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Massachusetts Federation of Business and Professional Women

Massachusetts Federation of Business and Professional Women Records, 1925-1992
25 boxes (36.5 linear feet)
Call no.: MS 394

First called for in 1918 as a result of the need for a coordinated women’s effort during World War I, the National Federation of Business and Professional Women’s Clubs was not officially formed until just after the armistice was signed in 1919. The new organization did not die with the end of the war, however, as first expected. Instead the group determined that the need for a national business women’s organization was of equal or greater importance during a time of peace. Today Massachusetts state affiliates continue to improve the lives of working women through action on issues such as economic empowerment, women’s health, family and medical leave, and pay equity.

The records of the Massachusetts Federation of Business and Professional Women consist chiefly of correspondence and minutes of meetings, which together chronicle the various issues the state club has worked on for more than sixty years. In addition to materials that document the efforts of the state affiliate there are also records for local chapters in Massachusetts (Hampshire County and Upper Cape Cod centered in Falmouth) which include annual reports and newsletters. Publications issued by the parent organization, BPW/USA, connect the national agenda with topics of importance to the state and local chapters.

Subjects
  • Businesswomen--Massachusetts
  • Women--Massachusetts
  • Women--Societies and clubs--History
Contributors
  • Business and Professional Women/USA
  • Massachusetts Federation of Business and Professional Women

Massachusetts Review

David Lenson, editor of the Massachusetts Review, hosts MR2, an hour-long radio show on radio station WMUA (FM 91.1) featuring interviews with local writers, artists, and cultural critics.

Digital copies of the interviews can be purchased through the Massachusetts Review.

 

  • Sut Jhally, Professor of Communication at UMass Amherst and Director of the Media Education Foundation.
      Broadcast: Jan. 9, 2003 (File size: 13.6 Mb)
  • Bill Streeter, owner of Silver Maple Bindery in Northampton
      Broadcast: Jan. 2, 2003 (13.4 Mb)
  • Hans Teensma, principle of the design firm InPress, Northampton, Mass.
      Broadcast: Jan. 9, 2003 (13.0 Mb)
  • Dara Wier, poet and Professor in the MFA program at UMass Amherst
      Broadcast: Jan. 2, 2003 (12.6 Mb)
  • Matthew Zapruder, Poet and publisher
      Broadcast: March 6, 2003 (14.1 Mb)

Massachusetts State Building & Construction Trades Council

Massachusetts State Building and Construction Trades Council Collection, 1959-1972
1 box (0.25 linear feet)
Call no.: MS 327

An advocate for unionized construction workers in the state, the Massachusetts State Building and Construction Trades Council collection consists chiefly of conference proceedings.

Subjects
  • Construction workers--Labor unions--Massachusetts
  • Labor unions--Massachusetts
Contributors
  • Massachusetts State Building and Construction Trades Council

Ambellan, Harold

Harold Ambellan Memoir, 2005
1 item (75p.)
Call no.: MS 855

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.

Subjects
  • Artists--20th century
  • Democracy
  • Depressions, 1929
  • Expatriate artists--France
  • New Deal, 1933-1939
  • Sculptors--20th century
  • World War, 1939-1945
Contributors
  • Diehl, Victoria
  • Guthrie, Woody, 1912-1967
Types of material
  • Memoirs
  • Oral histories

Battey, Elizabeth

Elizabeth Battey Papers, 1900-1914
13 items (0.25 linear feet)
Call no.: MS 947

Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.

The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant’s distance.

Gift of I. Eliot Wentworth, Oct. 2016
Subjects
  • Aristocracy (Social class)--Great Britain
  • Gopsall Estate (England)
  • Housekeepers--Great Britain
  • Howe, Francis Richard Henry Penn Curzon, Earl, 1884-1964
  • Howe, Richard George Penn Curzon, Earl
  • Warwick (England)--Description and travel
  • Warwick Castle (Warwick, England)
  • Warwick, Frances Evelyn Maynard Greville, Countess of, 1861-1938
Contributors
  • McCulloch, Elizabeth E.

Benes, Peter

Peter Benes Collection, ca.1975-1986
1 box (1 linear feet)
Call no.: PH 017
Image of Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects
  • Gravestones--Massachusetts
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Benes, Peter
Types of material
  • Photographs

Berke, David M.

David M. Berke Collection of Nuremberg Trials Depositions, 1944-1945
1 box (0.25 linear feet)
Call no.: MS 804

During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.

The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.

Gift of Cathy Abrams
Subjects
  • Buchenwald (Concentration camp)
  • Dachau(Concentration camp)
  • Flossenburg (Concentration camp)
  • Innsbruck-Reichenau (Labor reform camp)
  • Ravensbruck (Concentration camp)
  • Sachsenhausen (Concentration camp)
  • World War, 1939-1945--Atrocities
  • World War, 1939-1945--Prisoners and prisons
Contributors
  • Franz, Edmund F.
  • United States. Army. Counter Intelligence Corps
  • United States. Army. Office of Special Services
Types of material
  • Depositions

Book of Hours (Use of Rome)

Book of Hours (Use of Rome), ca.1465
1 vol. (144 fol. linear feet)
Call no.: MS 963
Image of Office of the Blessed Virgin Mary
Office of the Blessed Virgin Mary

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Acquired from Scott Gwara, Feb. 2017
Language(s): Latin
Subjects
  • Books of hours--Belgium--Early works to 1800
Contributors
  • Catholic Church--Liturgy--Texts--Early works to 1800
  • Catholic Church--Prayers and devotions--Latin--Early works to 1800
  • Hammer, Christian, 1818-1905
  • Virgin, Thore, 1886-1957
Types of material
  • Books of hours
  • Illuminated manuscripts

Brann, Clinton

Clinton Brann Papers, 1891-1963
4 boxes (1.5 linear feet)
Call no.: MS 594
Image of Clinton Brann
Clinton Brann

In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann’s letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns’ life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.

Subjects
  • Brann family
  • Courtship
  • Dentists--Iowa
  • World War, 1914-1918--Medical care
Contributors
  • Brann, Clinton
  • Brann, Rhea Oppenheimer
Types of material
  • Photographs
  • Scrapbooks

Broadside Press

Broadside Press Collection, 1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

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