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Miscellaneous Manuscripts

Miscellaneous Manuscripts

1717-2003
6 boxes 3 linear feet
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.

Subjects

  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs
Rooney, Jim, 1938-

Jim Rooney Collection

1960-2014
5 boxes 6.5 linear feet
Call no.: MS 1016
Part of: Folk New England Collection

A producer, performer, writer, and pioneer in Americana music, Jim Rooney was born in Boston on January 28, 1938 and raised in Dedham. Inspired to take up music by the sounds of Hank Williams and Leadbelly he heard on the radio, he began performing at the Hillbilly Ranch at just 16 years old, taking to music full time after an undergraduate degree in classics at Amherst College and an MA at Harvard. As manager of Club 47, Rooney was at the epicenter of the folk revival in Boston, becoming director and talent coordinator for the Newport Folk Festival beginning in 1963, a tour manager for jazz musicians in the late 1960s, and by 1970, a producer. After managing Bearsville Sound Studios in Woodstock, NY, for Albert Grossman, he moved to Nashville, where he has produced projects by Hal Ketchum, Townes Van Zandt, Iris DeMent, John Prine and Bonnie Raitt, among others, winning a Grammy award in 1993 for his work with Nanci Griffith.

Documenting a varied career in American music, the Rooney collection contains material from two of Rooney’s books on the history of American music, Bossmen: Bill Monroe and Muddy Waters (1971) and Baby, Let Me Follow You Down (1979), his autobiography In It For the Long Run (2014). In addition to correspondence and other content relating to his collaborations with key Americana musicians and his record production career in Nashville, the collection includes valuable interview notes, photographs, recordings, and news clippings.

Gift of Jim Rooney through Folk New England, Mar. 2018

Subjects

  • Club 47 (Cambridge, Mass.)
  • Folk music--Massachusetts--Boston
  • Producers and directors

Types of material

  • Photographs
Rubin, Emanuel, 1935-

Emanuel Rubin Papers

1964-2006
5 boxes 7.5 linear feet
Call no.: FS 155
Image of Emanuel Rubin
Emanuel Rubin

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

Gift of Marilyn Steele, Mar. 2012

Subjects

  • Glees, catches, rounds, etc.--History and criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Judaic and Near Eastern Studies
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Rubin, Emanuel, 1935-

Types of material

  • Photographs
  • Scores
Siggins, Betsy, 1939-

Betsy Siggins Papers

1959-2009
5 boxes 3.5 linear feet
Call no.: MS 1022
Part of: Folk New England Collection
Image of Betsy Siggins, ca.1959. Photo by Alan Klein
Betsy Siggins, ca.1959. Photo by Alan Klein

A key figure in the New England folk revival of the 1960s, Betsy Siggins (nee Minot) entered Boston University in the fall 1958 just at the music was taking off. Along with her college friend Joan Baez, she soon left college under the lure of the bohemian musical scene in Cambridge. At the age of 20, Betsy married the banjo player for the Charles River Valley Boys, Bob Siggins, who was also a founding member of Club 47, the most important venue for folk music in the region. For musicians from Baez and Bob Dylan to Jim Kweskin, Eric Von Schmidt, and Jim Rooney Club 47 was a career launching pad and despite the segregation of the era, it was a place where white northern audiences first encountered African American and blues musicians. Siggins worked full time at Club 47, filling a variety of jobs from office work to waitress to art gallery manager, eventually becoming program officer, arranging the schedules for musicians booked by Rooney or Byron Linardos. After Club 47 closed in 1968, Siggins went on o work for a succession of not for profit organizations, including the Smithsonian Festival of American Folklife and for programs for the homeless and poor.

The Siggins Collection contains important materials on Club 47 and its successor, Club Passim, including business records, ephemera, clippings, and some remarkable scrapbooks featuring performers such Joan Baez, Bob Dylan, and Richard Farina. The collection contains dozens of photographs (many taken by Charlie Frizzell), showing Siggins, her friends, and musicians at home, at Club 47, and at folk festivals in Newport, Brandeis, and Monterey. Of particular note in the collection is a remarkable series of 27 reel to reel tapes of performances at Club 47 featuring John Hammond, Doc Watson, Bill Monroe, Eric Von Schmidt, Jim Rooney, Jeff and Maria Muldaur, Jackie Washington, the Charles River Valley Boys, Joan Baez, and others. Additional material on Siggins and the Minot family was retained by the Cambridge Historical Society.

Transferred from Cambridge Historical Society, April 2018

Subjects

  • Club 47 (Cambridge, Mass.)
  • Dylan, Bob, 1941-
  • Folk music--New England
Simon, Peter, 1947-

Peter Simon Collection

ca. 1945-2016
10 boxes 20 linear feet
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects

  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements

Contributors

  • Simon, Richard L. (Richard Leo), 1899-1960

Types of material

  • Photographs
WFCR (Radio station : Amherst, Mass.)

WFCR Radio Broadcast Collection

1954-1987 Bulk: 1964-1987
308 boxes 462 linear feet
Call no.: MS 741
Image of WFCR studio
WFCR studio

The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.

The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children’s programming, news and current events, scholarly lectures, classical music, and jazz.

Subjects

  • Amherst (Mass.)
  • Pioneer Valley (Mass.)
  • Radio stations--Massachusetts

Contributors

  • WFCR (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings
Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection

1898-1966
2 boxes 3 linear feet
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Gift of Estella Olevsky, 2002

Subjects

  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985
Agriculture

Founded under the Morrill Land Grant Act of 1862 as the Massachusetts Agricultural College, UMass Amherst has long been dedicated to the study and teaching of agriculture and the natural sciences. One of two land grant institutions in the Commonwealth (along with MIT), the university has played an important role in the development of scientific agriculture in New England and has been a major factor in agricultural instruction through its classes and extension service.

SCUA’s collections contain a wealth of information on the history of agriculture and related fields, including horticulture, botany, entomology, animal husbandry, gardening, and landscape design. The strength of the collection lies in documenting the development of American agricultural sciences with an emphasis upon the northeastern states, but it is supplemented with numerous works on British, French, and German agriculture. Adding additional depth are the records of the several departments at UMass Amherst charged with instruction in the agricultural sciences and the papers of individual agricultural educators.

Currently, SCUA is particularly interested in documenting the growth of organic agriculture, heritage breeds, and the practices of sustainable living.

Notable collecting areas (view all)

  • Agricultural education
    • Papers of faculty members at Massachusetts Agricultural College and UMass Amherst, as well as educational organizations dedicated to instruction in the agricultural sciences. Among the individuals represented are the agricultural educator, Kenyon Butterfield; Levi Stockbridge, the first farm manager and long-time instructor at MAC; and William Smith Clark, William Penn Brooks, and William Wheeler, who were instrumental in the 1870s in establishing the agricultural college in Hokkaido, Japan.
    • Also printed works through the late nineteenth century on agriculture in America, Britain, and Europe, including those by John Fitzherbert, Thomas Hale, Arthur Young, “Columella,” John Smith, Gervase Markham, et al.
  • Animal husbandry
    • Books on sheep culture in the United States (Robert R. Livingston, Samuel Bard) and England (Lord Somerville, John Lawrence); dairy and beef cattle, horses, poultry science.
  • Farming and rural life
    • Correspondence, farm accounts, and other records of farming and rural life, primarily in New England, as well as materials relating to the sociology of rural life.
  • Beekeeping and entomology
    • Among the earliest rare books acquired by the Massachusetts Agricultural Library were a collections of rare books in beekeeping, including key works by Thomas Hill, John Keys, Daniel Wildman, Henry Eddy, from the late 17th through late 19th centuries. Works by Maria Sibylla Merian, John Curtis, Dru Drury, Johann Jakob Romer, Jacob l’Admiral
  • Botany, horticulture, pomology, etc.
    • Collections relating to the scientific study of botany, horticulture, forestry, and related sciences.
    • Important printed works on American botany by Frederick Pursh, Thomas Nuttall, Humphry Marshall’s Arbustrum Americanum, François André Michaux, early editions of Linnaeus, William Prince, William Coxe, William Chorlton, et al.
  • Landscape and gardening
    • The papers and photographs of the landscape designer Frank Waugh, Julius Fabos, Erwin Zube, and other collections.
    • Among many printed works on gardens and landscapes are three editions of Bernard M’Mahon’s seminal American Gardener’s Calendar, William Cobbett, Alexander Jackson Davis, Humphry Repton, and others.
  • Organic and sustainable agriculture
    • Records of the Northeast Organic Farmers Association and others involved in organic agriculture, alternate energy, and sustainability.
  • Other natural sciences
    • Including entomology and geology.

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Akin, Ebenezer, Jr.

Ebenezer Akin Account Book

1842-1869
1 vol. 0.25 linear feet
Call no.: MS 220 bd

A merchant, town clerk, part-owner of many ships, and involved citizen, Ebenezer Akin lived nearly all of his 87 years in the town of Fairhaven, Mass.

This miscellaneous personal ledger includes documentation of Ebenezer Akin’s work as town clerk and includes accounts for ships he may have owned, entries made as an estate executor, accounts of expenditures for clothing and incidentals, and accounts of lot purchases and loans. The volume also contains genealogical information about the Blossom family of Bridgewater and the family of Benjamin and Eunice Akin, Ebenezer’s great-grandfather.

Acquired from Charles Apfelbaum, 1987

Subjects

  • Akin, Benjamin, 1715-1802
  • Akin, Eunice
  • Blossom family
  • Clothing and dress--Prices--Massachusetts--Fairhaven
  • Fairhaven (Mass.)--Economic conditions--19th century
  • Fairhaven (Mass.)--Politics and government--19th century
  • Hesper (Bark)
  • Merchants--Massachusetts--Fairhaven
  • Napoleon (Ship)
  • Shipowners--Massachusetts--Fairhaven
  • Shipping--Massachusetts--Fairhaven
  • William Rotch (Ship)
  • Winthrop (Bark)

Contributors

  • Akin, Ebenezer, 1816-

Types of material

  • Account books
  • Genealogies
  • Inventories of decedents estates
Albertson, Dean, 1920-

Dean Albertson Papers

1966-1968
11 boxes 16.5 linear feet
Call no.: FS 109

A long-time faculty member at UMass Amherst, Dean Albertson was a twentieth century U.S. historian with a specialty in oral history. A veteran of the Second World War, Albertson received his BA from University of California Berkeley (1942) and doctorate from Columbia (1955), joining the Department of History at UMass in 1965 after several years at Brooklyn College. Interested throughout his career in new methods in research and teaching history, he was author of books on Dwight Eisenhower, Claude Wickard (Franklin Roosevelt’s Secretary of Agriculture), and the student movements of the 1960s. Albertson died at his home in Longmeadow, Mass., on March 31, 1989, at the age of 68.

The Albertson Papers consist of the records of three summer institutes in history at UMass run during the summer 1966-1968, and funded by the National Defence Education Act (NDEA). Aimed at high school teachers of social sciences and history in western Massachusetts, the institutes were designed to provide in-service training and to expose teachers to newer material and techniques in teaching U.S. history. See also Dean Albertson’s collection of oral histories.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History

Contributors

  • Albertson, Dean, 1920-