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Jones, Richard, 1937-1991

Richard Jones Papers, ca.1970-1991
2 boxes (1 linear feet)
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects
  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Jones, Richard
Types of material
  • Photographs

Judice, Edward

Edward Judice Photograph Collection, 1973-2010
281 digital images, 2 videos
Call no.: PH 046
Image of Lathe operator, Rodney Hunt co., 1974
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects
  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.
Contributors
  • Judice, Edward
Types of material
  • Digital images
  • Video recordings

Kenseth-Abel, Elaine

Elaine Kenseth-Abel Cambodian Photographs, 1970-1979
1 box (1.5 linear feet)
Call no.: MS 115

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.

Subjects
  • Cambodia--Photographs
  • Cambodians--Massachusetts--Amherst
  • Refugees--Cambodia
  • Refugees--Thailand
  • Thailand--Photographs
Contributors
  • Huot, E. Seng
  • Kenseth-Abel, Elaine
Types of material
  • Photographs

Keystone View Company

World War Through the Stereoscope Collection, ca. 1917-1923
2 boxes
Call no.: PH 077
Image of Stereoscope
Stereoscope

The Keystone View Company was founded in Meadville, Penn., by Pennsylvania native B. L. Singley (1864-1938), who had been a salesman for the stereographic producer and distributor Underwood & Underwood. The first prints sold under the Keystone name were Singley’s own photographs of the 1892 French Creek flood. Incorporated in 1905, Keystone opened its Educational Department, creating products designed for classroom use, with an emphasis on social studies, geography, and the sciences. As the company grew, with branch offices in several major cities and staff photographers all over the world, it acquired the stereographic inventories of several of its competitors, including Underwood & Underwood, becoming the largest company of its kind in the world. In 1932, Keystone launched its Stereophthalmic Department, which included stereoscopic vision tests and products for correcting vision problems. Singley retired as Keystone’s president in 1936 or 1937, and Keystone was bought by Mast Development Company in 1963.

This 1923 boxed set, World War Through the Stereoscope, part of the “Stereographic Library” and housed in a box imitating the look of a two-volume set of books, contains 100 images of World War I and just after, taken ca. 1917-1921. The stereographic prints are pasted onto Keystone’s distinctive grey curved mounts, with extensive descriptive information on the reverse of each mount. Prints are numbered with identifiers—those beginning with “V” were originally Underwood photographs—as well as numbers indicating the order in which they are to be viewed. The stereographs are accompanied by a viewer, also manufactured by Keystone.

Gift of Ed Klekowski, May 2017
Subjects
  • World War, 1914-1918
Contributors
  • Keystone View Company
  • Singley, B. L. (Benjamin Lloyd)
  • Underwood & Underwood
Types of material
  • Photographs
  • Stereographs
  • Stereoscopes

Killgrove, Ethel A.

Ethel A. Killgrove Papers, 1948-1962 (Bulk: 1949-1951)
1 box (0.25 linear feet)
Call no.: MS 866
Image of Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950
Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950

Between 1948 and 1951, Chicagoan Ethel A. Killgrove worked as a missionary with the Sudan Interior Mission. A graduate of the St. Paul Bible Institute, Killgrove was based in Aden, Yemen, and worked spreading the gospel and in Addis Ababa, Ethiopia. After returning home in 1951, Killgrove studied education at Wheaton College (Bed, 1959) and Roosevelt (MEd., 1963), teaching in elementary schools in Illinois and Chester County, Pa. She died in Lancaster, Pa., in 2002.

The 142 letters that Killgrove wrote home to her parents and brother Tom include fascinating information on life as a missionary in British-controlled Aden and Ethiopia during the transitional years following the end of World War II. From her perspective on the southern rim of the Middle East, Killgore was witness to the of the impact of the formation of the state of Israel and the growing hostility toward colonial domination in the Arab world and Africa. The collection includes an excellent photograph album with 55 images of her time in mission, along with 65 other images.

Acquired from Michael Brown, May 2015
Subjects
  • Aden (Yemen)--Description and travel
  • Ethiopia--Description and travel
  • Missionaries--Africa
  • Missionaries--Ethiopia
  • Missionaries--Yemen
Contributors
  • Sudan Interior Mission
Types of material
  • Photographs

Kingsbury family

Kingsbury Family Papers, 1862-2006 (Bulk: 1881-1902)
10 boxes (6 linear feet)
Call no.: MS 504
Image of Kingsbury children, ca.1910
Kingsbury children, ca.1910

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.

Gift of Conrad and Michiko Totman, 2006
Subjects
  • Conway (Mass.)--Genealogy
  • Kingsbury Family
  • Shelburne (Mass.)--Genealogy
  • Totman family
Contributors
  • Drew, Raymond Totman, 1923-1981
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J
Types of material
  • Genealogies
  • Letters (Correspondence)
  • Memoirs
  • Photographs
  • Tintypes

Le, Van Khoa

Le Van Khoa Photograph Collection, Undated
7 items (0.1 linear feet)
Call no.: MS 170
Image of Going home
Going home

The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.

Subjects
  • Vietnam--Photographs
Types of material
  • Photographs

Lesinski-Rusin family

Lesinski-Rusin Family Papers, 1908-1925
2 boxes (1 linear feet)
Call no.: MS 131
Image of Nun and two girls at first communion, ca.1920
Nun and two girls at first communion, ca.1920

Polish immigrants Jan Lesinski and his wife Weronika (Rusin) settled in Easthampton, Massachusetts, in 1909 and worked in the textile mills there for decades. Married in 1922, the couple raised a son and daughter in their home on Franklin Street. Weronika Lesinski died in Northampton in 1961, her husband following twelve years later.

The Lesinski and Rusin family collection reflect the lives of an average working-class Polish family from Easthampton, Mass., during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, and the photographic postcards and commercial postcards document their relationships, interests, and travel.

Gift of Mary Ryan, June 1990
Language(s): Polish
Subjects
  • Lesinski family
  • Polish Americans--Massachusetts--Easthampton
  • Rusin family
  • Soldiers--Massachusetts--Easthampton--Photographs
  • World War, 1914-1918--Photographs
Types of material
  • Photographs
  • Postcards
  • Scrapbooks

Levy, Donald

Donald Levy Papers, 1966-1987
2 boxes (2 linear feet)
Call no.: MS 878
Image of Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

Subjects
  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts
Contributors
  • Richman, Jonathan (Vocalist)
Types of material
  • Clippings
  • Petitions
  • Photographs

Lewis, Gertrude Minnie, 1896-

Gertrude M. Lewis Papers, ca.1920-2001
6 boxes (3 linear feet)
Call no.: FS 096
Image of Gertrude
Gertrude "Jean" Lewis, ca.1935

Overcoming a deeply impoverished childhood, Gertrude Lewis struggled to build a career in education, putting herself through college and graduate school. At the age of 32, she earned a bachelor’s degree from Ohio State, continuing on to a masters degree at New York University (1933), and finally, at age 51, a PhD from Yale (1947). For many years after receiving her doctorate, Lewis was employed as a Specialist for Upper Grades with the U.S. Office of Education in Washington. Among other career highlights, Lewis spent two years in Japan (1950-1951) as a Consultant in Elementary Education in the Education Section of the Allied Occupation government (SCAP). Lewis outlived her life partner, Ruth Totman, dying at home on December 10, 1996, a few months after her one hundredth birthday.

The Lewis Papers document the work and life of an educator of the masses, a traveler of the world, and a woman of the twentieth century. Documents pertaining to her work as an educator of both young students and veteran teachers show the changes within the theory and practice of pedagogy over time, over various geographic locales, and also highlight her role in that change. This collection also documents the numerous on-going side projects on which Lewis worked, including fostering creativity in schoolchildren, a biography of Franklin D. and Eleanor Roosevelt, and her own poetry and prose.

Subjects
  • Education, Elementary--Japan
  • Education, Elementary--United States--History
  • Education--Evaluation
  • Education--United States--History
  • Health Education--United States
  • Japan--Civilization--American influences
  • Students--Health and hygiene
Contributors
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J
Types of material
  • Motion pictures (Visual work)
  • Photographs

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