John Thomson Photograph Collection, 1863.
8 items (0.2 linear feet).
Call no.: PH 002
The Scotsman John Thomson is considered one of the fathers of social documentary photography and a pioneer in the photography of southeast Asia. Between 1861 and 1872, he traveled extensively in Asia, documenting the scenery and people of modern day Malaysia, Cambodia, Thailand, Indonesia, and China.
The collection includes eight albumen prints from wet-plate collodion negatives taken early in Thomson’s photographic career. The images of Penang, Malaysia, are all signed by John Thomson, with five dated November 1863. Subjects include Malay people, a native infantry regiment, sugar mill, temple, and Thomson’s widely reproduced image of tree ferns.
- George Town (Pinang)--Photographs
- Thomson, J. (John), 1837-1921
Types of material
- Albumen prints
Thresholds to Life Records, 1983-1986.
1 box (0.25 linear feet).
Call no.: MS 156
Thresholds to Life is a training program for decision making, problem solving, and life planning taught by volunteers to prison inmates and offenders on probation in 30 locations in the United States. The records in this collection are those of the Thresholds program in Greenfield, Massachusetts, a United Way agency.
Thurber-Woolson Botanical Manuscripts Collection, 1803-1918.
4 boxes (2.5 linear feet).
Call no.: MS 065 bd
Largely self-educated, George Thurber (1821-1890) began a career as a pharmacist before signing on as botanist to the U.S. Boundary Commission from 1850-1854. After completing a masters degree at Brown University, he emerged as a important horticultural writer and editor of American Agriculturist from 1863 to 1885.
Letters, photographs, engravings, and clippings compiled primarily by George Thurber and bequeathed to George Clark Woolson (MAC class of 1871) who added to it and donated it as a memorial to his class, the first to graduate from the College. The collection includes 993 letters written by 336 correspondents, and 35 photographs and engravings, primarily botanists and other scientists, including Asa Gray, Louis Agassiz, John Torrey, Frederick Law Olmsted, John James Audubon, Henry Ward Beecher, Jefferson Davis, Edward Payson Roe, Donald G. Mitchell, and George Brown Goode.
- Thurber, George, 1821-1890
- Woolson, George Clark
Types of material
Frederick Tillis Papers, 1970-2010.
10 boxes (8 linear feet).
Call no.: FS 156
A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.
The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.
- African American composers
- African American musicians
- Fine Arts Center (University of Massachusetts Amherst)
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
Types of material
C.S. Toppan Account Book, 1845-1861.
1 vol. (0.25 linear feet).
Call no.: MS 084
A wealthy merchant from Portsmouth, New Hampshire. Includes details of his ventures in ship owning and his investments in manufacturing companies and real estate. Also contains total assets of his “property in possession” as of January 1845, and lists of debtors, including men, women, businesses, religious groups, and political groups.
- Debtor and creditor--New Hampshire--Portsmouth--History--19th century
- Inventories of decedents' estates--New Hampshire--Portsmouth
- Merchants--New Hampshire--Portsmouth--Economic conditions--19th century
- Portsmouth (N.H.)--Economic conditions--19th century
- Shipowners--New Hampshire--Portsmouth--Economic conditions--19th century
- Toppan, C. S. (Christopher S.)--Estate
- Toppan, C. S. (Christopher S.)
Types of material
Conrad D. Totman Papers, 1800-2005.
65 boxes (53 linear feet).
Call no.: MS 447
A scholar of the history and culture of early modern Japan, Conrad Totman began his career as a student of ornamental horticulture at the University of Massachusetts. After graduation in 1953, Totman served in the army for three years in South Korea where got his first taste of Japanese culture during leave. His experiences in Japan piqued his scholarly interest, and upon his return to the states with his new wife Michiko, he finished college at UMass and did his graduate work at Harvard where he received a doctorate in 1964 for a study of politics during the Tokugawa period. Totman held academic positions at UC Santa Barbara, Northwestern, and Yale before retiring in 1997.
The bulk of the collection documents Professor Totman’s education and professional work as a scholar and teacher of Japanese history. Dispersed throughout is a treasure trove of information on Japan in general, and particularly on his specialties: early modern Japan and forestry and environmental management. An enormous, highly influential, and cherished part of Totman’s life is his family, and the Totman clan is well represented in this collection. Reams of genealogical material document the rich heritage of the Totman family, including the transcribed love letters and diaries of his paternal grandmother and biographies of Totman ancestors, as well as hundreds of letters written between Michiko and her family in Japan.
- Conway (Mass.)--Genealogy
- Dairy farms--Massachusetts
- Family farms--United States
- Farm life--United States
- Forest management--Japan--Akita-ken--History
- Forest policy--Japan
- Forests and forestry--Japan
- Human ecology--Japan--History
- Human ecology--Korea--History
- Japan--Civilization--American influences
- Japan--Environmental conditions
- Japan--History--Restoration, 1853-1870
- Japan--History--Tokugawa period, 1600-1868
- Japan--Politics and government--1600-1868
- Korea--American influences
- Korea--Environmental conditions
- Lumber trade--Japan--History
- Tokugawa, Ieyasu, 1543-1616
- Totman family
- United States--Army--Medical personnel--Correspondence
- Drew, Raymond Totman, 1923-1981
- Lewis, Gertrude Minnie, 1896-
- Totman, Conrad D
- Totman, Ruth J
Types of material
- Letters (Correspondence)