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Whately (Mass.)

Whately Town Records

1717-1900
4 reels 0.5 linear feet
Call no.: MS 408 mf

The Connecticut River Valley town of Whately, Mass., was first settled by Europeans in about 1672, separating from the northern section of Hatfield and displacing the Norwottucks, or Fresh Water Indians. Officially incorporating in 1771, the town’s economy has been based primarily in agriculture, including the production of tobacco, potatoes, and dairy.

The four reels of microfilm that comprise this collection contain records of the town of Whately, Mass., from settlement in the middle of the nineteenth century, including records of the Congregational Church, deeds, and vital records (births, baptisms, marriages, deaths).

Subjects

  • Whately (Mass.)--History

Types of material

  • Microfilm
Yarn Finishers Union (Fall River, Mass.)

Yarn Finishers Union (Fall River, Mass.) Records

1919-1922
1 flat box 0.5 linear feet
Call no.: MS 006

The Yarn Finishers Union was one of several autonomous craft bodies affiliated with the Fall River-based American Federation of Textile Operatives (originally known as the National Amalgamation of Textile Workers). Active in several shops — including Durfee Mills, Tecumseh Mills, Union Belt Co., O.B. Wetherell and Son, and Troy Cotton and Woolen Manufactory — the Yarn Finishers included membership from different segments of the work force, including rollers, quillers, and harness markers.

This slender collection documents two years of labor activism by the Yarn Finishers Union in Fall River, Mass. The minutebook begins in May 1919 as the Yarn Finishers voted to strike over low and unequal wages, particularly those to “girls,” and includes references to elections, financial issues such as the proposition to institute a minimum wage scale, and to settling disputes. The minutes continue through the end of a much quieter year, 1922. The second volume consists of a record of union dues collected, arranged loosely by craft.

Subjects

  • Fall River (Mass.)--History
  • Labor unions--Massachusetts
  • Textile workers--Labor unions--Massachusetts

Contributors

  • American Federation of Textile Operatives

Types of material

  • Minutebooks
Akin, Ebenezer, Jr.

Ebenezer Akin Account Book

1842-1869
1 vol. 0.25 linear feet
Call no.: MS 220 bd

A merchant, town clerk, part-owner of many ships, and involved citizen, Ebenezer Akin lived nearly all of his 87 years in the town of Fairhaven, Mass.

This miscellaneous personal ledger includes documentation of Ebenezer Akin’s work as town clerk and includes accounts for ships he may have owned, entries made as an estate executor, accounts of expenditures for clothing and incidentals, and accounts of lot purchases and loans. The volume also contains genealogical information about the Blossom family of Bridgewater and the family of Benjamin and Eunice Akin, Ebenezer’s great-grandfather.

Acquired from Charles Apfelbaum, 1987

Subjects

  • Akin, Benjamin, 1715-1802
  • Akin, Eunice
  • Blossom family
  • Clothing and dress--Prices--Massachusetts--Fairhaven
  • Fairhaven (Mass.)--Economic conditions--19th century
  • Fairhaven (Mass.)--Politics and government--19th century
  • Hesper (Bark)
  • Merchants--Massachusetts--Fairhaven
  • Napoleon (Ship)
  • Shipowners--Massachusetts--Fairhaven
  • Shipping--Massachusetts--Fairhaven
  • William Rotch (Ship)
  • Winthrop (Bark)

Contributors

  • Akin, Ebenezer, 1816-

Types of material

  • Account books
  • Genealogies
  • Inventories of decedents estates
Allis Family

Allis Family Collection

1956-1958
1 vol. 0.15 linear feet
Call no.: MS 269 bd

The Allis family began farming in Whately, Mass., in 1716, when John Allis came into possession of a property that would be the home to nine generations of his descendants. A typically diverse operation, the farm centered on cattle and dairying and crops such as hay and potatoes, supplemented throughout the year by sugaring, the manufacture of lye soap, bee culture, and opportunistic work ranging from slating to the construction of water systems for farms. It was sold out of the family in 1957.

This small collection contains two closely-related memoirs about the Allis family and their farm in Whately, Mass., focusing on the nineteenth and early twentieth centuries. Written by Lucius Howes Allis, the last Allis to own the farm, when he was 72 years old, “The Allis farm and its families” contains a lengthy genealogy, transcriptions of a handful of family deeds and documents, and brief stories about Lucius’ father Irving during his trip to Kansas and on the farm. “Up on the hill” is a lively memoir written by William R. Phinney, an alumnus of Massachusetts Agricultural College and apparently a friend of the Allis family. Phinney’s account contains excellent accounts of the lives of Elliot, Irving, and Lucius Allis, about farm life in the late nineteenth century, dairying, beekeeping, and other topics.

Subjects

  • Agriculture--Massachusetts--Whately
  • Allis family--Massachusetts
  • Bees--Massachusetts--Whately
  • Cattle--Massachusetts--Whately
  • Dairy farmers--Massachusetts--Whately
  • Farms--Massachusetts--Whately
  • Fires--Massachusetts--Whately
  • Hatfield (Mass.)--History
  • Indian Territory--Description and travel
  • Kansas--Description and travel
  • Maple sugar industry--Massachusetts--Whately
  • Whately (Mass.)--History

Contributors

  • Allis, Lucius Howes, 1886-1963
  • Phinney, William R.

Types of material

  • Genealogies (Histories)
  • Memoirs
American Morgan Horse Association

American Morgan Horse Association Registry Records

1911-1981
119 boxes 150 linear feet
Call no.: MS 781
Image of Morgan horses at MAC
Morgan horses at MAC

In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.

The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.

Subjects

  • Horses--Breeding
  • Morgan horse
Antislavery

Antislavery Pamphlet Collection

1725-1911
7.5 linear feet
Call no.: RB 003

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Subjects

  • Abolitionists--Massachusetts
  • Antislavery movements--United States
  • Slavery--United States

Contributors

  • American Anti-Slavery Society
  • American Colonization Society
Restrictions: Collection currently unavailable due to renovations in SCUA
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Bestor, Charles

Charles Bestor Papers

1971-2002
2 boxes 0.75 linear feet
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bestor, Charles
Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection

1789-1964
128 items 3 linear feet
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks
Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection

1902-1941
3 boxes 3.0 linear feet
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012

Subjects

  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music

Types of material

  • Sheet music