Results for: “Hampshire County (Mass.)--Social conditions--Sources” (733 collections)SCUA

Jakubowska-Schlatner, Basia

Basia Jakubowska-Schlatner Solidarity (Solidarnosc) Collection, 1979-1989.

26 boxes (38.5 linear feet).
Call no.: MS 723

As a university student in Warsaw, Poland, in January 1977, Barbara Jakubowska-Schlatner made the decision to join the democratic resistance to the Communist regime. For more than twelve years, she was an active member of the Solidarity (Solidarnosc) movement, organizing opposition to state oppression, producing and distributing underground literature, and working with the pirate broadcasts of Solidarity radio.

Recognizing the importance of the underground press to the Solidarity movement, Jakubowska-Schlatner went to extraordinary lengths to collect and preserve their publications. At various times, the collection was kept in the basement of her mother’s house, spread around among a series of safe locations, and sometimes even secreted in small caches in back lots. The collection of over 1,500 titles is centered on the underground press in Warsaw, but includes titles published in Wroclaw, Gdansk, Krakow, and other cities. These include a startling array of publications, from fliers, handbills, and ephemera to translations of foreign literature, newspapers and periodicals, a science fiction magazine, and instructions on how to run a small press.


  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland

Jansen, Isabel

Isabel Jansen Papers, ca.1950-1985.

12.5 boxes (19 linear feet).
Call no.: MS 613

A Registered Nurse and surgical assistant at Marquette University Medical and Dental Schools, Isabel Jansen was a long-time opponent of fluoridation of drinking water. In 1949, her hometown of Antigo, Wisconsin, became one of the first in the state to put fluorides in its water supply. Jansen emerged as a prominent voice in opposition, arguing that fluorides had a cumulative toxic effect when ingested over a long period, and using public health data, she concluded that fluoridation was strongly correlated with an increase in mortality from heart disease and with a variety of other deleterious health effects. In 1960, she succeeded in ending fluoridation, however after a follow up survey showed a dramatic rise in tooth decay, Antigo residents voted five years later to reintroduce fluoride. Jansen has continued a vigorous resistance, publishing a series of articles on the public health impact and Fluoridation : A Modern Procrustean Practice (1990) and .

The Jansen Papers include a range of correspondence, newsclippings, articles, and notes regarding Isabel Jansen’s long struggle against the fluoridation of drinking water.


  • Antifluoridation movement--Wisconsin
  • Fluorides–Environmental aspects
  • Fluorides–Toxicology


  • Jansen, Isabel

Kaplan, Sidney, 1913-

Sidney and Emma Nogrady Kaplan Papers, ca.1937-1993.

58 boxes (85 linear feet).
Call no.: FS 149
Sidney Kaplan, May 1972
Sidney Kaplan, May 1972

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.


  • African Americans--History
  • Massachusetts Review
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Press


  • Kaplan, Emma Nogrady, 1911-
  • Kaplan, Sidney, 1913-

Katanka, Michael

Katanka-Fraser Political Music Collection, 1885-1975.

10 boxes (7 linear feet).
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.


  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music


  • Fraser, James
  • Katanka, Michael

Kennedy, Malcolm G.

Malcolm G. Kennedy Papers, 1967-1983.

3 boxes (4.5 linear feet).
Call no.: MS 678

Malcolm G. Kennedy became active in the antifluoridation struggle in 1954 when the possibility of fluoridating the water supply in his native Portland, Maine, was first proposed. Kennedy was a well-known figure in antifluoridation circles for over three decades and was the first president of the Greater Portland Citizens Against Public Fluoridation.

Centered on activities in Portland, the Kennedy Papers document antifluoridation activism during the height of the controversy in the late 1960s and early 1970s. A relatively rich body of correspondence with regional and national colleagues in the movement is accompanied by supporting materials and some newspaper clippings relating to efforts to fluoridate water supplies in Maine.


  • Antifluoridation movement--Maine


  • Kennedy, Malcolm G

Kenseth-Abel, Elaine

Elaine Kenseth-Abel Cambodian Photographs, 1970-1979.

1 box (1.5 linear feet).
Call no.: MS 115

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.


  • Cambodia--Photographs
  • Cambodians--Massachusetts--Amherst
  • Refugees--Cambodia
  • Refugees--Thailand
  • Thailand--Photographs


  • Huot, E. Seng
  • Kenseth-Abel, Elaine

Types of material

  • Photographs

Khoa, Le Van

Le Van Khoa Vietnam Photograph Collection, Undated.

7 items (0.1 linear feet).
Call no.: MS 170

The collection consists of seven photographs of Vietnam taken by Le Van Khoa.


  • Vietnam--Photographs


  • Khoa, Le Van

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.


  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center


  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.

19 items (0.25 linear feet).
Call no.: PH 019
Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.


  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs


  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs

Lavallee, Winston

Winston Lavallee Collection, 1937-2005.

1 box (1.5 linear feet).
Call no.: MS 796
CCC camp
CCC camp

A native New Englander, Winston Lavallee grew up in the Berkshires and attended UMass Amherst where he received his Ph.D. in entomology. He served as a professor for more than 35 years at Holyoke Community College and as a life-long advocate for the stewardship of natural resources and ecological sustainability. Lavallee is the author of several short stories and two novels: Tempest in the Wilderness and Dancing in the Dark, a novel about the Civilian Conservation Corps.

The collection consists of research notes, publications, photographs, and the recollections of men who Lavallee interviewed about their service in the Civilian Conservation Corps. These materials were first accumulated to record the conservation and plant pest control techniques employed in New England during the 1930s-1940s, but were later used during the preparation and writing of Dancing in the Dark. Altogether they offer rich historical background on the CCC and the men who were employed in the various jobs, such as road building, fire hazard reduction, and the development of recreational space, which constituted the program.


  • Civilian Conservation Corps (U.S.)--New England--History
  • Civilian Conservation Corps (U.S.)--Photographs
  • New Deal, 1933-1939--New England--History


  • Civilian Conservation Corps (U.S.)
  • Lavallee, Winston

Types of material

  • Oral histories
  • Photographs
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