Joseph Laurence Black History of the Book Collection, 1789-1964.
128 items (3 linear feet).
Call no.: RB 023
A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.
The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.
- Books--History--United States
- Dime novels, American
Types of material
Ella Dot Martin Blake Sheet Music Collection, 1902-1941.
1 box (1.5 linear feet).
Call no.: RBR
Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).
Boston & Albany Railroad Engineering Department Map Collection, 1833-1920.
Call no.: MS 130
The Boston and Albany Railroad was formed between 1867 and 1870 from the merger of three existing lines, the Boston and Worcester (chartered 1831), the Western (1833), and the Castleton and West Stockbridge (1834). The corporation was a primary east-west transit through the Commonwealth, with branches connecting towns including Athol, Ware, North Adams, and Hudson, N.Y.
The nineteen atlases comprising this collection include detailed plans documenting the location and ownership of rights of way, land-takings, and other land transfers to or from the railroad company. Dating from the early years of operation for the corporation to just after the turn of the century, the atlases include maps of predecessor lines (Boston and Worcester Railroad Corporation and Western Rail-Road), as well as the Grand Junction Railway Company (Charlestown, Somerville, Everett, and Chelsea), the Ware River Railroad, and the Chester and Becket Railroad.
- Boston and Albany Railroad Co.--Maps
- Boston and Worcester Railroad Corporation--Maps
- Chester and Becket Railroad--Maps
- Grand Junction Railway Company--Maps
- Real property--Massachusetts--Maps
- Ware River Railroad--Maps
- Western Rail-Road Corporation--Maps
- Boston & Albany Railroad Company. Engineering Department
Types of material
Boston Jazz Society Records, ca. 1973-2014.
6 boxes (10 linear feet).
Call no.: MS 880
Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.
The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.
- Jazz musicians--Massachusetts--Boston
- Berklee School of Music
- Haynes, Roy
- Henderson, Aureldon Edward
- New England Conservatory of Music
Vincent Brann Papers, ca.1917-2005.
(7.5 linear feet).
Call no.: FS 094
Vincent Clinton Brann was a Professor of Dramaturgy and Directing at UMass Amherst. Born Feb. 19, 1927 in Knoxville, Iowa, Brann served in the United States Army during WWII. After completing his B.A. at the University of Iowa in 1950 he was again called to serve in the Army during the Korean Conflict (1950-1951). Brann held faculty positions at Carnegie Institute of Technology, University of Maryland Overseas Program Europe, and Smith College before joining the faculty at the University of Massachusetts Amherst in the Speech Department in 1964. Brann remained in the Speech Department until 1972 when it became the Department of Theater; he continued to teach in the Department of Theater until his retirement in 1988. Brann was well-known for his oral interpretation and performance classes as well as his productions and original scripts. At the time of his death in 2007 he was Professor Emeritus of Dramaturgy and Directing.
The Brann Papers are a collection of genealogical materials dating to the early 20th century, correspondence, family and travel photographs (particularly of Spain and France), play scripts with director’s notes, musical theater scores, and Brann’s college yearbooks.
- Brann family
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Speech
- University of Massachusetts Amherst. Department of Theater
Broadside Press Collection, 1965-1984.
1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.
The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.
- African American poets
- African American writers
- Black Arts Movement
- Broadside Press
- Brooks, Gwendolyn, 1917-2000
- Emanuel, James A
- Giovanni, Nikki
- Knight, Etheridge
- Madhubuti, Haki R., 1942-
- Randall, Dudley, 1914-
- Sanchez, Sonia, 1934-
Types of material
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives
William Penn Brooks Papers, 1863-1939.
3 boxes (1.5 linear feet).
Call no.: RG 003/1 B76
Two years after graduating from Massachusetts Agricultural College in 1875, William Penn Brooks accepted an invitation from the Japanese government — and his mentor, William Smith Clark — to help establish the Sapporo Agricultural School. Spending over a decade in Hokkaido, Brooks helped to introduce western scientific agricultural practices and the outlines of a program in agricultural education, and he built a solid foundation for the School. After his return to the states in 1888, he earned a doctorate at the University of Halle, Germany, and then accepted a position at his alma mater, becoming a leading figure at the Massachusetts Experiment Station until his retirement in 1921.
Brooks’ papers consist of correspondence, photographs, newspaper clippings, an account book, and translations which provide rich detail on Brooks’ life in Japan, the development of Sapporo Agricultural College (now Hokkaido University), and practical agricultural education in the post-Civil War years.
- Agricultural colleges--Japan--History
- Clark, William Smith, 1826-1886
- Hokkaido (Japan)--History
- Hokkaid¯o Daigaku
- Japan--Description and travel--19th century
- Massachusetts Agricultural College--History
- Massachusetts State Agricultural Experiment Station
- Sapporo N¯ogakk¯o--History
- Sapporo-shi (Japan)--History
- Brooks, William Penn, 1851-
Types of material
Christopher Bryson and Joel Griffiths Papers, 1997-2010.
6 boxes (9 linear feet).
Call no.: MS 810
In the spring of 1997, the investigative journalists Chris Bryson and Joel Griffiths were commissioned by the Christian Science Monitor to investigate the connections between the Manhattan Project and the origins of fluoridation of drinking water supplies. Using reclassified documents obtained through Freedom of Information requests and deep archival research, Bryson and Griffiths uncovered a powerful story that connected the rise of fluoridation to the rise of atomic weapons production in the early Cold War era. Although the Monitor elected not to publish the article, it appeared in the anti-fluoridation journal Waste Not in 1998, and was cited as the year’s 18th most censored story in the 1998 Project Censored Series. Bryson continued his work on the military-industrial roots of fluoridation in a later book, The Fluoride Deception (2004), which received that year’s Project Censored Award.
The Bryson-Griffiths collection consists of materials compiled by the authors during the course of their research, representing the intellectual work of a decade of study on the politics and science of fluoridation. The collection includes a range of correspondence, transcripts of original interviews, memos between Bryson and Griffiths, and archival material gathered from the Manhattan Project and Kettering Laboratory archives. Noteworthy among these materials is a series of suppressed, unpublished, industry-funded studies that found fluoride harmful.
- Antifluoridation movement
- Drinking water--Law and legislation--United States
- Fluorides--Physiological effect
Bullard Family Scrapbook, 1898-1901.
1 item (0.1 linear feet).
Call no.: MS 112
The Bullard family were among the early settlers of New Salem, Massachusetts, a small, rural town incorporated in the western part of the state in 1753.
Assembled by a member of the Bullard family at the turn of the twentieth century, this scrapbook contains an apparently complete set of clippings from a local newspaper column containing community news from the three villages of New Salem, North New Salem, and Millington. The entries cover the usual community news, such as the comings and goings of local residents and visitors to town, community events, and other local news, and a number of well-established New Salem families are represented, including the Ballards, Bullards, Cogswells, Haskells, Paiges, Pierces, and Stowells. The first three pages consist of announcements of births, deaths, and weddings. The original volume has been retained by the family.
- Millington (Mass.)--History
- New Salem (Mass.)--History
- New Salem (Mass.)--Social life and customs
- North New Salem (Mass.)--History
Types of material