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Gourreau de La Proustière, Philippe, 1611-1694

Conclave d'Alexandre vii, Revué, Corrigé, et Augmenté de Beaucoup par..., ca.1658
1 volume, 351p. (0.2 linear feet)
Call no.: MS 436 bd

On April 7, 1655, after a conclave of 80 days, Fabio Chigi was elected to succeed Innocent X as Pope. Taking the name Alexander VII, Chigi was initially viewed as an opponent of papal nepotism, however little progress was made. He served as pope until his death on May 22, 1667.

Bound in 18th century leather with an prefatory letter by the Prieur Gourreau, this manuscript was apparently intended for publication and may be an 18th century transcription of a presumably earlier manuscript. Editions of the Le Conclave d’Alexandre VII, ou Relation véritable de tout ce qui s’est passé et négocié au Conclave tenu à Rome depuis le 17 janvier jusqu’au 7 avril 1655 au sujet de l’élection du cardinal Fabio Chigi appeared in 1666 and 1667.

Subjects
  • Alexander VII, Pope, 1599-1667
  • Popes--Election
Contributors
  • Gourreau de La Proustière, Philippe, 1611-1694

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997
17 boxes (19.5 linear feet)
Call no.: FS 142
Barrie B. Greenbie Papers image
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945
Contributors
  • Greenbie, Barrie B

Gwin, Lucy

Lucy Gwin Papers, 1982-2005
8 boxes (12 linear feet)
Call no.: MS 822

Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.

Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.

Subjects
  • Disabled--Civil rights
  • Mouth Magazine

Hapgood, Beth

Beth Hapgood Papers, 1789-2005
67 boxes (35 linear feet)
Call no.: MS 434
Beth Hapgood Papers image
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects
  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History
Contributors
  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992
44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Gordon Heath Papers image
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects
  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
Contributors
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Indusco Bailie Schools

Indusco Bailie School Collection, 1940-1952
1 box (0.25 linear feet)
Call no.: MS 564
Indusco Bailie School Collection image
Bailie Technical School boys with masks

Following the Japanese invasion of China in 1937, the New Zealand expatriate Rewi Alley threw his considerable talents behind the war effort. Building upon knowledge acquired over a decade of living in China, Alley helped organize the Chinese Industrial Cooperative Movement (CIC). The CIC coordinated the creation of industrial cooperatives throughout unoccupied China to keep industrial production flowing, and it sponsored a series of industrial schools named after Alley’s friend Joseph Bailie to provide training and support.

The Indusco Bailie School Collection includes documents and photographs relating to the establishment and operation of the Bailie Schools in China during and immediately after the Second World War. Probably associated with the Indusco offices in New York City, these documents include a model constitution for industrial cooperatives, typewritten reports on Bailie Schools, and published articles describing the schools’ efforts. The reports extend through 1949, and include three mimeographed newsletters from the Shantan Bailie School for the months immediately following the school’s liberation by Communist forces. Also included are printed works by Alley and eighteen photographs taken between 1942 and 1944 of students and scenes at Bailie Schools.

Subjects
  • China--History--1937-1949
  • Chinese industrial cooperatives
  • Cooperative societies--China
  • Shantan Bailie School (Kansu, China)
  • Sino-Japanese War, 1937-1945
  • World War, 1939-1945
Contributors
  • Indusco
  • Rewi, Alley, 1897-1987
Types of material
  • Photographs

International Oil Working Group

International Oil Working Group Collection, 1957-1987 (Bulk: 1980-1985)
29 boxes (15 linear feet)
Call no.: MS 268

The International Oil Working Group (IOWG) is one of a number of organizations that worked to implement an oil embargo initiated by the United Nations General Assembly against South Africa to protest the country’s policies of apartheid. The IOWG grew out of the Sanctions Working Group established in 1979. Although the nature and timing of the change in names is unclear, it appears that Dr. Teresa Turner was instrumental in the formation of both groups and was primarily responsible for their organization and administration. Other directors included Luis Prado, Arnold Baker and Kassahun Checole. While the group was loosely organized, it maintained the basic structure of a special advisory board with a pool of research associates. Primary activities involved researching topics related to the oil embargo; writing papers for regional, national, and international conferences; giving testimony at UN meetings; providing information to governments, unions and other groups committed to aiding in the implementation of the oil embargo; lecturing to students and members of the community on the subject of sanctions against South Africa; and collaborating with the UN Center Against Apartheid. Research topics included tanker monitoring to detect and expose those shipping companies that broke the embargo; the energy needs in those countries in southern Africa which depend upon South Africa to meet some of their energy demands; ways to effectively implement and enforce the oil embargo; trade union action by oil transport workers; Namibian independence and decolonization; and underground oil storage in South Africa.

Collection consists of administrative papers including financial records, minutes and association history materials; correspondence; printed materials produced by the IOWG; conference files; UN documents relating to South Africa and sanctions; and reference materials, including published reports, news clippings, newsletters and journals, related to oil shipping, tanker information and South African economic and political activity generally.

Subjects
  • Apartheid--South Africa--History
  • Economic sanctions--South Africa--History
  • Embargo
  • Namibia--History--Autonomy and independence movements
  • Namibia--Politics and government--1946-1990
  • Petroleum industry and trade--History--20th century
  • Petroleum industry and trade--Political aspects--South Africa
  • South Africa--Politics and government--1978-1989
  • Tankers--South Africa--History
Contributors
  • International Oil Working Group
  • Turner, Terisa

International Union of Electrical, Radio and Machine Workers. Local 206

IUERMW Local 206 Records, 1936-1986
30 boxes (14.5 linear feet)
Call no.: MS 132

Union that represented workers at the American Bosch plant in Springfield, Massachusetts, affiliated with the International Union of Electrical, Radio and Machine Workers after 1949.

Records include by-laws, minutes of the Executive Board, General Council, and Membership meetings, correspondence, membership reports, grievance and arbitration records, contract negotiation proposals and counter-proposals, strike materials, and publications documenting the administration, activities, and membership of Local 206. Effects of changing national economy and international trade on workers and union affairs, through time, are evident.

Subjects
  • American Bosch--History
  • Collective bargaining--Machinery industry--Massachusetts --Springfield
  • Industrial relations--Massachusetts--Springfield
  • International Union of Electrical, Radio and Machine Workers. Local 206 (Springfield, Mass.)
  • Labor unions--Massachusetts--Springfield
  • Machinists--Labor unions--Massachusetts--Springfield
  • Metal-working machinery industry--Massachusetts --Springfield
  • Plant shutdowns--Massachusetts--Springfield
  • Springfield (Mass.)--Economic conditions
  • Springfield (Mass.)--Industries
  • Strikes and lockouts--Machinery industry--Massachusetts --Springfield
  • United Electrical, Radio and Machine Workers of America. Local 206 (Springfield, Mass.)
Types of material
  • Letters (Correspondence)

International Women’s Year Conference

International Women's Year Conference Collection, 1977
6 boxes (2.75 linear feet)
Call no.: MS 510
International Women's Year Conference Collection image

After 1975 was designated as the first International Women’s Year by the United Nations, later extended to a decade, President Carter created a National Commission on the Observance of International Women’s Year. A national women’s conference was proposed and funded by the U.S.Congress, the first and only time the federal government funded a nationwide women’s conference. A series of state meetings were held throughout 1977 to elect delegates to the national conference and to identify goals for improving the status of women over the next decade.

This collection consists of state reports prepared and submitted to the National Commission for the Observance of International Women’s Year. Reports include details about the election of national delegates, topics of workshops held at the meetings, and resolutions adopted by individual states.

Subjects
  • Feminism--United States
  • International Women's Year Conference
  • Women's rights--United States

Judice, Edward

Edward Judice Photograph Collection, 1973-2010
281 digital images, 2 videos
Call no.: PH 046
Edward Judice Photograph Collection image
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects
  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.
Contributors
  • Judice, Edward
Types of material
  • Digital images
  • Video recordings

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