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Results for: “Theater--History and criticism” (732 collections)SCUA

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Dalsimer, Susan

Finding aid

Susan Dalsimer Papers, 1969-1970.

1 box (0.25 linear feet).
Call no.: MS 578
Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969
Steve Diamond, Ray Mungo, and Susan Dalsimer, ca.1969

Famous Long Ago launched the literary career of Raymond Mungo with a splash, but even before the book had reached the shelves, he turned to his next project. In October 1969, Mungo began planning for a memoir of his life at the Packer Corners commune. Soon entitled Total Loss Farm, the book would become a classic in the literature of the 1960s counterculture. Signing a contract in November with E.P. Dutton, he worked with a young and sympathetic editor, Susan Stern (later Susan Dalsimer).

This small, but rich collection consists of a series of letters between Raymond Mungo and his editor at E.P. Dutton, Susan Stern, regarding his ideas on writing and life. Beginning in October 1969 with editorial commentary on Famous Long Ago and Mungo’s additions, the Dalsimer Papers offer insight into the development of Total Loss Farm from concept to printed page.

Subjects

  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Diamond, Stephen
  • McLardy, Peter
  • Montague Farm Community (Mass.)
  • Mungo, Raymond, 1946- . Famous Long Ago
  • Mungo, Raymond, 1946- . Total Loss Farm
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Simon, Peter, 1947-

Contributors

  • Dalsimer, Susan
  • Mungo, Raymond, 1946-

Types of material

  • Photographs

Delevingne, Lionel

Finding aid

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

Du Bois Fellowship Recipients

2016

John Hyland (English, University of Buffalo and Haverford College)
“The forest of melody: Black Diasporic Poetics and the Sounding of the Environment”
Nicholas T. Rinehart (English, Harvard University)
“‘These illegitimate children of my thought’: The dramatic work and criticism of W.E.B Du Bois”

2015

Nneka Dennie (Afro-American Studies, UMass Amherst)
“Black Male Feminism and the Evolution of Du Boisian Thought, 1903-1920”
Crystal Webster (Afro-American Studies, UMass Amherst)
“‘The Transfiguring Soul of Childhood’: Du Bois and the Social, Political, and Cultural Role of Black Children”

2014

Brandon Byrd (Assistant Professor of History, Mississippi State University and University of North Carolina)
“The Problem of Haiti as it Stands Today:” W.E.B. Du Bois on the U.S. Occupation of Haiti, 1915-1934″
Donald Geesling (Afro-American Studies, UMass Amherst)
“Black Song and the Talented Tenth: The Musical Imagination of W.E.B. Du Bois, 1902-1942″

2013

Horace D. Ballard Jr. (Public Humanities, History of Art, and American Studies, Brown University)
“Ethics and Aesthetics: Citizenship and Form”
Emahunn Raheem Ali Campbell (Afro-American Studies, UMass Amherst)
“W.E.B. Du Bois’s Literary Interventions on Black Criminality”
Daniel Chard (History, UMass Amherst)
Exploring the history of ’60s-’70s radical groups allows Chard to investigate the origins of the first police institutions in the U.S. dedicated to domestic “counter-terrorism”

2012

J. Anthony Guillory (Afro-American Studies, UMass Amherst)
“The Physical Uplift of Race”
Desmond Jagmohan (Government, Cornell)
“Creating Community, Cultivating Citizens, and Interrogating Jim Crow: The Political Thought of Booker T. Washington”

2011

Markeysha Davis (Afro-American Studies, UMass Amherst)
“Daring propaganda for the beauty of the Human Mind’:
Redefinition and Reaffirmation of the New Black Self in Poetry and Drama of the 1960s and 1970s”
Ricky Fayne (English, Northwestern)
“‘The Shadow of a Mighty Negro Past': Du Bois and the Re-memory of Africa in to the Black America”

Field, William Franklin, 1922-

Finding aid

William F. Field Papers, 1948-1986.

27 (13.5 linear feet).
Call no.: RG 030/2 F5
William F. Field relaxing on couch, ca. 1971
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects

  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States

Types of material

  • Correspondence
  • Memorandums

Fried, Lewis

Finding aid

Lewis Fried Collection of Jack Conroy, 1969-1995.

1 box (0.25 linear feet).
Call no.: MS 414

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).

Subjects

  • Anvil
  • Bontemps, Arna Wendell, 1902-1973
  • Communists--United States
  • Depressions--1929
  • New Anvil
  • Working class authors

Contributors

  • Conroy, Jack, 1899-1990
  • Farrell, James T. (James Thomas), 1904-1979
  • Fried, Lewis Frederick, 1943-
  • Gold, Michael, 1894-1967
  • Goodman, Percival
  • Goodman, Sally
  • Snow, Walter

Types of material

  • Oral histories

Girls Club of Greenfield (Mass.)

Finding aid

Girls Club of Greenfield Records, 1895-1995.

21 boxes (27 linear feet).
Call no.: MS 379

Founded in 1895, the Girls Club of Greenfield provides high quality early care and educational services to the girls of Franklin County, Massachusetts, and advocates for the rights of children and their families. During the school year, the Club offers diverse programming, ranging from an infant room and preschool to after school activities that promote teamwork, community spirit, social skills, and confidence. Since 1958, they have also operated a summer camp, Lion Knoll, in Leyden.

The records of the Girls Club of Greenfield include by-laws, annual reports, reports and meeting minutes of the Board of Directors, correspondence, and ledgers and account books. Also contains program files for daycare, summer camp, education worker programs, and others, personnel records, membership and committee lists, newsletters, press releases, ledgers, account books, scrapbooks, news clippings, photographs, slides, and artifacts.

Subjects

  • Girls--Massachusetts--Greenfield--Social conditions
  • Girls--Massachusetts--Greenfield--Social life and customs
  • Girls--Massachusetts--Greenfield--Societies and clubs--History
  • Greenfield (Mass.)--Social conditions
  • Greenfield (Mass.)--Social life and customs

Contributors

  • Girls Club of Greenfield (Greenfield, Mass.)

Types of material

  • Account books
  • Photographs
  • Scrapbooks

Graphic Communications International Union. Local 48B

Finding aid

GCIU Local 48B Records, 1952-1985.

3 boxes (1.25 linear feet).
Call no.: MS 059

Local of the Graphic Communications International Union that represented over 1000 bindery workers in the Holyoke, Massachusetts area. Records include detailed minutes, shop reports, committee reports, reports of delegates sent to the Holyoke Central Labor Union and national conventions, copies of agreements, notes on contract negotiations, copies of three newsletters, and subject files that document activities as well as the emergence of factionalism within the union.

Subjects

  • Carrying on
  • Collective bargaining--Paper industry--Massachusetts --Holyoke--History--Sources
  • Holyoke (Mass.)--Economic conditions--Sources
  • Labor unions--Massachusetts--Holyoke
  • National Blank Book Co.--History
  • Old unionist
  • Paper industry workers--Labor unions--Massachusetts--Holyoke

Contributors

  • Graphic Arts International Union. Local 48B
  • International Brotherhood of Bookbinders. Local 48

Types of material

  • Newsletters

Greenbie, Barrie B.

Finding aid

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Hapgood, Beth

Finding aid

Beth Hapgood Papers, 1789-2005.

67 boxes (35 linear feet).
Call no.: MS 434
Beth Hapgood and members of the Brotherhood, ca.1969
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History

Contributors

  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Heath, Gordon, 1918-1991

Finding aid

Gordon Heath Papers, 1913-1992.

44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches
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