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Results for: “Music--19th century” (262 collections)SCUA

Alford Marble Works

Alford Marble Works Records, 1870-1873.

1 vol. (0.1 linear feet).
Call no.: MS 649 bd

Beginning in the early nineteenth century, the small town of Alford in far southwestern Massachusetts was the site of significant marble quarrying operations. Highly profitable for several decades, the quarries began to decline in profitability by mid-century when new sites became accessible by rail. By the early 1870s, the Alford Marble Works stood as one of the last quarries in the region to remain active.

The Alford Marble Works ledger includes pay and work records for quarrymen during its last years of operation. Although the Marble Works is sometimes recorded as suspending activity in 1872, it is clear from these records that their work continued through the end of 1873.

Subjects

  • Gravestones--Massachusetts
  • Marble industry and trade--Massachusetts

Contributors

  • Alford Marble Works
  • Association for Gravestone Studies

Types of material

  • Account books

Allen, Frances and Mary

DigitalFinding aid

Frances and Mary Allen Collection of Deerfield Photographs, 1900-1910.

1 vol. (0.25 linear feet).
Call no.: PH 001
Deerfield, Mass.
Deerfield, Mass.

Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period.

The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.

Subjects

  • Deerfield (Mass.)--Photographs
  • Women photographers--Massachusetts

Contributors

  • Allen, Frances
  • Allen, Mary E. (Mary Electa), 1858-1941

Types of material

  • Photographs

Alspach, Russell K. (Russell King), 1901-

Russell K. Alspach Papers, 1950-1978.

1 box (0.5 linear feet).
Call no.: FS 025

Russel K. Alspach earned his PhD in 1932 from the University of Pennsylvania where he taught English from 1924-1942. After four years of service in the U.S. Navy during World War II, he spent eighteen years as head of the Department of English at West Point Military Academy before retiring in 1965 with the rank of Brigadier General. A specialist in Irish literature with wide ranging interests running from William Butler Yeats to Percy Blythe Shelley and William Faulkner, Alspach published prolifically throughout his career. He took a post-retirement appointment at UMass in 1966, but hardly retired, eventually becoming Head of the Department of English, and teaching until his final retirement and death in 1980.

The Alspach Papers consist of professional correspondence, drafts of writing, and reviews written by Russell K. Alspach. The small collection includes grant applications and notes for Alspach’s Yeats Study Series, as well as a 3.75 inch monographic recording of readings and music by unidentified artists. The Department of Special Collections and University Archives is also home to the Alspach Yeats Collection of rare books.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
  • Yeats, W. B. (William Butler), 1865-1939

Contributors

  • Alspach, Russell K. (Russell King), 1901-

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.


On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

American Watch Company. Band

Finding aid

American Watch Company Band Engagement Book, 1878-1883.

1 vol. (0.25 linear feet).
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.

Subjects

  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century

Contributors

  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)

Types of material

  • Appointment books

Anglin family

Finding aid

Anglin Family Papers, 1874-1955 (Bulk: 1914-1926).

2 boxes (1 linear feet).
Call no.: MS 699
Anglin family and friends, ca.1921
Anglin family and friends, ca.1921

Born in Cork, Ireland to a prosperous family, the Anglin siblings began immigrating to Canada and the United States in 1903. The first to relocate to Canada, brothers Will and Sydney pursued vastly different careers, one as a Presbyterian minister and the other as a salesman at a Toronto slaughterhouse. George and Crawford both served in the military during World War I, the former in the British Infantry as a medical officer and the latter in the 4th University Overseas Company first in France and later in Belgium where he died saving the life of a wounded soldier. Gladys Anglin trained as a nurse, but worked in a Canadian department store and at the Railway Office before suffering a mental breakdown and entering the Ontario Hospital as a patient. Ethel remained in Ireland the longest where she taught Domestic Economics at a technical school. The only Anglin to immigrate to the United States and the only female sibling to marry, Ida and husband David Jackson settled in Monson, Massachusetts where they raised four daughters.

The Anglin siblings were part of a close knit family who stayed in contact despite their geographic separation through their correspondence. Siblings wrote and exchanged lengthy letters that document not only family news, but also news of local and national significance. Topics addressed in their letters include World War I, the Irish revolution, medicine, religious ministry, and domestic issues from the ability of a single woman to support herself through work to child rearing.

Subjects

  • Anglin family--Correspondence
  • Ireland--Emigration and immigration--History
  • Ireland--History--War of Independence, 1919-1921
  • Irish--Canada--History
  • Irish--United States--History
  • World War, 1914-1918

Arcadia Players

Arcadia Players Records, 1989-2005.

18 boxes (27 linear feet).
Call no.: MS 451

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

Subjects

  • Music--17th century
  • Music--18th century
  • Musicians--Massachusetts

Contributors

  • Arcadia Players

Baschard, David

Finding aid

David Baschard Account Book, 1763-1774.

1 vol. (0.25 linear feet).
Call no.: MS 142

David Baschard (sometimes spelled Bichaud) was an innkeeper and merchant in Nantucket during the middle decades of the eighteenth century. Althouth little is known about the specifics of his life, when he died at the age of 50 on Feb. 9, 1770, he left a substantial estate valued at £1000. He left a legacy to his sister Mary and the remainder, including a “negro slave girl” and a pew in the Congregational Meeting House, to his wife Elizabeth (Hussey).

A standard two-column account book, David Baschard’s ledger records the day to day transactions of a Nantucket merchant of the 1760s. Trading actively in a range of sundries and domestic goods such as cloth, apparel, sugar, tea, and tobacco, Baschard also sold liquors of various sorts, including punch, grog, wine, and rum. In addition to his local Nantucket clientele (members of the Starbuck, Coffin, Rotch, and Folger families among them), he traded in towns along the Cape Cod and elsewhere in southeastern Massachusetts, including Harwich, Rochester, Dartmouth, Falmouth, and Martha’s Vineyard. Accounts were settled both in cash and in kind.

Subjects

  • Hotelkeepers--Massachusetts--Nantucket Island
  • Merchants--Massachusetts--Nantucket Island
  • Nantucket Island (Mass.)--Economic conditions
  • Nantucket Island (Mass.)--History

Types of material

  • Account books

Baszak, Mark A.

Mark A. Baszak Papers, 1991-1992.

1 box (0.25 linear feet).
Call no.: MS 653

Born in Springfield in 1960 and raised in the Pioneer Valley, Mark A. Baszak received a bachelors degree in music composition and MEd. from UMass Amherst. Beginning shortly after completing graduate study, Baszak played a prominent part for over two decades in promoting the arts at his alma mater, serving as Acting Director of the Performing Arts Division (1987-1989), Coordinator and then Director of the Jazz in July program (1990-2008), Associate Director of Multicultural Programs (1993), and organizer of the Black Musicians Conferences and Festival (1989-1999). As an arts and culture representative of the Massachusetts Hokkaido Sister State Association in the early 1990s, Baszak helped foster exchanges between the sister states, visiting Hokkaido with the first official state delegation in 1991. Baszak died after a brief illness on September 25, 2008.

Documenting the early efforts to build upon the 1990 designation of Hokkaido and Massachusetts as sister states, the Baszak collection includes materials concentrated on the first Hokkaido Week in Amherst and the delegation that accompanied Gov. William Weld to Hokkaido in 1991. In addition to correspondence and memos, the collection includes ephemera collected by Baszak during the various ceremonies and transcripts of speeches delivered.

Subjects

  • Massachusetts-Hokkaido Sister State Association

Contributors

  • Baszak, Mark A
  • Weld, William F

Benes, Peter

Peter Benes Collection, ca.1975-1986.

1 box (1 linear feet).
Call no.: PH 017
Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects

  • Gravestones--Massachusetts
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Benes, Peter

Types of material

  • Photographs