Carolyn Oppenheim, Nov. 2013

Subjects

  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions

Contributors

  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy
Mungo, Raymond, 1946-

Raymond Mungo Papers

1966-2008
6 boxes 3 linear feet
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah

Contributors

  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs
New England Yearly Meeting of Friends

New England Yearly Meeting of Friends Quaker History Collection

1783-1950
1 box 0.5 linear feet
Call no.: MS 926

During the early twentieth century, the library at the Moses Brown School (formerly the Friends Boarding School) became an informal repository for Quaker manuscripts reflecting the history and work of the Society of Friends. Most of these materials were later transferred for custody to the school’s governing body, the New England Yearly Meeting of Friends.

This miscellaneous assortment of letters was apparently set aside by the staff at the Moses Brown School due to their historical content and preserved in the “vault.” Many of the letters appear to have been retained as good examples of Quaker expression of family and friendly bonds or as documentation about significant periods in Quaker history, particularly the Gurneyite-Wilburite controversy of the 1840s, and several touch on Quaker involvement in the antislavery and peace movements. Of special note are four interesting letters from the Quaker minister and social reformer, Elizabeth Comstock, written during and just after the Civil War; a series of nine lengthy letters from a visiting English minister Isaac Stephenson, traveling through New England meetings; a substantial series of letters from prominent Friend Samuel Boyd Tobey; and three letters from Harriet Beecher Stowe to Sarah F. Tobey regarding attempts to connect Stowe with Alexander T. Stewart in hopes of raising funds for her plans for the education of women.

Gift of New England Yearly Meeting of Friends, 2016

Subjects

  • Antislavery movements--United States
  • Gurney, James Joseph
  • Society of Friends--History
  • Wilbur, John,

Contributors

  • Comstock, Elizabeth L.
  • Stewart, Alexander Turney, 1803-1876
  • Stowe, Harriet Beecher, 1811-1896
  • Tobey, Samuel Boyd, 1805-1867
New Victoria Publishers

New Victoria Publishers Records

1974-2009
6 boxes 11 linear feet
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects

  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England

Contributors

  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers

Types of material

  • Photographs
New WORLD Theater

New WORLD Theater Records

1979-2010
41 boxes 61.5 linear feet
Call no.: RG 025/F2/N4
Image of Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst

Contributors

  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-

Types of material

  • Audiovisual materials
  • Sound recordings
Newland, Jacob and John E.

Jacob and John E. Newland Account Book

1798-1849
1 vol. 0.25 linear feet
Call no.: MS 197 bd

Jacob Newland and his son John Everit Newland were farmers in Mansfield, Mass., during the earlynational period. A Revolutionary War veteran, Jacob died in 1823, leaving much of his operation to John, his second son.

The account book kept by Jacob Newland and later John E. Newland of Mansfield, Massachusetts, details much about the work of these farmers and their interaction with neighbors in eastern Mansfield during the early nineteenth century. The customers, most of whom seem to have been fellow farmers, made frequent use of the Newlands’ animals and animal-drawn vehicles (carriage, “waggon,” “slay”) for riding and work, in addition to purchasing products, using the Newlands’ labor, and leasing pasture land. The book also served as a leaf press and scrapbook for newspaper items bearing upon the Woman’s Christian Temperance Union, mention of social events and anniversaries, children’s sayings, short romantic fiction, and as a copybook for poetry.

Acquired from Charles Apfelbaum, 1987

Subjects

  • Farmers--Massachusetts--Mansfield

Contributors

  • Newland, John E. (John Everit)

Types of material

  • Account books