Literature and the arts play a vital role in the culture and traditions of New England. Western Massachusetts in particular has had a rich history of fostering writers and poets, musicians, dancers, and actors. The Department of Special Collections and University Archives seeks to document not only the lives and work of writers and performers in our region, but the creative and artistic process; showing not just the inspiration, but the perspiration as well.
- Arts and arts management
- Significant collections under the National Arts Policy Archive and Library include materials from the National Endowment for the Arts, the National Assembly of State Arts Agencies, and the Arts Extension Service.
- SCUA houses significant collections for the poets Robert Francis, Madeleine de Frees, and Anne Halley, as well as small collections for William Carlos Williams and Wallace Stevens. The records of the Massachusetts Review are an important literary resource.
- Prose writing
- Collections of note include the papers of writers William J. Lederer (author of The Ugly American, Nation of Sheep, and Their Own Worst Enemy), William Manchester (The Death of a President and American Caesar), Jodi Picoult (many novels from Songs of the Humpback Whale in 1992 to The Storyteller in 2013), Mary Doyle Curran (The Parish and the Hill).
- Journalists and photojournalists associated with traditional print and new media, including an important collection for the Liberation News Service, a media service for the alternative press, and the Social Change Periodicals Collection, which includes alternative and radical small press publications. The papers of Sidney Topol provide insight into the technical development of cable television.
- Literary criticism and linguistics
- The papers of literary scholars associated with the University; records of the Massachusetts Review.
- Performing arts
- The vibrant performing arts community in western Massachusetts is well represented in SCUA through groups ranging from the Arcadia Players Baroque music ensemble to theater troupes such as Double Edge Theater, the Valley Light Opera, and the New World Theater. Among the most significant national collections are the Roberta Uno Asian Women Playwrights Collection and the papers of African American expatriate actor and director Gordon Heath, while the James Ellis Theatre Collection includes nearly 8,000 printed volumes on the English and American stage, 1750-1915, along with numerous broadsides, graphics, and some manuscript materials. Musical collections include the papers of Philip Bezanson and Charles Bestor, the score collection of Julian Olevsky, and the Katanka Fraser Political Music Collection.
Within its holdings, SCUA houses collections of the published works of W.E.B. Du Bois, Robert Francis, Anne Halley, William J. Lederer, William Manchester, Thomas Mann, William Morris, Wallace Stevens, and William Butler Yeats, as well as the personal poetry libraries of Halley, Francis, and Stevens. The department also has an extensive collection of Science Fiction magazine fiction and Scottish literature.
Arthur P. Mange Photograph Collection, 1965-2010.
Call no.: PH 044
Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.
His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.
- Amherst (Mass.)--Pictorial works
- Cemeteries--Pictorial works
- Hadley (Mass.)--Pictorial works
- New England--Pictorial works
- New Salem (Mass.)--Pictorial works
- New York (N.Y.)--Pictorial works
Types of material
Miscellaneous Manuscripts, 1717-2003.
Call no.: MS 719
Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting empahses in SCUA, particularly the history of New England, the content ranges widely in theme and format.
- Massachusetts--Economic conditions--18th century
- Massachusetts--Economic conditions--19th century
- Massachusetts--Politics and government
- Massachusetts--Social conditions--18th century
- Massachusetts--Social conditions--19th century
- Massachusetts--Social conditions--20th century
Types of material
- Account books
Bernie Moss Photograph Collection, ca. 1960-1978.
Call no.: PH 062
A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensbury Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.
The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.
- Jazz musicians--Massachusetts--Boston--Photographs
Types of material
- Color prints (photographs)
National Arts Policy Archive and Library
National Endowment for the Arts Collection, 1965-2009.
Call no.: MS 686
Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
- Art and State
- Government aid to the arts
Joseph Obrebski Papers, 1923-1974.
Call no.: MS 599
A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.
The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski’s wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.
- Obrebski, Joseph, 1907-1967
Types of material
Radical Student Union Records, 1905-2006 (Bulk: 1978-2005).
Call no.: RG 045/80 R1
Founded by Charles Bagli in 1976, the Revolutionary Student Brigade at UMass Amherst (later the Radical Student Union) has been a focal point for organization by politically radical students. RSU members have responded to issues of social justice, addressing both local, regional, and national concerns ranging from militarism to the environment, racism and sexism to globalization.
The RSU records document the history of a particularly long-lived organization of left-leaning student activists at the University of Massachusetts Amherst. Beginning in the mid-1970s, as students were searching for ways to build upon the legacy of the previous decade, the RSU has been a constant presence on campus, weathering the Reagan years, tough budgetary times, and dramatic changes in the political culture at the national and state levels. The RSU reached its peak during the 1980s with protests against American involvement in Central America, CIA recruitment on campus, American support for the Apartheid regime in South Africa, and government-funded weapons research, but in later years, the organization has continued to adapt, organizing against globalization, sweatshops, the Iraq War, and a host of other issues.
- Anti-apartheid movements--Massachusetts
- Central America--Foreign relations--United States
- College students--Political activity
- El Salvador--History--1979-1992
- Iraq War, 2003-
- Peace movements--Massachusetts
- Persian Gulf War, 1991
- Political activists--Massachusetts--History
- Student movements
- United States--Foreign relations--Central America
- United States. Central Intelligence Agency
- University of Massachusetts Amherst
- Progressive Student Network
- Radical Student Union
- Revolutionary Student Brigade
Types of material
John P. Roche Collection, 1886-1965.
Call no.: RB 008
A political scientist, writer, and government consultant, John P. Roche was born in Brooklyn, N.Y., on May 7, 1923, the son of a salesman. A liberal Social Democrat and fervent anti-Communist, Roche spent his academic career at Haverford College and Brandeis and Tufts Universities, writing extensively on American foreign policy, constitutional law, and the history of political thought in America, and maintaining a strong interest in the history of the American left. During the 1960s and early 1970s, he served as an adviser to the Kennedy, Johnson, and Nixon administrations.
The Roche Collection consists of over 300 publications pertaining to the political left in the United States, with a smaller number of works from the radical right and from European Socialists and Communists. Concentrated in the years spanning the Great Depression, the Second World War, and the McCarthy hearings, many of the works were produced by formal political parties in response to particular political campaigns, current events, or social issues, with other works geared primarily toward consciousness raising and general political education on trade unionism, fascism, war and peace, American foreign policy, and freedom of speech and the press.
- United States--Foreign policy--20th century
- World War, 1939-1945
- Coughlin, Charles E. (Charles Edward), 1891-1979
- Roche, John P.
Laura M. Ross Papers, 1945-2003 (Bulk: 1967-1990).
Call no.: MS 515
Born in the coal mining town of Blossburg, Pa., in 1913, Laura Ross (nee Kaplowitz) grew up in poverty as one of seven children of Lithuanian immigrants. In about 1932, Ross married Harry Naddell, a wine merchant, and settled into a comfortable life Brooklyn, N.Y., raising a son and daughter. During the Second World War, however, she became intensely politicized through her work with Russian War Relief, joining the Communist Party and eventually divorcing her les radical husband. Moving to the Boston area, she married Max Ross in 1963, an attorney for the Massachusetts Bay Transportation Authority, and became a noted presence in a wide range of political activities, working for civil rights, the antiwar movement, and for many years, helping to run the Center for Marxist Education in Central Square , Cambridge. Perhaps most notably, between 1974 and 1984, Ross ran for Congress three times on the Communist Party ticket, taking on the powerful incumbent Tip O’Neill and winning almost a quarter of the vote. An activist to the end, Ross died in Cambridge on August 5, 2007.
The Ross papers are the legacy of a highly visible activist, organizer, educator, and member of the Communist Party USA. Heavily concentrated in the period 1967-1990, the collection includes material relating to her affiliation with CPUSA and her work with the Center for Marxist Education in Cambridge, Mass., including information on party membership, platforms, and conventions, minutes from various district committee meetings, material relating to the People’s Daily World, and course information and syllabi. Scattered throughout the collection are materials pertaining to contemporary political issues and elections, particularly the policies associated with Ronald Reagan. Ross was a vocal and persistent opponent of Reaganomics and the nuclear arms race that Reagan accelerated.
- Center for Marxist Education (Cambridge, Mass.)
- Communist Party of the United States of America
- Peace movements--Massachusetts
- People’s Daily World
- United States--Politics and government--1981-1989
- Ross, Laura
Juan Mauricio Rugendas Letters, 1835-1845.
Call no.: MS 271
Born in Germany as Johann Moritz Rugendas, Juan Rugendas was a painter who spent much of his adult life working and traveling in South America. The collection includes a total of 4 poems and 192 personal letters received by Rugendas from four friends during the years 1835 to 1845. Rugendas received the bulk of these letters while living in Valparaíso, Chile, where he found political asylum, and in Lima, Peru from 1842 to 1844.
- Argentina--Description and travel
- Argentina--Social life and customs--19th century
- Painters--South America
- Bustamante, José Javier y Tomás
- Espinosa, Juan, 1804-1871
- Godoy, Juan Gualberto, 1793-1864
- Oro, Domingo de, 1800-1879
- Rugendas, Johann Moritz, 1802-1858
Types of material
- Letters (Correspondence)