Henry I. Tragle served in the United States Army from 1941 until his retirement in 1964. He was a company commander of the 8th Armored Division during World War II and earned a Bronze Star for singlehandedly capturing a German general and his staff. After his retirement from the Army, he earned a B.A. (1966), M.A. (1967), and Ph.D in history (1971) from the University of Massachusetts, where he became a professor of history and assistant dean of the graduate school. Tragle was born in Richmond, Virginia in 1914 and worked in the Virginia dairy industry before joining the Army. Tragle studied military history but wrote his dissertation on the slave revolt led by Nat Turner in 1831. Tragle continued his historical research after his retirement from the University in 1972, collecting material on General Douglas MacArthur as well as editing several of Jackdraw Publications’ history packets. Tragle died December 15, 1991.

The Henry I. Tragle Papers contain Tragle’s historical research from 1968 until 1978, which includes scrapbooks of photos, notes, and clippings, bound together by research topic. There are also several shrink wrapped editions of Jackdraw Publications packets that Tragle was likely to have edited.

Collegian editorial staff, 1921-1922

Since almost the time of first arrival of students at Massachusetts Agricultural College in 1867, the college’s students have taken an active role in publishing items for their own consumption. Beginning with the appearance of the first yearbook, put together by the pioneer class during their junior year in 1870 and followed by publication of the first, short-lived newspaper, The College Monthly in 1887, students have been responsible for dozens of publications from literature to humor to a range of politically- and socially-oriented periodicals.

This series consists of the collected student publications from Massachusetts Agricultural College, Massachusetts State College, and UMass Amherst, including student newspapers, magazines, newsletters, inserts, yearbooks, and songbooks. Publications range from official publications emanating from the student body to unofficial works by student interest groups or academic departments. Links to digitized versions of the periodicals are supplied when available.

WFCR studio

The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.

The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children’s programming, news and current events, scholarly lectures, classical music, and jazz.

Founders of the Niagara Movement, ca.1905

The acquisition of the papers of W.E.B. Du Bois in 1972 established SCUA as a center for research in African American history. In subsequent years, UMass has supported publication of three volumes of Du Bois’ correspondence and SCUA has digitized the papers and made them freely available on the internet while serving as a resource for many dozens of scholarly articles and books. SCUA continues in its efforts to build around the Du Bois collection, adding other important printed and manuscript materials both in African American history and in the history of efforts to promote social change.

Every February, SCUA and the Du Bois Department of Afro-Americans Studies at UMass Amherst commemorate Du Bois’s birthday by co-sponsoring a public colloquium on Du Bois and his legacy. Our lecturers have included distinguished scholars such as Herbert and Bethina Aptheker, Randolph Bromery, Clayborne Carson, Arnold Rampersad, and David Levering Lewis.

Significant collections (view all)

• Africa American Institute. Records, 1953-2014
• Antislavery Pamphlet Collection
  • Several hundred pamphlets relating to political antislavery in the United States, with an emphasis on New England
  • See our Antislavery pamphlets digital archive
• Aronson, James. Collection, 1946-1983
  • Editor of the National Guardian
• Banks, Katherine Bell. Papers, 1926-1960.
  • Letters from W.E.B. Du Bois to Banks, a family friend
• Bond, Horace Mann. Papers, 1830-1979
  • Educator, President of Lincoln University
• Broadside Press Collection, 1964-1984
  • Detroit based press, was an important contributor to the Black Arts Movement
• Brown, John. Papers (microfilm), 1826-1942 (bulk: 1856-1859)
• Du Bois, W. E. B. Papers, 1868-1963
  • See also the film documenting the Du Bois Homesite dedication ceremonies in Great Barrington, Mass., 1969
• Heath, Gordon. Papers, 1940-1991
  • Expatriate writer, actor, director, and musician
• Hudson Family. Papers, 1780-1955
  • Family papers of the antislavery activist Erasmus D. Hudson
• International Oil Working Group. Records, 1957-1987
• Bernard Jaffe. Papers, 1981-1986
  • Attorney and friend of W.E.B. Du Bois and Shirley Graham Du Bois.
• Lewis, David Levering. Papers, ca.1955-2012
• Massachusetts. Special Commission on Unequal Education Opportunities. Records, 1974-1978
• Obrebski, Joseph and Tamara. Papers, 1923-1974
  • Anthropological field work in Jamaica, 1947-1948
• Urban League of Springfield (Mass.). Records, 1970s
• Trent, Lloyd A. Family Papers, 1850-1996

Learn more:

• Collecting overview
• Collecting policy
• Rare books
• Manuscripts
• Photographs and visual materials
• University Archives

Founded by Richard Rabinowitz in 1980, American History Workshop is a consortium of historians, designers, and filmmakers who promote public understanding of history through innovative exhibition and interpretation. Collaborating with a national roster of clients, the AHW provides consultation and assistance in developing, designing, and installing exhibitions that convey current historical scholarship and pedagogical practice for the public. Their exhibits have explored a wide array of critical themes in American history, including slavery, civil rights, and social justice; Constitutional and political history; immigration; urbanization; and labor history. In recent years, they have expanded their operations to include services such as audience analysis, media production, fund raising assistance, and organizational development.

The records of the American History Workshop document over three decades of work by one of the premier firms in historical exhibition and interpretation. The collection contains detailed records of nearly 600 projects prepared in collaboration with organizations ranging from the New-York Historical Society and Arizona Historical Society to the Smithsonian, the Lower East Side Tenement Museum, and the National Underground Railroad Freedom Center.

Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Mission

Judging cattle at Mass. Agricultural College

As participants in an ongoing conversation between the past and present for generations still to come, SCUA inspires discovery through the collection and curation of cultural heritage materials. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:

Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.

SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.

Two millionth volume:

Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.

A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.

Three millionth volume:

James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.

When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.

Four millionth volume:

The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.

The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Learn more:

• Collections
• Hours and directions
• Calendar
• SCUA people
• Tours and visits

Two girls in carriage, Quabbin region, ca.1910

SCUA is dedicated to documenting New England history, including primary materials relating to the political, cultural, economic, and intellectual life of our region, and the lives and experiences of its residents.

The collections in SCUA touch on many aspects of the history of the region with developing depth in immigration, labor, work, and industry, social change and movements for social change, and literature and the arts. Of particular note are two exceptionally large and rich collections: the records of the Hampshire Council of Governments, which contains over 325 years of county-level governance in western Massachusetts, and the records of the New England Yearly Meeting of Friends, which contains 350 years of Quaker history.

The recent political history of the region is documented through the papers of congressmen Silvio O. Conte and his successor John Olver, Governor Jane Swift, state Senator Stanley Rosenberg, state representatives John G. Clark, Maurice Donahue, Whiting Griswold, and John Haigis, and other figures involved in the political life of the Commonwealth.

In addition to holding material relating to many individual towns and communities in western Massachusetts, SCUA maintains a special interest in the history of the towns of the Quabbin watershed.

Significant collections

• Business and industry
  • In addition to collections relating to organized labor and the labor movement, SCUA attempts to document the experience of work and the business community to provide a rounded understanding of work life in New England. For a more complete listing, see our guide for Labor, Work, and Industry.

• Civic organizations and charities
  • Collections ranging from the records of charitable organizations that provide social services to groups that foster civic engagement and social justice, benevolent and ethnic self-help societies, to organizations that support social and professional communities.
• Family history
  • SCUA has a strong interest in “family collections,” typically collections that include correspondence, photograph albums, family and farm accounts, and other materials that reveal the every day lives of New Englanders. Researchers on family life and genealogy should note that many collections indexed under other subjects contain personal and family information of some importance. Our printed materials collections include many local and county histories, genealogies, and other resources which may be useful for understanding family life.
• Immigration, demography, and ethnicity
  • SCUA is particularly rich in collections documenting the Polish immigrant community in Massachusetts, but our holdings include fine material on Southeast Asian immigrants and African Americans.
• Medical history
  • Collections include daybooks and medical accounts of physicians, primarily from the nineteenth century, personal papers of physicians, and some materials on public health policy.
• Military history
  • Although SCUA has scattered holdings relating to earlier wars, the department houses interesting materials relating to World War II and the War in Vietnam, with the latter concentrated on the antiwar movement.
• Political life and culture
  • The distinctive political culture of Massachusetts and formal and informal political activity in the Commonwealth. Although the collections extend back into the nineteenth century, our focus is primarily on the post-World War II period.
• Printing in rural Massachusetts
  • SCUA collects books, broadsides, and other materials printed in rural New England prior to 1900. The collections include a growing collection for the printers in the Quabbin region, Solomon and John Howes, but also includes works printed in small towns throughout Berkshire, Hampshire, Hamden, and Franklin Counties.
• Quabbin Regional collections
  • Collections relating to all aspects of life and the legacy of the four towns inundated by the Quabbin Reservoir: Dana, Greenwich, Enfield, and Prescott, as well as surrounding communities such as New Salem, Petersham, and Wendell. In our rare books holdings, we have a number of works printed in Enfield or Greenwich, mostly by Solomon and John Howe.
• Religious life
  • Our efforts to document the spiritual lives and religious commitments of New Englanders has resulted in a number of manuscript and archival collections. Our social change holdings include a number of collections on spiritually-motivated social reform, and our rare book holdings include hundreds of published sermons and other printed materials relating to religious life in the region.
• New England regional history
  • Massachusetts (general)
    • Massachusetts, Western
    • Massachusetts, Central
    • Massachusetts, Eastern
  • Connecticut
  • Maine
  • New Hampshire
  • Rhode Island
  • Vermont

Learn more:

• Collecting overview
• Collecting policy
• Rare books
• Manuscripts
• Photographs and visual materials
• University Archives

Oral historian at the First National Women’s Conference in Houston, Texas, 1977. Photo by Diana Mara Henry

No matter how rich our archival collections may be, there are always parts of the historical record that never make it onto the page. Memories, emotions, and attitudes are notoriously difficult to document, and there a variety of all-too human reasons that people choose not to write down every detail of their lives. As a result, the Department of Special Collections and University Archives (SCUA) has been actively engaged in recording oral histories as a way of capturing a more complete record of the many voices and diverse experiences that comprise .

SCUA first ventured into oral historical work in the mid-1970s with efforts to document the history of the university prior to the massive expansion of the previous decade, and the department has subsequently engaged in oral historical projects to document the university’s 125th and 150th anniversaries. In the past decade, SCUA has extended its work to documenting the histories of persons represented in its collections and to a broader array of projects documenting the history and experience of social change and the people and cultures on New England. Furthermore, SCUA is the repository for hundreds of oral histories recorded by other people, ranging in scope from interviews with Franco-Americans in the 1980s, 20th century Argentine political figures, and former residents of the Quabbin towns in Western Massachusetts.

Many of SCUA’s oral histories are available online through our digital repository Credo. These include audio and video recordings and, in a few cases, they may be fully transcribed.

Supporting material

• Oral history agreement form
• Life history information sheet

For donors of oral histories:

SCUA is happy to accept donations of oral histories that fit within its collection policy.

SCUA accepts materials in most audio and video formats — cassette, reel to reel, RDAT, VHS, Betacam, or digital — but in every case, we prefer to receive the interview in the format in which it was recorded and in the highest quality available. When possible, we prefer digital files that are uncompressed, however we appreciate receiving a compressed derivative (e.g., mp3 for audio, mp4 for video). When available, transcripts in print and electronic form are a very valuable addition.

Learn more:

• Collection overview
• Collection policy
• Rare books
• Manuscripts
• Photographs
• University Archives

Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.