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Wulkan, Ferd

Ferd Wulkan Collection, 1968-1985
9 boxes (12.5 linear feet)
Call no.: MS 841

A 1968 graduate in mathematics from MIT, Ferd Wulkan has been a fixture in activist circles for many years. A member of SDS in college, Wulkan became a key union organizer after moving to Amherst in the 1980s and a strong supporter for public higher education. After serving for several years as a field representative of Local 509 and 888 of the SEIU, working with non-faculty professional personnel at UMass Amherst, he has been a representative (1989- ) and organizer (2004- ) for the Massachusetts Society of Professors. In 2007, Wulkan became organizing director for the Public Higher Education Network of Massachusetts (PHENOM), a grassroots advocacy organization for affordable and accessible public higher education.

The Wulkan Collection consists of a fascinating array of material from Leftist and radical political movements during the late 1960s and early 1980s, with an emphasis on the Cambridge-Somerville area. In addition to a rich assemblage of formally published pamphlets and magazines, the collection includes a large number of fliers, handouts, informally published works, and underground newspapers on Socialist, Feminist, and anarchist topics and relating to the war in Vietnam, the labor movement, civil rights, and Black Power.

Subjects
  • Cambridge (Mass.)--History
  • Feminism--Massachusetts
  • Radicals--Massachusetts--Cambridge
  • Somerville (Mass.)--History
  • Underground press publications
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Black Panther Party

Acker, Bonnie

Bonnie Acker Collection, 1983-2000
1 box (1.5 linear feet)
Call no.: MS 582

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Subjects
  • Antinuclear movement--United States
  • Peace movements
Contributors
  • Acker, Bonnie
Types of material
  • Realia
Founders of the Niagara Movement, ca.1905

Founders of the Niagara Movement, ca.1905

The acquisition of the papers of W.E.B. Du Bois in 1972 established SCUA as a center for research in African American history. In subsequent years, UMass has supported publication of three volumes of Du Bois’ correspondence and SCUA has digitized the papers and made them freely available on the internet while serving as a resource for many dozens of scholarly articles and books. SCUA continues in its efforts to build around the Du Bois collection, adding other important printed and manuscript materials both in African American history and in the history of efforts to promote social change.

Every February, SCUA and the Du Bois Department of Afro-Americans Studies at UMass Amherst commemorate Du Bois’s birthday by co-sponsoring a public colloquium on Du Bois and his legacy. Our lecturers have included distinguished scholars such as Herbert and Bethina Aptheker, Randolph Bromery, Clayborne Carson, Arnold Rampersad, and David Levering Lewis.

Significant collections (view all)

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Alumnus Magazine

Alumnus Magazine Photograph Collection, ca. 1974-1989
(12 linear feet)
Call no.: RG 147
Alumnus Magazine Photograph Collection image
Julius Erving during basketball workshop at UMass, 1980

The once active photo morgue of the Alumnus Magazine, the Alumnus Magazine Photograph Collection captures diverse aspects of campus life during the 1970s and 1980s, including portraits of campus officials, sports events, commencements, a visit to campus by Julius Erving, and assorted campus buildings and scenery.

Subjects
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Students
Contributors
  • University of Massachusetts Amherst
Types of material
  • Photographs

Amalgamated Clothing Workers of America. Boston Joint Board

ACWA Boston Joint Board Records, 1926-1979
(8 linear feet)
Call no.: MS 002

The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.

Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.

Subjects
  • Boston (Mass.)--Economic conditions--20th century
  • Clothing trade--Labor unions--Massachusetts
  • Labor unions--Massachusetts--Boston
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--Massachusetts--Boston
  • Textile workers--Massachusetts--Economic conditions--20th century
Contributors
  • Amalgamated Clothing Workers of America. Boston Joint Board
  • Salerno, Joseph, fl. 1907-1972
Types of material
  • Contracts
  • Financial records
  • Minutes
  • Scrapbooks

Amalgamated Clothing Workers of America. Local 125

Amalgamated Clothing Workers of America, Local 125 Records, 1928-1984
16 boxes (8 linear feet)
Call no.: MS 001

Based in New Haven, Connecticut, Local 125 was a chapter of the Amalgamated Clothing Workers of America (ACWA) that worked to improve wages and hours of work, to increase job security, to provide facilities for advancing cultural, educational, and recreational interests of its members, and to strengthen the labor movement. Key figures in Local 125 included Aldo Cursi who, with Mamie Santora, organized the Connecticut shirtworkers and served as Manager from 1933 to 1954; John Laurie who served as Business Manager from 1933 to 1963; and Nick Aiello, Business agent in 1963 and Manager from 1964 to 1984.

The collection includes constitution, by-laws, minutes, contracts, piece rate schedules, accounts, subject files, scrapbooks, newsclippings, printed materials, photographs and a phonograph record. These records document the history of Local 125 from its founding in 1933 to 1984, when the Local office in New Haven was closed. Included also are correspondence and case materials pertaining to grievance and arbitration proceedings (access restrictions apply).

Subjects
  • Clothing trade--Labor unions--Connecticut
  • Labor unions--Connecticut
  • Labor unions--Massachusetts
  • Textile industry--Connecticut
  • Textile workers--Labor unions--Connecticut
Contributors
  • Amalgamated Clothing Workers of America. Local 125
Types of material
  • Photographs
  • Scrapbooks
  • Sound recordings

Ambellan, Harold

Harold Ambellan Memoir, 2005
1 item (75p.)
Call no.: MS 855

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.

Subjects
  • Artists--20th century
  • Democracy
  • Depressions, 1929
  • Expatriate artists--France
  • New Deal, 1933-1939
  • Sculptors--20th century
  • World War, 1939-1945
Contributors
  • Diehl, Victoria
  • Guthrie, Woody, 1912-1967
Types of material
  • Memoirs
  • Oral histories

Amelia Earhart’s Underground Flying Society

Amelia Earhart’s Underground Flying Society Records, 1986-2000
1 folder, 1 audiocassette, 1 VHS tape (.2 linear feet)
Call no.: MS 940
logo
Amelia Earhart’s Underground Flying Society logo

Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s) was a lesbian social club based out of Lebanon, N.H., serving the Upper Valley area of Vermont and New Hampshire, and beyond. Reachable via an unnamed post-office box, the club began in 1979 and provided members not only with much sought after social, leisure, and entertainment opportunities, but also a unique community of peers for discussion and activities around political, educational, health, and legal issues of importance to women and lesbians. Like their famous namesake, the Amelia’s did not shy away from risks in supporting women, the feminist movement, or actions promoting and educating about lesbians. The group often overlapped with feminist and lesbian print shop and publishing company, New Victoria Press, and the Amelia’s often used the New Vic building for their meetings.

The Amelia Earhart’s Underground Flying Society Records consist of over 25 issues of the “Amelia’s Newsletter” from 1986-2000; two clippings covering news related to the group, including the repeated vandalization of their “Upper Valley Lesbians” Adopt-A-Highway Program sign; a 1994 audiocassette of interviews for an oral history of the Amelia’s; and a VHS tape of a community event held in 2003 to reflect on the women’s movement in the Upper Valley in the 1970s and 1980s. The newsletter offers detailed documentation of the group and their concerns, including calendars of their social gatherings and other local, regional, and national events of interest, and recaps of relevant news to the lesbian community including updates about politics, legal issues, civil rights and benefits, marriage, discrimination cases, women’s health, education and school issues, and lesbian focused social and entertainment events.

Subjects
  • Feminism--New England--History
  • Lesbian community--New England
  • Lesbian community--New Hampshire
  • Lesbian community--Vermont
Contributors
  • Dingman, Beth
Types of material
  • Audiocassettes
  • Newsletters
  • VHS

American History Workshop

American History Workshop Records, 1980-2016
42 boxes (63 linear feet)
Call no.: MS 922

Founded by Richard Rabinowitz in 1980, American History Workshop is a consortium of historians, designers, and filmmakers who promote public understanding of history through innovative exhibition and interpretation. Collaborating with a national roster of clients, the AHW provides consultation and assistance in developing, designing, and installing exhibitions that convey current historical scholarship and pedagogical practice for the public. Their exhibits have explored a wide array of critical themes in American history, including slavery, civil rights, and social justice; Constitutional and political history; immigration; urbanization; and labor history. In recent years, they have expanded their operations to include services such as audience analysis, media production, fund raising assistance, and organizational development.

The records of the American History Workshop document over three decades of work by one of the premier firms in historical exhibition and interpretation. The collection contains detailed records of nearly 600 projects prepared in collaboration with organizations ranging from the New-York Historical Society and Arizona Historical Society to the Smithsonian, the Lower East Side Tenement Museum, and the National Underground Railroad Freedom Center.

Subjects
  • Exhibitions
  • Public history
Contributors
  • Rabinowitz, Richard
  • Singer, Michael

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010
The American Revolution Documentary Collection image

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)
Types of material
  • Photographs
  • Sound recordings
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