You searched for: "“Shipowners--New Hampshire--Portsmouth--Economic conditions--19th century”" (page 6 of 46)

American Morgan Horse Association

American Morgan Horse Association Registry Records

1911-1981
119 boxes 150 linear feet
Call no.: MS 781
Image of Morgan horses at MAC
Morgan horses at MAC

In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.

The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.

Subjects

  • Horses--Breeding
  • Morgan horse
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Bailey, Ebenezer

Ebenezer Bailey Papers

1852-1882
1 box 0.25 linear feet
Call no.: MS 448

Ebenezer Bailey was a wholesale shoe purchaser and distributor from Massachusetts. The collection comprises just over 100 items, the bulk of which are receipts for the purchase and sale of shoes and slippers, covering the period from 1852 to 1882.

Acquired from Peter Masi, Mar. 2005

Subjects

  • Business records--Massachusetts
  • Dearborn, J. J
  • Lynn (Mass.)--History
  • Shoe industry--Massachusetts--Lynn
  • Shoe industry--New England--History--19th century

Contributors

  • Bailey, Ebenezer

Types of material

  • Receipts (Financial records)
Barrett, G. A.

G. A. Barrett Ledgers

1871-1876
2 vols. 0.2 linear feet
Call no.: MS 489 bd

Lumbering was an important part of the economy in northern Franklin County, Massachusetts, during the late nineteenth century, particularly in the region abutting the border with New Hampshire.

These two volumes document a sawmill that appears to have operated in Franklin County, Mass., perhaps Northfield, in the latter half of the nineteenth century. One volume is a work record for employees at the mill (1871-1875), the second is a daybook with sales records (1874-1876) either from a company store or country store. Many of the transactions are with the mill’s employees. Most of the (relatively) high value exchanges recorded in the daybook are for lumber, shingles, or board, but there are numerous small cash records and the sale of miscellaneous goods such as tobacco (and tobacco boxes), bricks, hay, nails, rubber boots, meat and flour, corn, and even a watch. Although the precise location of the mill is uncertain, Northfield seems most likely. Several names recorded in the volume can be traced through the census to the vicinity of northern Franklin county, including Romanzo Hill, listed in the federal census for 1880 as living in Warwick, Mass., and “works in sawmill”; Jackson Doolittle of Hinsdale, N.H. (1870 and 1880); T. B. Stratton, who operated a country store in Millers Falls in 1872; and Roswell Stratton, a carpenter in Northfield (1880). We have been unable to identify G. A. Barrett beyond his name.

Subjects

  • General stores--Massachusetts--Franklin County
  • Northfield (Mass.)--History--19th century
  • Sawmills--Massachusetts--Franklin County

Types of material

  • Daybooks
Bates Family

Marcia Grover Church Bates Family Papers

1712-1999
11 boxes 5.5 linear feet
Call no.: MS 424

Generations of the Bates and Church families based in North Amherst and Ashfield, Massachusetts. Papers include deeds, a will, correspondence, account books (recording day-to-day expenditures on food, clothing, postage, housekeeping supplies, and laborer’s wages), diaries, an oral history, photographs, genealogical notes, and memorabilia related to the family.

Subjects

  • Ashfield (Mass.)--History
  • Bates family
  • Church family
  • Farmers--Massachusetts--Ashfield
  • Hotelkeepers--Massachusetts--North Amherst
  • Libraries--Massachusetts--Boston
  • Massachusetts Agricultural College--Alumni and alumnae
  • Merchants--Massachusetts--North Amherst
  • North Amherst (Mass.)--History
  • Prescott (Mass.)--History
  • Public librarians--Massachusetts
  • Street-railroads--Massachusetts--Employees
  • Weather--Massachusetts--Ashfield
  • Women--Massachusetts--History
  • Worcester (Mass.)--History

Contributors

  • Bates, Marcia Church, 1908-2000
  • Church, Cornelia, 1906-1978
  • Church, Lucia Grover, 1877-1943

Types of material

  • Account books
  • Deeds
  • Diaries
  • Geneaologies
  • Photographs
  • Wills
Benes, Peter

Peter Benes Collection

ca.1975-1986
1 box 1 linear feet
Call no.: PH 017
Image of Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects

  • Gravestones--Massachusetts
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Benes, Peter

Types of material

  • Photographs
Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection

1789-1964
128 items 3 linear feet
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks
Boston & Albany Railroad Company. Engineering Department

Boston & Albany Railroad Engineering Department Map Collection

1833-1920
19 v.
Call no.: MS 130

The Boston and Albany Railroad was formed between 1867 and 1870 from the merger of three existing lines, the Boston and Worcester (chartered 1831), the Western (1833), and the Castleton and West Stockbridge (1834). The corporation was a primary east-west transit through the Commonwealth, with branches connecting towns including Athol, Ware, North Adams, and Hudson, N.Y.

The nineteen atlases comprising this collection include detailed plans documenting the location and ownership of rights of way, land-takings, and other land transfers to or from the railroad company. Dating from the early years of operation for the corporation to just after the turn of the century, the atlases include maps of predecessor lines (Boston and Worcester Railroad Corporation and Western Rail-Road), as well as the Grand Junction Railway Company (Charlestown, Somerville, Everett, and Chelsea), the Ware River Railroad, and the Chester and Becket Railroad.

Subjects

  • Boston and Albany Railroad Co.--Maps
  • Boston and Worcester Railroad Corporation--Maps
  • Chester and Becket Railroad--Maps
  • Grand Junction Railway Company--Maps
  • Railroads--Massachusetts--Maps
  • Real property--Massachusetts--Maps
  • Ware River Railroad--Maps
  • Western Rail-Road Corporation--Maps

Contributors

  • Boston & Albany Railroad Company. Engineering Department

Types of material

  • Maps
Bridgewater (Mass.)

Bridgewater (Mass.) Merchant's Daybook

1837
1 vol. 0.25 linear feet
Call no.: MS 222 bd

Perched at the western boundary of Plymouth County, Bridgewater, Massachusetts, grew rapidly during the antebellum period, spurred by the growth of its industry. During the mid-nineteenth century, the town’s most valuable products revolved around the local iron industry, with large manufacturers like Lazell, Perkins, and Co. producing iron and heavy machinery as early as 1810.

The daybook of this unidentified trader and merchant in Bridgewater, Mass., reveals the quickening pace of economic activity connected to the burgeoning Plymouth County iron industry. While many of the transactions at the store are small purchases of consumable goods such as flour, fabric, sugar, tobacco, meats, and molasses, more substantial purchases ae interspersed throughout for bar iron, nails, metal plates, and other manufactured metal items.

Acquired from Charles Apfelbaum, 1987

Subjects

  • Bridgewater (Mass.)--Economic conditions--19th century
  • Merchants--Massachusetts--Bridgewater

Types of material

  • Daybooks
Brooks, Burt V.

Burt V. Brooks Photograph Collection

1889-1934
3 boxes 1.5 linear feet
Call no.: PH 060
Image of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014

Subjects

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs

Types of material

  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs