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Allen, Frances and Mary

Frances and Mary Allen Collection of Deerfield Photographs, 1900-1910
1 vol. (0.25 linear feet)
Call no.: PH 001
Image of Deerfield, Mass.
Deerfield, Mass.

Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period.

The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.

Subjects
  • Deerfield (Mass.)--Photographs
  • Women photographers--Massachusetts
Contributors
  • Allen, Frances
  • Allen, Mary E. (Mary Electa), 1858-1941
Types of material
  • Photographs

Allis Family

Allis Family Collection, 1956-1958
1 vol. (0.15 linear feet)
Call no.: MS 269 bd

The Allis family began farming in Whately, Mass., in 1716, when John Allis came into possession of a property that would be the home to nine generations of his descendants. A typically diverse operation, the farm centered on cattle and dairying and crops such as hay and potatoes, supplemented throughout the year by sugaring, the manufacture of lye soap, bee culture, and opportunistic work ranging from slating to the construction of water systems for farms. It was sold out of the family in 1957.

This small collection contains two closely-related memoirs about the Allis family and their farm in Whately, Mass., focusing on the nineteenth and early twentieth centuries. Written by Lucius Howes Allis, the last Allis to own the farm, when he was 72 years old, “The Allis farm and its families” contains a lengthy genealogy, transcriptions of a handful of family deeds and documents, and brief stories about Lucius’ father Irving during his trip to Kansas and on the farm. “Up on the hill” is a lively memoir written by William R. Phinney, an alumnus of Massachusetts Agricultural College and apparently a friend of the Allis family. Phinney’s account contains excellent accounts of the lives of Elliot, Irving, and Lucius Allis, about farm life in the late nineteenth century, dairying, beekeeping, and other topics.

Subjects
  • Agriculture--Massachusetts--Whately
  • Allis family--Massachusetts
  • Bees--Massachusetts--Whately
  • Cattle--Massachusetts--Whately
  • Dairy farmers--Massachusetts--Whately
  • Farms--Massachusetts--Whately
  • Fires--Massachusetts--Whately
  • Hatfield (Mass.)--History
  • Indian Territory--Description and travel
  • Kansas--Description and travel
  • Maple sugar industry--Massachusetts--Whately
  • Whately (Mass.)--History
Contributors
  • Allis, Lucius Howes, 1886-1963
  • Phinney, William R.
Types of material
  • Genealogies (Histories)
  • Memoirs

Alspach, Russell K. (Russell King), 1901-

Russell K. Alspach Papers, 1950-1978
1 box (0.5 linear feet)
Call no.: FS 025

Russel K. Alspach earned his PhD in 1932 from the University of Pennsylvania where he taught English from 1924-1942. After four years of service in the U.S. Navy during World War II, he spent eighteen years as head of the Department of English at West Point Military Academy before retiring in 1965 with the rank of Brigadier General. A specialist in Irish literature with wide ranging interests running from William Butler Yeats to Percy Blythe Shelley and William Faulkner, Alspach published prolifically throughout his career. He took a post-retirement appointment at UMass in 1966, but hardly retired, eventually becoming Head of the Department of English, and teaching until his final retirement and death in 1980.

The Alspach Papers consist of professional correspondence, drafts of writing, and reviews written by Russell K. Alspach. The small collection includes grant applications and notes for Alspach’s Yeats Study Series, as well as a 3.75 inch monographic recording of readings and music by unidentified artists. The Department of Special Collections and University Archives is also home to the Alspach Yeats Collection of rare books.

Gift of Russell K. Alspach, 1999
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
  • Yeats, W. B. (William Butler), 1865-1939
Contributors
  • Alspach, Russell K. (Russell King), 1901-

Alternative Energy Coalition

Alternative Energy Coalition, ca.1975-1985
9 boxes (13.5 linear feet)
Call no.: MS 586

A product of the vibrant and progressive political culture of western Massachusetts during the early 1970s, the Alternative Energy Coalition played a key role in the growth of antinuclear activism. In 1974, the AEC helped mobilize support for Sam Lovejoy after he sabotaged a weather tower erected by Northeast Utilities in Montague, Mass., in preparation for a proposed nuclear power plant, and they helped organize the drive for a referendum opposing not only the proposed plant in Montague, but existing plants in Rowe, Mass., and Vernon, Vt. Forming extensive connections with other antinuclear organizations, the AEC also became one of the organizations that united in 1976 to form the Clamshell Alliance, which made an art of mass civil disobedience.

The AEC Records provide insight into grassroots activism of the 1970s and 1980s, galvanized by the seemingly unrestrained growth of the nuclear power industry. The records, emanating from the Hampshire County branch, contain both research materials used by the AEC and organizational and promotional materials produced by them, including publications, minutes of meetings, correspondence, and materials used during protests. Of particular interest are a thick suite of organizational and other information pertaining to the occupation of the Seabrook (N.H.) nuclear power plant in 1979 and minutes, notes, and other materials relating to the founding and early days of the Clamshell Alliance. The collection is closely related to the Antinuclear Collection (MS 547).

Subjects
  • Antinuclear movement--Massachusetts
  • Hampshire County (Mass.)--History
  • Nonviolence--Massachusetts
  • Nuclear energy--Massachusetts
  • Pacifists--Massachusetts
  • Political activists--Massachusetts
  • Renewable energy source
  • Seabrook Nuclear Power Plant (N.H.)
  • Vermont Yankee Nuclear Power Station
Contributors
  • Alternative Energy Coalition
  • Clamshell Alliance
Types of material
  • Realia

Alumnus Magazine

Alumnus Magazine Photograph Collection, ca. 1974-1989
(12 linear feet)
Call no.: RG 147
Image of Julius Erving during basketball workshop at UMass, 1980
Julius Erving during basketball workshop at UMass, 1980

The once active photo morgue of the Alumnus Magazine, the Alumnus Magazine Photograph Collection captures diverse aspects of campus life during the 1970s and 1980s, including portraits of campus officials, sports events, commencements, a visit to campus by Julius Erving, and assorted campus buildings and scenery.

Subjects
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Students
Contributors
  • University of Massachusetts Amherst
Types of material
  • Photographs

Ambellan, Harold

Harold Ambellan Memoir, 2005
1 item (75p.)
Call no.: MS 855

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.

Subjects
  • Artists--20th century
  • Democracy
  • Depressions, 1929
  • Expatriate artists--France
  • New Deal, 1933-1939
  • Sculptors--20th century
  • World War, 1939-1945
Contributors
  • Diehl, Victoria
  • Guthrie, Woody, 1912-1967
Types of material
  • Memoirs
  • Oral histories

American Morgan Horse Association

American Morgan Horse Association Registry Records, 1911-1981
119 boxes (150 linear feet)
Call no.: MS 781
Image of Morgan horses at MAC
Morgan horses at MAC

In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.

The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.

Subjects
  • Horses--Breeding
  • Morgan horse

American Watch Company. Band

American Watch Company Band Engagement Book, 1878-1883
1 vol. (0.25 linear feet)
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.

Subjects
  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century
Contributors
  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)
Types of material
  • Appointment books

Ancient Order of United Workmen. Deerfield Valley Lodge No. 150

Ancient Order of United Workmen. Deerfield Valley Lodge No. 150 Records, 1895-1920
1 box (0.25 linear feet)
Call no.: MS 453

The Ancient Order of United Workmen, a fraternal benefit society, was originally founded in Pennsylvania in 1868. The Massachusetts lodge was founded in 1879 with the Deerfield Valley Lodge incorporated in 1880.

The collection consists of records dating from 1895–1920, including financial documents, membership information, and correspondence.

Subjects
  • Fraternal Aid Association
  • Fraternal organizations--Massachusetts
  • Shelburne Falls (Mass.)--History
Contributors
  • Ancient Order of United Workmen. Deerfield Valley Lodge No. 150
Types of material
  • Letters (Correspondence)
  • Receipts (Financial records)

Anglin family

Anglin Family Papers, 1874-1955 (Bulk: 1914-1926)
2 boxes (1 linear feet)
Call no.: MS 699
Image of Anglin family and friends, ca.1921
Anglin family and friends, ca.1921

Born in Cork, Ireland to a prosperous family, the Anglin siblings began immigrating to Canada and the United States in 1903. The first to relocate to Canada, brothers Will and Sydney pursued vastly different careers, one as a Presbyterian minister and the other as a salesman at a Toronto slaughterhouse. George and Crawford both served in the military during World War I, the former in the British Infantry as a medical officer and the latter in the 4th University Overseas Company first in France and later in Belgium where he died saving the life of a wounded soldier. Gladys Anglin trained as a nurse, but worked in a Canadian department store and at the Railway Office before suffering a mental breakdown and entering the Ontario Hospital as a patient. Ethel remained in Ireland the longest where she taught Domestic Economics at a technical school. The only Anglin to immigrate to the United States and the only female sibling to marry, Ida and husband David Jackson settled in Monson, Massachusetts where they raised four daughters.

The Anglin siblings were part of a close knit family who stayed in contact despite their geographic separation through their correspondence. Siblings wrote and exchanged lengthy letters that document not only family news, but also news of local and national significance. Topics addressed in their letters include World War I, the Irish revolution, medicine, religious ministry, and domestic issues from the ability of a single woman to support herself through work to child rearing.

Subjects
  • Anglin family--Correspondence
  • Ireland--Emigration and immigration--History
  • Ireland--History--War of Independence, 1919-1921
  • Irish--Canada--History
  • Irish--United States--History
  • World War, 1914-1918

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