Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.
Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.
Hampshire Community Action Commission Records, 1965-1984.
25 boxes (10.5 linear feet). Call no.: MS 056
A private, non-profit corporation founded in 1965 in Northampton, Massachusetts to finance community action programs for eliminating poverty and assisting low income people. Programs included day care centers, Neighborhood Youth Corps, Summer Head Start, a drug addiction clinic at the jail, Legal Services, and the Foster Grandparent Program.
Records comprise bylaws and organizational charts, annual reports, board of directors minutes; administrative directors’ records, including correspondence with the federal agencies and state agencies granting funds, grant applications and awards, program plans, financial and legal documents, personnel records and staff training directives; the agency newsletter County Voice, Noticero Latina; and newsclippings about welfare programs.
In February and March 1890, Smith College Professor J.H. Pillsbury organized several meetings for Northampton citizens interested in the work of the Young Men’s Christian Association. Within a month, prominent local men, including C.H. Lyman, A.L. Williston, George Washington Cable, and F.N. Kneeland, established an Executive Board and committees with representatives from all the Protestant churches to raise funds and secure a building to begin the Northampton YMCA. Incorporation shortly followed, in January 1892.
In its first decade, the YMCA established a Boy’s Department under the direction of Robert L. Williston, started a Women’s Auxiliary, and began a building fund that resulted in the purchase of property from A.L. Williston on King Street. Throughout its history, the YMCA responded to local needs during periods of crisis or transition. During World War I and II, it established recreation programs for factory workers and soldiers stationed in the area, and, from 1942-44, was heavily involved in U.S.O work. In the 1950s and 1960s the YMCA began special programs on civil rights and desegregation. Over the years, a number of prominent local figures played a role in Hampshire Regional YMCA’s history including Robert L. Williston, Oliver L. Bradley, and Errol V. Ridgewell, Executive Director from 1943 through 1969.
Records of the Hampshire Regional YMCA document the Association from its first meetings in 1891 through 1978. The collection contains minutes, constitution and by-laws, reports, board correspondence, ledgers, publications, scrapbooks, and youth, recreation, and wartime program files. Also includes material relating to building campaigns and properties. Additionally documents the long career of Errol V. Ridgwell.
A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.
Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.
Haymarket People's Fund Western Massachusetts Records, 1975-1983.
4 boxes (4 linear feet). Call no.: MS 336
A granting agency that advises and provides funding for grass roots, non-profit projects and organizations in order to bring about broad social change by addressing local issues and community needs. Records include minutes, reports, correspondence, successful and unsuccessful grant applications from Western Massachusetts organizations, grant source information, and grantee materials including organization reports, publications, member lists, clippings, and other materials.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.
The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.
Argonne National Laboratories
Condon, Edward Uhler, 1902-1974
Federation of American Scientists
Los Alamos National Laboratory
Oppenheimer, J. Robert, 1904-1967
University of Massachusetts Amherst. Department of Physics
University of Massachusetts Amherst. Institute for Man and His Environment
International Oil Working Group Collection, 1957-1987 (Bulk: 1980-1985).
29 boxes (15 linear feet). Call no.: MS 268
The International Oil Working Group (IOWG) is one of a number of organizations that worked to implement an oil embargo initiated by the United Nations General Assembly against South Africa to protest the country’s policies of apartheid. The IOWG grew out of the Sanctions Working Group established in 1979. Although the nature and timing of the change in names is unclear, it appears that Dr. Teresa Turner was instrumental in the formation of both groups and was primarily responsible for their organization and administration. Other directors included Luis Prado, Arnold Baker and Kassahun Checole. While the group was loosely organized, it maintained the basic structure of a special advisory board with a pool of research associates. Primary activities involved researching topics related to the oil embargo; writing papers for regional, national, and international conferences; giving testimony at UN meetings; providing information to governments, unions and other groups committed to aiding in the implementation of the oil embargo; lecturing to students and members of the community on the subject of sanctions against South Africa; and collaborating with the UN Center Against Apartheid. Research topics included tanker monitoring to detect and expose those shipping companies that broke the embargo; the energy needs in those countries in southern Africa which depend upon South Africa to meet some of their energy demands; ways to effectively implement and enforce the oil embargo; trade union action by oil transport workers; Namibian independence and decolonization; and underground oil storage in South Africa.
Collection consists of administrative papers including financial records, minutes and association history materials; correspondence; printed materials produced by the IOWG; conference files; UN documents relating to South Africa and sanctions; and reference materials, including published reports, news clippings, newsletters and journals, related to oil shipping, tanker information and South African economic and political activity generally.
Economic sanctions--South Africa--History
Namibia--History--Autonomy and independence movements
Namibia--Politics and government--1946-1990
Petroleum industry and trade--History--20th century
Petroleum industry and trade--Political aspects--South Africa
A veteran of the peace movement and founder of the Traprock Peace Center (1979), Randy Kehler was active in the National Nuclear Weapons Freeze Campaign, the Peace Development Fund, and the Working Group on Electoral Democracy. Beginning in 1977, he and his wife became war tax resisters, withholding federal income tax to protest U.S. military expenditures, donating it instead to charity. As a consequence, their home was seized by the IRS in 1989, setting up a protracted legal struggle that resulted in Kehler’s arrest and imprisonment and the sale of the house. They remain tax resisters.
The Kehler Papers document the five year struggle (1989-1994) against the seizure and sale of the Kehlers’ home by the IRS. The collection includes meeting minutes, notes, correspondence, newspaper clippings; letters to the editor, essays, articles, plans and strategy documents for the vigil set outside the Kehler home; support committee information and actions; correspondence with government officials, the IRS, and the Justice Department; letters of support; documents from the legal proceedings; and political literature addressing the Kehlers’ situation.
A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.
A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.