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Results for: “African-American theater” (400 collections)SCUA

Delevingne, Lionel

Finding aid

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010.

23 boxes (12 linear feet).
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects

  • Theater--England--London
  • Theater--New York (State)--New York

Contributors

  • Donohue, Joseph W., 1935-

Types of material

  • Ephemera
  • Playbills

Faber, William A.

Finding aid

William A. Faber Ledger, 1848-1853.

1 vol. (0.25 linear feet).
Call no.: MS 244 bd

Owner of a livery stable in Great Barrington, Massachusetts. Includes lists of stabler activities, customers (individuals and businesses), and employed ostlers. Also contains method of payment (cash and services), and one labor account for Fred Berry, a nineteen year old Afro-American who was one of three ostlers living in Faber’s household at the time.

Subjects

  • African Americans--Massachusetts--Great Barrington
  • Berry, Fred
  • Burghardt, Thomas, b. 1790
  • Cab and omnibus service--Massachusetts--Great Barrington
  • Coaching (Transportation)--Massachusetts--Great Barrington
  • Crane, Albert S
  • Girling and Doolittle
  • Granger and Hill
  • Great Barrington (Mass. : Town)--Economic conditions
  • Ives, George
  • Pynchon, George
  • Rose Cottage Seminary (Great Barrington, Mass.)
  • Stables--Massachusetts--Great Barrington

Contributors

  • Faber, William A., b. 1818

Types of material

  • Account books

Foster, Nancy E.

Finding aid

Nancy E. Foster Papers, 1972-2010.

4 boxes (6 linear feet).
Call no.: MS 753
Nancy E. Foster
Nancy E. Foster

For the better part of four decades, Nancy E. Foster was active in the struggle for social justice, peace, and political reform. From early work in civil rights through her engagement in political reform in Amherst, Mass., Foster was recognized for her work in the movements opposing war, nuclear power, and the assault on civil liberties after the September 11 terrorist attacks. Locally, she worked with her fellow members of the Unitarian Universalist Society of Amherst and with interfaith coalitions to address problems of hunger and homelessness.

Centered in western Massachusetts and concentrated in the last decade of her life (2000-2010), the Nancy Foster Papers includes a record of one woman’s grassroots activism for peace, civil liberties, and social justice. The issues reflected in the collection range from the assault on civil liberties after the 9/11 terrorist attacks to immigration, hunger and poverty, the Iraq Wars, and the conflict in Central America during the 1980s, and much of the material documents Nancy’s involvement with local organizations such as the Social Justice Committee of the Unitarian Universalist Society of Amherst. The collection also contains a valuable record of Nancy’s participation in local politics in Amherst, beginning with the records of the 1972 committee which was charged with reviewing the Town Meeting.

Subjects

  • Amherst (Mass.)--Politics and government
  • Civil rights--Massachusetts
  • Disaster relief
  • El Salvador--History--1979-1992
  • Hunger
  • Interfaith Cot Shelter (Amherst, Mass.)
  • Iraq War, 2003-2011
  • Peace movements--Massachusetts
  • September 11 Terrorist Attacks, 2001
  • War on Terrorism, 2001-2009

Contributors

  • ACLU
  • Lay Academy for Oecumenical Studies
  • Massachusetts Voters for Clean Elections
  • Olver, John
  • Pyle, Christopher H.
  • Swift, Alice
  • Unitarian Universalist Society of Amherst

Types of material

  • Photographs

Goldberg, Maxwell Henry, 1907-

Finding aid

Maxwell Henry Goldberg Papers, 1888-1986.

60 boxes (33 linear feet).
Call no.: FS 064
Max Goldberg, photo by Frank Waugh
Max Goldberg, photo by Frank Waugh

Professor of English, adviser to student newspaper (The Collegian) and Jewish student organizations, University of Massachusetts, and founding member, College English Association.

The Goldberg Papers contain correspondence, speeches, published writings, papers written as a graduate student, biographical material, book reviews, subject files, newsclippings, and material from committees and projects with which he was involved, including the College English Association, College English Association Institute, Humanities Center for Liberal Education, and American Humanities Seminar.

Subjects

  • College English Association
  • Humanities Center for Liberal Education
  • Jews--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Goldberg, Maxwell Henry, 1907-

Greenbie, Barrie B.

Finding aid

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Hapgood, Beth

Finding aid

Beth Hapgood Papers, 1789-2005.

67 boxes (35 linear feet).
Call no.: MS 434
Beth Hapgood and members of the Brotherhood, ca.1969
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History

Contributors

  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Holland, W. L. (William Lancelot), 1907-

Digital (+)Finding aid

W. L. Holland Papers, 1922-2008.

4 boxes (5.5 linear feet).
Call no.: MS 782
W.L. Holland, 1938
W.L. Holland, 1938

Born in New Zealand in 1907, Bill Holland first traveled to Japan at the age of 21 to take part in the conference of the Institute of Pacific Relations, beginning over thirty years of association with the organization. During his time at IPR, Holland held a number of leadership positions, including Research Secretary (1933-1944), Secretary-General (1946-1960), and editor of its periodicals Far Eastern Survey and Pacific Affairs. He took leave from the IPR twice: to study for a MA in economics under John Maynard Keynes at Cambridge (1934) and, during the Second World War, to become acting director of the Office of War Information in Chungking, China. Founded on an internationalist philosophy as a forum to discuss relations between Pacific nations, the IPR was targeted under the McCarthy-era McCarran act during the 1950s, accused of Communist sympathies. After political pressure led the IPR to disband in 1960, Holland accepted a position on faculty with the newly created Department of Asian Studies at the University of British Columbia (1961-1972), helping to lead that department to international prominence. He remained in BC until the death of his wife Doreen in 1990, after which he settled in Amherst to live with his only child, Patricia G. Holland. Holland died in Amherst in May 2008.

The Holland Papers are a dense assemblage of correspondence of Bill Holland, his wife Doreen, and their family, from his first trip abroad in the 1920s through the time of his death. Although largely personal in nature, the letters offer important insight into Holland’s travel in pre-war Asia, his work with the IPR, the war, and the of the 1950s. The collection also includes a wealth of photographs, including two albums documenting trips to Japan, China, and elsewhere 1929-1933.

Subjects

  • China--Description and travel
  • Japan--Description and travel
  • World War, 1939-1945

Contributors

  • Holland, Doreen P.
  • Institute of Pacific Relations

Types of material

  • Photographs

International Oil Working Group

Finding aid

International Oil Working Group Collection, 1957-1987 (Bulk: 1980-1985).

29 boxes (15 linear feet).
Call no.: MS 268

The International Oil Working Group (IOWG) is one of a number of organizations that worked to implement an oil embargo initiated by the United Nations General Assembly against South Africa to protest the country’s policies of apartheid. The IOWG grew out of the Sanctions Working Group established in 1979. Although the nature and timing of the change in names is unclear, it appears that Dr. Teresa Turner was instrumental in the formation of both groups and was primarily responsible for their organization and administration. Other directors included Luis Prado, Arnold Baker and Kassahun Checole. While the group was loosely organized, it maintained the basic structure of a special advisory board with a pool of research associates. Primary activities involved researching topics related to the oil embargo; writing papers for regional, national, and international conferences; giving testimony at UN meetings; providing information to governments, unions and other groups committed to aiding in the implementation of the oil embargo; lecturing to students and members of the community on the subject of sanctions against South Africa; and collaborating with the UN Center Against Apartheid. Research topics included tanker monitoring to detect and expose those shipping companies that broke the embargo; the energy needs in those countries in southern Africa which depend upon South Africa to meet some of their energy demands; ways to effectively implement and enforce the oil embargo; trade union action by oil transport workers; Namibian independence and decolonization; and underground oil storage in South Africa.

Collection consists of administrative papers including financial records, minutes and association history materials; correspondence; printed materials produced by the IOWG; conference files; UN documents relating to South Africa and sanctions; and reference materials, including published reports, news clippings, newsletters and journals, related to oil shipping, tanker information and South African economic and political activity generally.

Subjects

  • Apartheid--South Africa--History
  • Economic sanctions--South Africa--History
  • Embargo
  • Namibia--History--Autonomy and independence movements
  • Namibia--Politics and government--1946-1990
  • Petroleum industry and trade--History--20th century
  • Petroleum industry and trade--Political aspects--South Africa
  • South Africa--Politics and government--1978-1989
  • Tankers--South Africa--History

Contributors

  • International Oil Working Group
  • Turner, Terisa

Jones, Richard, 1937-1991

Digital

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs