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Crouch, Rebecca

Rebecca Crouch Papers
ca.1936-1986
1 box (0.5 linear feet)
Call no.: MS 602

In the late 1870s, a middle-aged farmer from Richmond, Minnesota, Samuel Crouch, married a woman eleven years his junior and asked her to relocate to the northern plains. Possessed of some solid self-confidence, Rebecca left behind her family a friends and set out to make a life for herself, adjusting to her new role as step-mother and community member, as well as the familiar role of family member at a distance.

The Crouch Papers includes approximately 225 letters offering insight into life in Minnesota during the late 1870s and early 1880s, and into the domestic and social life of a woman entering into a new marriage with an older man. Rebecca’s letters are consumed with the ebb and flow of daily life, her interactions with other residents of the community at church or in town, the weather, and chores from cooking to cleaning, farming, gardening, writing, going to town, or rearranging furniture.

Subjects
  • Farmers--Minnesota
  • Minnesota--Social life and customs--19th century
  • Women--Minnesota
Contributors
  • Crouch, Rebecca
  • Jones, Sarah
  • Loomis, Emma
Types of material
  • Letters (Correspondence)

Delevingne, Lionel

Lionel Delevingne Photograph Collection
ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Image of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Democratic Socialist Conference

Democratic Socialist Conference Collection
1984-1991
2 boxes (0.5 linear feet)
Call no.: MS 325

Includes transcripts of papers delivered at conferences (1985-1990) on democratic socialism, and correspondence (1984-1991) between Stephen Siteman, former Executive Secretary of the Socialist Party of America, and Frank Zeidler, former Mayor of Milwaukee, Socialist Party candidate for President of the United States, and national chairperson of the Socialist Party USA.

Gift of Stephen Siteman, 1990, 1991
Subjects
  • Socialism--Africa
  • Socialist Party of the United States of America
  • United States--Politics and government--1981-1989
  • United States--Politics and government--1989-1993
Contributors
  • Siteman, Stephen
  • Zeidler, Frank P

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

W.E.B. Du Bois Papers
1803-1984
328 boxes (168.75 linear feet)
Call no.: MS 312
Image of W.E.B. Du Bois
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Acquired from Shirley Graham Du Bois, 1973
Subjects
  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Crisis (New York, N.Y.)
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • National Association for the Advancement of Colored People
  • Pan-Africanism
  • United States--Race relations
Contributors
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Photographs

Estey, Joseph W.

Joseph W. Estey Account Book
1809-1827
1 vol. (0.25 linear feet)
Call no.: MS 093

Joseph W. Estey was the owner of a farm in Greenwich, Massachusetts with a grist and sawmill. The account book (started in Springfield and Ludlow, Massachusetts with his business partner Abner Putnam) documents business dealings, hired male and female help, personal and farm expenses (hiring tanners and blacksmiths), and a deed.

Subjects
  • Agricultural laborers--Massachusetts--Greenwich
  • Domestics--Massachusetts--Greenwich
  • Farmers--Massachusetts--Greenwich
  • Greenwich (Mass.)--Economic condition--19th century
  • Howe, Edward
  • Howe, Gideon
  • Lincoln, Benjamin
  • Ludlow (Mass.)--Economic conditions--19th century
  • Marcy, Laban
  • Mills and mill-work--Massachusetts--Greenwich
  • Oaks, John
  • Parson Clapp Tavern
  • Putnam, A. W.
  • Putnam, Abner
  • Springfield (Mass.)--Economic conditions--19th century
  • Vaughan, Josiah
  • Ware Manufacturing Co. (Ware, Mass.)
  • Warner, John
Contributors
  • Estey, Joseph W.
Types of material
  • Account books

Fischer, Britta

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection
1978
449 items (1 linear feet)
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Gift of Britta Fischer via Sigrid Schmalzer, 2010
Subjects
  • Beijing (China)--Photographs
  • Children--China--Photographs
  • China--Photographs
  • Factories--China--Photographs
  • Great Wall of China (China)--Photographs
  • Jinan (China)--Photographs
  • Shanghai (China)--Photographs
  • Tian'an Men (Beijing, China)--Photographs
  • Yangzhou (China)--Photographs
Types of material
  • Photographs

Foster, Nancy E.

Nancy E. Foster Papers
1972-2010
4 boxes (6 linear feet)
Call no.: MS 753
Image of Nancy E. Foster
Nancy E. Foster

For the better part of four decades, Nancy E. Foster was active in the struggle for social justice, peace, and political reform. From early work in civil rights through her engagement in political reform in Amherst, Mass., Foster was recognized for her work in the movements opposing war, nuclear power, and the assault on civil liberties after the September 11 terrorist attacks. Locally, she worked with her fellow members of the Unitarian Universalist Society of Amherst and with interfaith coalitions to address problems of hunger and homelessness.

Centered in western Massachusetts and concentrated in the last decade of her life (2000-2010), the Nancy Foster Papers includes a record of one woman’s grassroots activism for peace, civil liberties, and social justice. The issues reflected in the collection range from the assault on civil liberties after the 9/11 terrorist attacks to immigration, hunger and poverty, the Iraq Wars, and the conflict in Central America during the 1980s, and much of the material documents Nancy’s involvement with local organizations such as the Social Justice Committee of the Unitarian Universalist Society of Amherst. The collection also contains a valuable record of Nancy’s participation in local politics in Amherst, beginning with the records of the 1972 committee which was charged with reviewing the Town Meeting.

Subjects
  • Amherst (Mass.)--Politics and government
  • Civil rights--Massachusetts
  • Disaster relief
  • El Salvador--History--1979-1992
  • Hunger
  • Interfaith Cot Shelter (Amherst, Mass.)
  • Iraq War, 2003-2011
  • Peace movements--Massachusetts
  • September 11 Terrorist Attacks, 2001
  • War on Terrorism, 2001-2009
Contributors
  • ACLU
  • Lay Academy for Oecumenical Studies
  • Massachusetts Voters for Clean Elections
  • Olver, John
  • Pyle, Christopher H.
  • Swift, Alice
  • Unitarian Universalist Society of Amherst
Types of material
  • Photographs

Gwin, Lucy

Lucy Gwin Papers
1982-2005
8 boxes (12 linear feet)
Call no.: MS 822

Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.

Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.

Subjects
  • Disabled--Civil rights
  • Mouth Magazine

Heath, Gordon, 1918-1991

Gordon Heath Papers
1913-1992
44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Image of Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects
  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
Contributors
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer)
1934-2014
(75 linear feet)
Call no.: PH 051
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.
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