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Chrisman, Miriam Usher

Miriam Chrisman Papers, 1937-2007
13 boxes (9 linear feet)
Call no.: FS 128
Miriam Chrisman Papers image
Miriam U. Chrisman, 1964

A noted scholar of the social impact of the German Reformation, Miriam Usher Chrisman was born in Ithaca, New York, on May 20, 1920. With degrees from Smith College, American University, and Yale, she served for over thirty years on the faculty of the Department of History at the University of Massachusetts Amherst, becoming a well-loved professor and treasured mentor to a generation of students.

A faithful and colorful correspondent, the bulk of Miriam Chrisman’s papers consist of letters written to family and friends stretching from her college days at Smith through the year before her death. The bulk of the correspondence is with her husband, Donald Chrisman, an orthopedic surgeon who was enrolled at Harvard Medical School during their courtship. Soon after the Chrismans married in November 1943, Donald left for active duty in the Navy on the U.S.S. Baldwin. The couple’s war correspondence is unusually rich, offering insight on everything from the social responsibilities of married couples to their opinions on the progression of the war. Of particular note is a lengthy letter written by Donald during and immediately after D-Day in which he provides Miriam a real-time description of the events and his reactions as they unfold. Later letters document Miriam’s extensive travels including a trip around the world. .

Subjects
  • Smith College--Students
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History
  • World War, 1939-1945
Contributors
  • Chrisman, Miriam Usher
Types of material
  • Letters (Correspondence)

Clapp, Lyman

Lyman Clapp Diary, 1825 August 8-25

When Lyman Clapp and Lucia Cowls agreed to marry in 1825, they took a celebratory tour of western Massachusetts and northern Connecticut. Over nine days, they traveled from Mt. Pleasant, Mass. (possibly in Worcester County) through Brimfield to Stafford, Tolland, Vernon, Hartford, and Litchfield, Connecticut, before returning home by way of Springfield and Northampton. The Clapp’s party consisted of the engaged couple chaperoned by Lucia’s parents, and they were joined by a relative, Edward, near Hartford.

Filled with interesting vignettes of travel in western New England during the 1820s, Clapp’s diary includes fine descriptions of the various taverns and inns they visited en route and the range of natural and cultural sites, from rolling hills to modern milling technology. Among other sights that caught Clapp’s eye were the the Charter Oak, a hermit living in the hills near Avon, the Walcott Factories at Torrington, Northampton, and the extraordinary view from the top of Mount Holyoke.

Subjects
  • African Americans--Connecticut
  • Brookfield (Mass.)--Description and travel--19th century
  • Connecticut--Description and travel--19th century
  • Ferries--Massachusetts
  • Hartford (Conn.)--Description and travel--19th century
  • Hermits--Connecticut
  • Litchfield (Conn.)--Description and travel--19th century
  • Massachusetts--Description and travel--19th century
  • Mount Holyoke (Mass.)--Description and travel--19th century
  • Northampton (Mass.)--Description and travel--19th century
  • Springfield (Mass.)--Description and travel--19th century
  • Stafford (Conn.)--Description and travel--19th century
  • Taverns (Inns)--Connecticut
  • Vernon (Conn.)--Description and travel--19th century
Contributors
  • Clapp, Lyman
Types of material
  • Diaries

Colburn, Paul

Paul and Olive Colburn Collection, 1894-2001
1 box (0.5 linear feet)
Call no.: MS 860
Paul and Olive Colburn Collection image
Jonathan Dow marker, Eastern Cemetery, Portland, Me.

Husband and wife Paul Francis and Olive (“Tommie” Fox) Colburn were active members of the Association for Gravestone Studies from the 1980s. Natives of Lowell, Mass., and long-time residents of Berwick, Me., the Colburns shared an interest in New England gravestones and marker symbolism, with Tommie enjoying a particular specialty in metal-based markers.

The Colburn collection represents a cross-section of the couple’s work documenting and lecturing about New England grave markers and marker symbolism as well as Victorian funerary practice. Of note are a small number of items reflecting Victorian mourning culture, including images of funeral wreaths and arrangements, three mourning handkerchiefs, and a funeral card.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Maine
  • Gravestones--Massachusetts
  • Gravestones--New Hampshire
  • Gravestones--New York
  • Gravestones--Rhode Island
  • Gravestones--Vermont
Contributors
  • Colburn, Olive
Types of material
  • Handkerchiefs
  • Photographs

Double Edge Theater

Double Edge Theatre Records, 1970-2002
28 boxes (15.5 linear feet)
Call no.: MS 455
Double Edge Theatre Records image
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Francis, Robert, 1901-1987

Robert Francis Papers, 1891-1988
17 boxes (8.25 linear feet)
Call no.: MS 403
Robert Francis Papers image
Robert Francis, by Frank A. Waugh,
Nov. 1939

The poet and essayist Robert Francis settled in Amherst, Mass., in 1926, three years after his graduation from Harvard, and created a literary life that stretched for the better part of half a century. An associate of Robert Frost and friend of many other writers, Francis occasionally worked as a teacher or lecturer, including a brief stint on the faculty at Mount Holyoke College, but he sustained himself largely through his writing, living simply in “Fort Juniper,” a cottage he built on Market Hill Road in North Amherst. A recipient of the Shelley Award (1939) and the Academy of American Poets award for distinguished poetic achievement (1984), Francis was a poet in residence at both Tufts (1955) and Harvard (1960) Universities. He died in Amherst in July 1987.

The Francis Papers contains both manuscript and printed materials, drafts and finished words, documenting the illustrious career of the poet. Of particular note is Francis’s correspondence with other writers, publishing houses, and readers, notably Paul Theroux. Also contains personal photographs and Francis family records and a small number of audio recordings of Francis reading his poetry. Letters from Francis to Regina Codey, 1936-1978, can be found in MS 314 along with two typescript poems by Francis.

Connect to another siteListen to interviews with Francis on Poems to a Listener", 1977-1978
Subjects
  • Amherst (Mass.)--History
  • Poetry--Publishing
  • Poets--Massachusetts
  • University of Massachusetts Press
Contributors
  • Brown, Rosellen
  • Ciardi, John, 1916-
  • De Vries, Peter
  • Fitts, Dudley, 1903-
  • Francis, Robert, 1901-1987
  • Hall, Donald, 1928-
  • Humphries, Rolfe
  • Moore, Marianne, 1887-1972
  • Moss, Howard, 1922-
  • Shawn, Ted, 1891-1972
  • Theroux, Paul
  • Wilbur, Richard, 1921-
Types of material
  • Audiotapes
  • Phonograph records
  • Photographs

Gwin, Lucy

Lucy Gwin Papers, 1982-2005
8 boxes (12 linear feet)
Call no.: MS 822

Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.

Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.

Subjects
  • Disabled--Civil rights
  • Mouth Magazine

Hagar, Joseph A. (Joseph Archibald), 1896-1989

Joseph A. Hagar Papers, 1897-1976 (Bulk: 1930-1965)
6 boxes (7.92 linear feet)
Call no.: MS 743
Joseph A. Hagar Papers image
Hudsonian godwit hatchlings

An ornithologist and conservationist for the Commonwealth of Massachusetts, Joseph A. “Archie” Hagar’s career was rooted in the generation of naturalists such as William Brewster, Edward Howe Forbush, and Arthur Cleveland Bent. Born in Lawrence, Mass., on May 13, 1896, Hagar’s undergraduate career at Harvard was interrupted by service in the First World War, after which he completed his studies at the Massachusetts Agricultural College, graduating with the class of 1921. An expert field biologist and ecologist, he was appointed State Ornithologist in the Department of Fish and Game in November 1934 serving in that position for almost twenty five years. A specialist in waterfowl and raptors, Hagar was deeply involved in early conservation efforts in New England, noted for his work on wetland conservation and for linking the use of DDT with eggshell thinning in peregrine falcons, and he was famously at the center of a dispute with the U.S. Fish and Wildlife Service over the design of the Parker River Wildlife Refuge. Never a prolific writer, he was an active member of the American Ornithological Union, the Nuttall Ornithological Club, the Wildlife Society, and other professional organizations, and after retirement, he was specially cited for his work in waterfowl conservation by Ducks Unlimited. Active until late in life, he died at home in Marshfield Hills on Dec. 17, 1989.

The Hagar Papers are a deep and valuable resource for the study of New England birds and the growth of modern conservation biology. With abundant professional correspondence, field notes on shorebirds and raptors, and drafts of articles, the collection documents the full range of Hagar’s activities as State Ornithologist, including a particularly thick run of material for the controvery over the Parker River Wildlife Refuge. Hagar also acquired a set of field notes, 1897-1921, from the Harvard ornithologist John E. Thayer.

Subjects
  • Birds--Massachusetts
  • Black duck
  • Conservationists--Massachusetts
  • Massachusetts Agricultural College--Alumni and alumnae
  • Ornithologists--Massachusetts
  • Parker River National Wildlife Refuge
Contributors
  • Hagar, Joseph A. (Joseph Archibald), 1896-1989
Types of material
  • Field notes
  • Letters (Correspondence)
  • Photographs

Hampshire Community Action Commission

Hampshire Community Action Commission Records, 1965-1984
25 boxes (10.5 linear feet)
Call no.: MS 056

A private, non-profit corporation founded in 1965 in Northampton, Massachusetts to finance community action programs for eliminating poverty and assisting low income people. Programs included day care centers, Neighborhood Youth Corps, Summer Head Start, a drug addiction clinic at the jail, Legal Services, and the Foster Grandparent Program.

Records comprise bylaws and organizational charts, annual reports, board of directors minutes; administrative directors’ records, including correspondence with the federal agencies and state agencies granting funds, grant applications and awards, program plans, financial and legal documents, personnel records and staff training directives; the agency newsletter County Voice, Noticero Latina; and newsclippings about welfare programs.

Subjects
  • Hampshire Community Action Commission
  • Hampshire County (Mass.)--Social conditions
  • Social service--Massachusetts--Hampshire County

Healy, Mary Frances

Mary Frances Healy Photograph Album, 1919
1 vol., 53 images (0.25 linear feet)
Call no.: PH 069
Mary Frances Healy Photograph Album image
Etoile Club, 1919

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

Subjects
  • Belleau, Bois de (France)--Photographs
  • National Catholic War Council---Photographs
  • Nurses--Photographs
  • Paris (France)--Photographs
  • World War, 1914-1919--Photographs
Types of material
  • Photograph albums
  • Photographs

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992
44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Gordon Heath Papers image
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects
  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
Contributors
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

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