David Baschard Account Book, 1763-1774.
1 vol. (0.25 linear feet).
Call no.: MS 142
David Baschard (sometimes spelled Bichaud) was an innkeeper and merchant in Nantucket during the middle decades of the eighteenth century. Althouth little is known about the specifics of his life, when he died at the age of 50 on Feb. 9, 1770, he left a substantial estate valued at £1000. He left a legacy to his sister Mary and the remainder, including a “negro slave girl” and a pew in the Congregational Meeting House, to his wife Elizabeth (Hussey).
A standard two-column account book, David Baschard’s ledger records the day to day transactions of a Nantucket merchant of the 1760s. Trading actively in a range of sundries and domestic goods such as cloth, apparel, sugar, tea, and tobacco, Baschard also sold liquors of various sorts, including punch, grog, wine, and rum. In addition to his local Nantucket clientele (members of the Starbuck, Coffin, Rotch, and Folger families among them), he traded in towns along the Cape Cod and elsewhere in southeastern Massachusetts, including Harwich, Rochester, Dartmouth, Falmouth, and Martha’s Vineyard. Accounts were settled both in cash and in kind.
- Hotelkeepers--Massachusetts--Nantucket Island
- Merchants--Massachusetts--Nantucket Island
- Nantucket Island (Mass.)--Economic conditions
- Nantucket Island (Mass.)--History
Types of material
Mark A. Baszak Papers, 1991-1992.
1 box (0.25 linear feet).
Call no.: MS 653
Born in Springfield in 1960 and raised in the Pioneer Valley, Mark A. Baszak received a bachelors degree in music composition and MEd. from UMass Amherst. Beginning shortly after completing graduate study, Baszak played a prominent part for over two decades in promoting the arts at his alma mater, serving as Acting Director of the Performing Arts Division (1987-1989), Coordinator and then Director of the Jazz in July program (1990-2008), Associate Director of Multicultural Programs (1993), and organizer of the Black Musicians Conferences and Festival (1989-1999). As an arts and culture representative of the Massachusetts Hokkaido Sister State Association in the early 1990s, Baszak helped foster exchanges between the sister states, visiting Hokkaido with the first official state delegation in 1991. Baszak died after a brief illness on September 25, 2008.
Documenting the early efforts to build upon the 1990 designation of Hokkaido and Massachusetts as sister states, the Baszak collection includes materials concentrated on the first Hokkaido Week in Amherst and the delegation that accompanied Gov. William Weld to Hokkaido in 1991. In addition to correspondence and memos, the collection includes ephemera collected by Baszak during the various ceremonies and transcripts of speeches delivered.
- Massachusetts-Hokkaido Sister State Association
- Baszak, Mark A
- Weld, William F
Peter Benes Collection, ca.1975-1986.
1 box (1 linear feet).
Call no.: PH 017
Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.
The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.
- Stone carving--Massachusetts
- Association for Gravestone Studies
- Benes, Peter
Types of material
Maurice Emmanuel Hippolyte Binet Collection, 1784-1852 (Bulk: 1794-1814).
2 boxes (1 linear feet).
Call no.: MS 738
During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.
Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.
- Brabant (Belgium)--History
- Dyle (Belgium)
- France--History--Revolution, 1789-1799
- Napoleonic Wars--1800-1815
- Police--France--18th century
- Lambrechts, Charles Joseph Matthieu, 1753-1823
- Mallarmé, François René Augustin, 1755-1831
Types of material
Black Mass Communications Project Collection, ca.1970-1985.
10 boxes (15 linear feet).
Call no.: RG 045/30 B4
The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.
The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.
- African American college students
- African American music
- College radio stations--Massachusetts
- WFCR (Radio station : Amherst, Mass.)
- WMUA (Radio station : Amherst, Mass.)
Types of material
Joseph Laurence Black History of the Book Collection, 1789-1964.
128 items (3 linear feet).
Call no.: RB 023
A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.
The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.
- Books--History--United States
- Dime novels, American
Types of material
Ella Dot Martin Blake Sheet Music Collection, 1902-1941.
1 box (1.5 linear feet).
Call no.: RBR
Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).
Boston & Albany Railroad Engineering Department Map Collection, 1833-1920.
Call no.: MS 130
The Boston and Albany Railroad was formed between 1867 and 1870 from the merger of three existing lines, the Boston and Worcester (chartered 1831), the Western (1833), and the Castleton and West Stockbridge (1834). The corporation was a primary east-west transit through the Commonwealth, with branches connecting towns including Athol, Ware, North Adams, and Hudson, N.Y.
The nineteen atlases comprising this collection include detailed plans documenting the location and ownership of rights of way, land-takings, and other land transfers to or from the railroad company. Dating from the early years of operation for the corporation to just after the turn of the century, the atlases include maps of predecessor lines (Boston and Worcester Railroad Corporation and Western Rail-Road), as well as the Grand Junction Railway Company (Charlestown, Somerville, Everett, and Chelsea), the Ware River Railroad, and the Chester and Becket Railroad.
- Boston and Albany Railroad Co.--Maps
- Boston and Worcester Railroad Corporation--Maps
- Chester and Becket Railroad--Maps
- Grand Junction Railway Company--Maps
- Real property--Massachusetts--Maps
- Ware River Railroad--Maps
- Western Rail-Road Corporation--Maps
- Boston & Albany Railroad Company. Engineering Department
Types of material
Boston Jazz Society Records, ca. 1973-2014.
6 boxes (10 linear feet).
Call no.: MS 880
Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.
The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.
- Jazz musicians--Massachusetts--Boston
- Berklee School of Music
- Haynes, Roy
- Henderson, Aureldon Edward
- New England Conservatory of Music
Broadside Press Collection, 1965-1984.
1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.
The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.
- African American poets
- African American writers
- Black Arts Movement
- Broadside Press
- Brooks, Gwendolyn, 1917-2000
- Emanuel, James A
- Giovanni, Nikki
- Knight, Etheridge
- Madhubuti, Haki R., 1942-
- Randall, Dudley, 1914-
- Sanchez, Sonia, 1934-
Types of material