Results for: “Lauman, Mary W” (122 collections)SCUA

Gray Panthers of the Pioneer Valley

Gray Panthers of the Pioneer Valley Records, 1979-1994.

12 boxes (7 linear feet).
Call no.: MS 468

Amherst, Massachusetts, chapter of the national Gray Panther organization that sponsored the weekly Amherst Vigil for Peace and Justice, tackled such issues as fair and affordable housing for people of all ages, nursing home reform, Social Security policy, universal health care, safe-sex, and age discrimination, and also worked to improve the everyday life of senior citizens and the community at large, often collaborating with other local organizations to address world peace, environmental concerns, improved child care, educational opportunities, and handicapped accessibility.

Records include charter, by-laws, histories and mission statements, meeting agendas and minutes, correspondence, financial reports, fund raising materials, membership lists, membership questionnaire, newsletters, press releases, leaflets, clippings, a scrapbook, T-shirts, and program files, that document the founding and activities of the Gray Panthers of the Pioneer Valley.

Subjects

  • Older people--Massachusetts
  • Peace movements--Massachusetts
  • Social justice--Massachusetts

Contributors

  • Gray Panthers of the Pioneer Valley
  • Holt, Margaret

Great Barrington (Mass.)

Charles Taylor Collection, 1731-1904.

(5 linear feet).
Call no.: MS 104

Collection of historical documents compiled by Charles Taylor, author of the 1882 town history of Great Barrington, Massachusetts. Includes Court of Common Pleas cases, deeds, estate papers, indentures, land surveys, sheriff’s writs, town history reference documents, Samuel Rossiter’s financial papers, and genealogical research papers for over 40 families.

Subjects

  • Debt--Massachusetts--Great Barrington
  • Farm tenancy--Massachusetts--Great Barrington
  • Great Barrington (Mass.)--Economic conditions--18th century
  • Great Barrington (Mass.)--Genealogy
  • Great Barrington (Mass.)--History
  • Great Barrington (Mass.)--Politics and government
  • Great Barrington (Mass.)--Social conditions
  • Land use--Massachusetts--Great Barrington

Contributors

  • Ives, Thomas
  • Kellogg, Ezra
  • Pynchon, George
  • Pynchon, Walter
  • Root, Hewitt
  • Rossiter, Samuel
  • Taylor, Charles J. (Charles James), 1824-1904

Types of material

  • Deeds
  • Genealogies
  • Land surveys
  • Writs

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Haley, Michael

Michael Haley Papers, 1968-2003.

18 boxes (27 linear feet).
Call no.: MS 670
Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects

  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike

Contributors

  • Haley, Michael

Types of material

  • Photographs
  • Screenplays

Halley, Anne

Anne Halley Papers, 1886-2004.

11 boxes (7 linear feet).
Call no.: MS 628

Writer, editor, and educator, Anne Halley was born in Bremerhaven, Germany in 1928. A child during the Holocaust, she relocated with her family to Olean, New York during the late 1930s so that her father, who was Jewish, could resume his practice of medicine. Graduating from Wellesley and the University of Minnesota, Halley married a fellow writer and educator, Jules Chametzky, in 1958. Together they raised three sons in Amherst, Massachusetts where Chametzky was a professor of English at UMass and Halley taught and wrote. It was during the late 1960s through the 1970s that she produced the first two of her three published collections of poetry. The last was published in 2003 the year before she died from complications of multiple myeloma at the age of 75.

Drafts of published and unpublished short stories and poems comprise the bulk of this collection. Letters to and from Halley, in particular those that depict her education at Wellesley and her professional life during the 1960s-1980s, make up another significant portion of her papers. Publisher’s correspondence and a draft of Halley’s afterward document the Chametzkys effort to release a new edition of Mary Doyle Curran’s book, The Parish and the Hill, for which Halley and Chametzky oversaw the literary rights. Photographs of Halley’s childhood in Germany and New York as well as later photographs that illustrate the growth of her own family in Minnesota and Massachusetts offer a visual representation of her remarkable professional and pesonal life.

Subjects

  • Curran, Mary Doyle, 1917-1981
  • Jews--Germany--History--1933-1945
  • Poets, American--20th century
  • Women authors, American
  • Women poets, American
  • World War, 1939-1945

Contributors

  • Chametzky, Jules
  • Halley, Anne

Hapgood, Beth

Beth Hapgood Papers, 1789-2005.

67 boxes (35 linear feet).
Call no.: MS 434
Beth Hapgood and members of the Brotherhood, ca.1969
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History

Contributors

  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael

Hemenway, Phinehas

Phinehas Hemenway Daybook, 1818-1828.

1 vol. (0.1 linear feet).
Call no.: MS 627

The tanner Phinehas Hemenway was born in Bolton, Worcester County, Mass., in September 1794, the fourth of six children born to Simeon and Mary (Goss) Hemenway, but he resided nearly his entire adult life in the Franklin County hill town of Shutebsury. Although little is known about his life, Hemenway appears to have married twice, to a Polly or Mary Gray in about 1816, and to the widow Mary Sears of Prescott in Aril 1838. Hemenway died in Shutesbury on December 21, 1850.

With approximately 150 pages of brief, but closely written records of daily transactions, the Hemenway daybook documents the range of activities of rural tannery in antebellum Massachusetts. Along with the names of clients, the date and amount, and a brief notation on whether the work was for dressing, tanning, currying, or (apparently) the sale of finished product, Hemenway records work in a variety of leathers, from calf to sheep, hog, and horse and from sole leather to upper leather, sometimes specified as for shoes. The daybook also includes credit entries for labor performed, the purchase of hemlock bark or hides, or more rarely for cash to settle accounts.

Subjects

  • Shutesbury (Mass.)--Economic conditions--19th century
  • Tanners--Massachusetts--Shutesbury

Contributors

  • Hemenway, Phinehas, 1796-1850

Types of material

  • Daybooks

Higgins, Lyman

Lyman Higgins Account Book, 1851-1886.

1 vol. (0.15 linear feet).
Call no.: MS 118

Primarily a basket maker from South Worthington, Massachusetts, but also a mechanic, farmer, blacksmith, sawmill proprietor, and manufacturer. Account book includes the jobs he performed, the ways in which he was paid (goods and services as well as in cash), employees and their wages, and the local companies to which he sold his custom-made basket products.

Subjects

  • Basket industry--Massachusetts--South Worthington--History--19th century
  • Basket making--Massachusetts--South Worthington--History--19th century
  • Harris Woollen Mill
  • Lawrence Duck Co.
  • Paper industry--Equipment and supplies--History--19th century
  • Sawmills--Massachusetts--History--19th century
  • South Worthington (Mass.)--Economic conditions--19th century
  • Stark Mills
  • Sugar River Paper Co.
  • Textile industry--Equipment and supplies--History--19th century
  • Wages--Basket industry--Massachusetts--History--19th century
  • Wages-in-kind--Massachusetts--South Worthington--History--19th century

Contributors

  • Higgins, Lyman

Types of material

  • Account books

Hill, Aurin F.

Aurin F. Hill Papers, 1885-1929.

8 boxes (6 linear feet).
Call no.: MS 579
Aurin and Izetta Hill at Lake Pleasant,<br />ca.1928
Aurin and Izetta Hill at Lake Pleasant,
ca.1928

The self-styled “insane architect” Aurin F. Hill (b. 1853) was a free thinking carpenter and architect in Boston who waged a concerted campaign for his vision of social reform at the turn of the twentieth century. A Spiritualist, social radical, and union man, Hill carried the torch for issues ranging from the nationalization of railroads and corporations to civil rights and women’s rights, and joined in opposition to vaccination, Comstockery and censorship, capital punishment, and lynching. A writing medium, married to the Spiritual evangelist Izetta Sears-Hill, he became President of the National Spiritual Alliance in 1915, a Spiritualist organization based in Lake Pleasant, Mass.

Esoteric, rambling, and often difficult to follow, the Hill papers provide profound insight into the eclectic mind of an important Boston Spiritualist and labor activist at the turn of the twentieth century. Whether written as a diary or scattered notes, a scrapbook, essays, or letters to the editor, Hill’s writings cover a wide range of topics, from spirit influence to labor law, from his confinements for insanity to police strikes, hypnotism, reincarnation, and housing. More than just a reflection of one man’s psychology, the collection reveals much about broader social attitudes toward gender and race, sexuality, urban life, politics, and religion, and the collection is a particularly important resource for the history of the American Spiritualist movement between 1890 and 1920.

Subjects

  • Architects--Massachusetts--Boston
  • Boston (Mass.)--History
  • Carpenters--Labor unions
  • Hypnotism
  • Labor unions--Massachusetts
  • Lake Pleasant (Mass.)--History
  • Mediums--Massachusetts
  • Montague (Mass.)--History
  • National Spiritual Alliance
  • Spiritualism
  • United Brotherhood of Carpenters and Joiners of America

Contributors

  • Hill, Aurin F.
  • Sears-Hill, Izetta B.

Types of material

  • Diaries
  • Scrapbooks

Hodges, C.W., b. 1824

C.W. and J.F. Hodges Account Books, 1862-1865.

2 vols. (0.5 linear feet).
Call no.: MS 209

In the 1860 census, brothers Charles W. (b. 1824) and Joseph F. (b. 1828) Hodges resided in the same house along with Charles’ wife Mary and their year old son Charles Jr. These two account books are presumed to be the customer ledgers of the Hodges and Messinger grocery store in Foxborough, Massachusetts, based on the list of customers and their proximity to the store in the 1876 county atlas.

Subjects

  • Foxborough (Mass.)--History--19th century
  • Grocers--Massachusetts--Foxborough

Types of material

  • Account books
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