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Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts"
12th-14th century
1 box (0.25 linear feet)
Call no.: MS 570
Image of Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Language(s): Latin
Subjects
  • Manuscripts, Medieval
  • Paleography
Contributors
  • Ege, Otto F., 1888-1951
Types of material
  • Books of hours
  • Breviaries
  • Illuminated manuscripts
  • Missals

Emery, George

George Emery Papers
ca.1900-1975
8 boxes (30 linear feet)
Call no.: MS 982
Image of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a thick sheaf of material from the Tri-County Fair, and four remarkable scrapbooks from the internationally famous animal act Fred Kerslake’s Pigs. Beginning in 1889, Fred Kerslake and his wife, Mary, traveled the world with a team of acrobatic intellectual pigs (and later donkeys) performing to packed houses. In the 1960s, Mary Kerslake gave the scrapbooks to Emery to assist in his research and writing on circus history.

Gift of Chris Emery, July 2017
Subjects
  • Circus performers
  • Circus--History
  • Clowns
  • Pigs
  • Tri-County Fair
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Staff

Eshbach, Charles E.

Charles E. and M. Sybil Hartley Eshbach Papers
1913-1963
14 boxes (7 linear feet)
Call no.: MS 886
Image of Charles Eshbach on pony, ca.1915
Charles Eshbach on pony, ca.1915

Charles Edgar Eshbach, Jr., a 1937 graduate of Massachusetts State College, and Maude Sybil Hartley met in late 1939, while she was a student at Simmons College and he was working for the New England Radio News Service, part of the USDA’s Agricultural Marketing Service. They soon began dating and in February 1941 were engaged. After graduating in 1942, Sybil lived at home in Rochester, Mass., and taught school. Charles was drafted and enlisted in the army December 30, 1942. Trained as a radio operator, he was assigned to the Army Air Force Technical Training Command’s 326th Signal Co. Wing. Charles and Sybil married in September of 1943, and by November, Charles was in England, part of the 67th Fighter Wing stationed at Walcot Hall in Lincolnshire. Although not in combat, Charles rose to the rank of Technical Sergeant. He returned to the U.S. in December 1945. He and Sybil moved to Weymouth and had four children. Charles was appointed professor of Agricultural Economics at UMass in 1959. The family moved to Amherst in 1964, as Charles’ department was transforming into the Hotel, Restaurant and Travel Administration Department. He taught at UMass until 1986, when he retired. He died in 1997. Sybil worked at the University store for thirty years and died in 2009.

Consisting chiefly of their letters to each other, the Eshbach Papers vividly document the courtship and early married life of Charles and Sybil, particularly during their long separation, against a wartime backdrop. The collection also contains diaries, photograph albums, loose photographs, histories and rosters from Charles’ army unit, and a variety of ephemera and memorabilia such as ration tickets, receipts, programs, and Charles’ army badges and dog tags.

Gift of Aimee E. Newell, Nov. 2015
Subjects
  • 4-H clubs
  • England--Description and travel
  • Simmons College (Boston, Mass.)
  • United States. Agricultural Marketing Service
  • United States. Army Air Forces. Technical Training Command
  • World War, 1939-1945
Contributors
  • Eshbach, M. Sybil Hartley
Types of material
  • Diaries
  • Ephemera
  • Letters (Correspondence)
  • Photograph albums
  • Photographs

Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers
1914-1974
11 boxes (5.5 linear feet)
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Gift of Maynard Solomon, 1986
Subjects
  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources
Contributors
  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham
Types of material
  • Letters (Correspondence)
  • Photographs

Francis, Robert, 1901-1987

Robert Francis Papers
1891-1988
17 boxes (8.25 linear feet)
Call no.: MS 403
Image of Robert Francis, by Frank A. Waugh,<br />Nov. 1939
Robert Francis, by Frank A. Waugh,
Nov. 1939

The poet and essayist Robert Francis settled in Amherst, Mass., in 1926, three years after his graduation from Harvard, and created a literary life that stretched for the better part of half a century. An associate of Robert Frost and friend of many other writers, Francis occasionally worked as a teacher or lecturer, including a brief stint on the faculty at Mount Holyoke College, but he sustained himself largely through his writing, living simply in “Fort Juniper,” a cottage he built on Market Hill Road in North Amherst. A recipient of the Shelley Award (1939) and the Academy of American Poets award for distinguished poetic achievement (1984), Francis was a poet in residence at both Tufts (1955) and Harvard (1960) Universities. He died in Amherst in July 1987.

The Francis Papers contains both manuscript and printed materials, drafts and finished words, documenting the illustrious career of the poet. Of particular note is Francis’s correspondence with other writers, publishing houses, and readers, notably Paul Theroux. Also contains personal photographs and Francis family records and a small number of audio recordings of Francis reading his poetry. Letters from Francis to Regina Codey, 1936-1978, can be found in MS 314 along with two typescript poems by Francis.

Connect to another siteListen to interviews with Francis on Poems to a Listener", 1977-1978
Subjects
  • Amherst (Mass.)--History
  • Poetry--Publishing
  • Poets--Massachusetts
  • University of Massachusetts Press
Contributors
  • Brown, Rosellen
  • Ciardi, John, 1916-
  • De Vries, Peter
  • Fitts, Dudley, 1903-
  • Francis, Robert, 1901-1987
  • Hall, Donald, 1928-
  • Humphries, Rolfe
  • Moore, Marianne, 1887-1972
  • Moss, Howard, 1922-
  • Shawn, Ted, 1891-1972
  • Theroux, Paul
  • Wilbur, Richard, 1921-
Types of material
  • Audiotapes
  • Phonograph records
  • Photographs

Graphic Communications International Union. Local 48B

GCIU Local 48B Records
1952-1985
3 boxes (1.25 linear feet)
Call no.: MS 059

Local of the Graphic Communications International Union that represented over 1000 bindery workers in the Holyoke, Massachusetts area. Records include detailed minutes, shop reports, committee reports, reports of delegates sent to the Holyoke Central Labor Union and national conventions, copies of agreements, notes on contract negotiations, copies of three newsletters, and subject files that document activities as well as the emergence of factionalism within the union.

Subjects
  • Carrying on
  • Collective bargaining--Paper industry--Massachusetts --Holyoke--History--Sources
  • Holyoke (Mass.)--Economic conditions--Sources
  • Labor unions--Massachusetts--Holyoke
  • National Blank Book Co.--History
  • Old unionist
  • Paper industry workers--Labor unions--Massachusetts--Holyoke
Contributors
  • Graphic Arts International Union. Local 48B
  • International Brotherhood of Bookbinders. Local 48
Types of material
  • Newsletters

Greenbie, Barrie B.

Barrie B. Greenbie Papers
1934-1997
17 boxes (19.5 linear feet)
Call no.: FS 142
Image of Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953), he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small but interesting batch of correspondence between Greenbie’s parents (1918-1919).

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945
Contributors
  • Greenbie, Barrie B

Hampshire Regional YMCA

Hampshire Regional YMCA Records
1891-1978
16 boxes (11.25 linear feet)
Call no.: MS 009

In February and March 1890, Smith College Professor J.H. Pillsbury organized several meetings for Northampton citizens interested in the work of the Young Men’s Christian Association. Within a month, prominent local men, including C.H. Lyman, A.L. Williston, George Washington Cable, and F.N. Kneeland, established an Executive Board and committees with representatives from all the Protestant churches to raise funds and secure a building to begin the Northampton YMCA. Incorporation shortly followed, in January 1892.

In its first decade, the YMCA established a Boy’s Department under the direction of Robert L. Williston, started a Women’s Auxiliary, and began a building fund that resulted in the purchase of property from A.L. Williston on King Street. Throughout its history, the YMCA responded to local needs during periods of crisis or transition. During World War I and II, it established recreation programs for factory workers and soldiers stationed in the area, and, from 1942-44, was heavily involved in U.S.O work. In the 1950s and 1960s the YMCA began special programs on civil rights and desegregation. Over the years, a number of prominent local figures played a role in Hampshire Regional YMCA’s history including Robert L. Williston, Oliver L. Bradley, and Errol V. Ridgewell, Executive Director from 1943 through 1969.

Records of the Hampshire Regional YMCA document the Association from its first meetings in 1891 through 1978. The collection contains minutes, constitution and by-laws, reports, board correspondence, ledgers, publications, scrapbooks, and youth, recreation, and wartime program files. Also includes material relating to building campaigns and properties. Additionally documents the long career of Errol V. Ridgwell.

Subjects
  • Associations, institutions, etc.--Massachusetts--Northampton--History
  • Northampton (Mass.)--Social conditions
  • People's Institute (Northampton, Mass.)
  • Recreation--Massachusetts--Northampton--History
  • Social service and race relations--Massachusetts--Northampton--History
  • World War, 1939-1945
Contributors
  • Hampshire Regional YMCA (Northampton, Mass.)
  • Ridgwell, Errol V
  • Young Men's Christian Association (Northampton, Mass.)
Types of material
  • Minutes
  • Scrapbooks

Harris, Carl C.

Carl C. Harris Papers
1898-1960
14 boxes (19 linear feet)
Call no.: MS 667
Image of A slencil
A slencil

An inventor, entrepreneur, and corporate executive, Carl C. Harris was the third of four generations of his family to help manage the Rodney Hunt Company, a major manufacturer of waterwheels, turbines, and textile machinery based in Orange, Mass. While still in high school in 1898, Harris already displayed a sharp business and technical eye, establishing the first telephone company in Orange, and he began his career after graduation from Worcester Polytechnical Institute, working as a draftsman for GE and then as a superintendent at Rodney Hunt. After a brief stint at the Simplex Time Recorder Company in Gardner, Harris returned to Rodney Hunt for good in 1912. After acquiring a controlling interest in 1917, he remained with the company in several capacities through the Depression and Second World War, serving as general manager, vice president, and treasurer, and from 1938-1947, as president. Throughout his career, Harris remained active in developing or improving a variety of new products and processes, registering a total of 99 patents, and he regularly used his offices at Rodney Hunt to launch other, smaller enterprises, including the Slencil Company,which manufactured mechanical pencils; Riveto, which produced toys and a paper fastening device; and Speed-Mo, a manufacturer of a moistening pad system. Harris retired in 1956 and died four years later in Orange at the age of 79.

The Harris Papers are centered closely on the entrepreneurial activity of Carl C. Harris, and include a particularly thick set of business records for the Slencil Company (ca.1935-1960) and the Riveto Company (1930s-1940s), and the slender record book of the Home Telephone Company. In addition to these, the collection includes many dozen slencils, including prototypes, speciality models, presentation sets, store displays, and marketing designs; examples of Riveto toys, Simplex inventions, flotation devices, and other oddities invented by Harris, along with the associated patents.

Subjects
  • Orange (Mass.)--Economic conditions
  • Orange (Mass.)--History
  • Toys
Contributors
  • Harris, Carl C.
  • Riveto Company
  • Rodney Hunt Company
  • Slencil Company
  • Speed-Mo Company
Types of material
  • Realia

Heath, Gordon, 1918-1991

Gordon Heath Papers
1913-1992
44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Image of Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects
  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
Contributors
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches
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