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Delevingne, Lionel

Lionel Delevingne Photograph Collection
ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Image of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Democratic Socialist Conference

Democratic Socialist Conference Collection
1984-1991
2 boxes (0.5 linear feet)
Call no.: MS 325

Includes transcripts of papers delivered at conferences (1985-1990) on democratic socialism, and correspondence (1984-1991) between Stephen Siteman, former Executive Secretary of the Socialist Party of America, and Frank Zeidler, former Mayor of Milwaukee, Socialist Party candidate for President of the United States, and national chairperson of the Socialist Party USA.

Gift of Stephen Siteman, 1990, 1991
Subjects
  • Socialism--Africa
  • Socialist Party of the United States of America
  • United States--Politics and government--1981-1989
  • United States--Politics and government--1989-1993
Contributors
  • Siteman, Stephen
  • Zeidler, Frank P

Double Edge Theater

Double Edge Theatre Records
1970-2002
28 boxes (15.5 linear feet)
Call no.: MS 455
Image of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Du Bois Fellowship Recipients

2016

John Hyland (English, University of Buffalo and Haverford College)
“The forest of melody: Black Diasporic Poetics and the Sounding of the Environment”
Nicholas T. Rinehart (English, Harvard University)
“‘These illegitimate children of my thought’: The dramatic work and criticism of W.E.B Du Bois”

2015

Nneka Dennie (Afro-American Studies, UMass Amherst)
“Black Male Feminism and the Evolution of Du Boisian Thought, 1903-1920”
Crystal Webster (Afro-American Studies, UMass Amherst)
“‘The Transfiguring Soul of Childhood’: Du Bois and the Social, Political, and Cultural Role of Black Children”

2014

Brandon Byrd (Assistant Professor of History, Mississippi State University and University of North Carolina)
“The Problem of Haiti as it Stands Today:” W.E.B. Du Bois on the U.S. Occupation of Haiti, 1915-1934″
Donald Geesling (Afro-American Studies, UMass Amherst)
“Black Song and the Talented Tenth: The Musical Imagination of W.E.B. Du Bois, 1902-1942”

2013

Horace D. Ballard Jr. (Public Humanities, History of Art, and American Studies, Brown University)
“Ethics and Aesthetics: Citizenship and Form”
Emahunn Raheem Ali Campbell (Afro-American Studies, UMass Amherst)
“W.E.B. Du Bois’s Literary Interventions on Black Criminality”
Daniel Chard (History, UMass Amherst)
Exploring the history of ’60s-’70s radical groups allows Chard to investigate the origins of the first police institutions in the U.S. dedicated to domestic “counter-terrorism”

2012

J. Anthony Guillory (Afro-American Studies, UMass Amherst)
“The Physical Uplift of Race”
Desmond Jagmohan (Government, Cornell)
“Creating Community, Cultivating Citizens, and Interrogating Jim Crow: The Political Thought of Booker T. Washington”

2011

Markeysha Davis (Afro-American Studies, UMass Amherst)
“Daring propaganda for the beauty of the Human Mind’:
Redefinition and Reaffirmation of the New Black Self in Poetry and Drama of the 1960s and 1970s”
Ricky Fayne (English, Northwestern)
“‘The Shadow of a Mighty Negro Past’: Du Bois and the Re-memory of Africa in to the Black America”

Ebert, Siegried

Siegfried Ebert Papers
1933-1986
2 boxes (0.75 linear feet)
Call no.: MS 576
Image of Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Gift of James and Sibylle Fraser, 2007
Language(s): German
Subjects
  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945
Contributors
  • Ebert, Siegfried
  • Thorndike, Andrew
Types of material
  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

ETHIR recipients

How can I apply for an ETHIR Fellowship?

2015

Chelsea Sams (Art)
Delene White (German and Scandinavian Studies)

2014

David Bendiksen (Comparative Literature)
Gregory Coleman (English)
Donald Geesling (Afro-American Studies)

2013

Spencer Kuchle (Afro-American Studies)
Jaime Pagana (Art History)

2012

Matthew Ferrari (Communications)
Nature, Landscape, and the Visual Culture of Sport Marketing in the McCormack Archive
Thomas Hopper (English)

2011

Molly Campbell (History)
Behold And See As You Pass By: Gravestones and Mortuary Art In Early New England
A digital exhibit drawn from the collections of the Association for Gravestone Studies
Tom Hohenstein (History)
Rhetoric or Research: The CIA at UMass
An examination of protests and counter-protests against CIA recruitment at UMass Amherst in the 1980s.
Emily Oswald (History)
Source, History, Story: Teaching U.S. History in the Archives

Finestone, Roy

Roy Finestone Photograph Collection
1969-1990
239 images
Call no.: PH 005
Image of Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Gift of Dan and Nina Keller, 1999
Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Johnson Pasture Community (Vt.)
  • Keller, Daniel
  • Keller, Nina
  • Montague Farm Community (Mass.)
  • Wendell Farm Community (Mass.)
Contributors
  • Finestone, Roy

Freeman, James A., 1935-

James A. Freeman Broadcast Radio Collection
ca.1930-1955
18 boxes (27 linear feet)
Call no.: MS 759

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.

The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.

Subjects
  • Radio
Contributors
  • Freeman, James A., 1935-
Types of material
  • Audiocassettes

Gershuny, Grace

Grace Gershuny Papers
1975-1997
2 boxes (3 linear feet)
Call no.: MS 793
Image of Soul of Soil
Soul of Soil

An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College.

The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny’s role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.

Subjects
  • Farming--United States
  • Northeast Organic Farming Association
  • Organic farmers
  • Organic farming
Contributors
  • Gershuny, Grace

Gibson, W. Walker

W. Walker Gibson Papers
1936-1993
3 boxes (3.5 linear feet)
Call no.: FS 062
Image of Walker Gibson
Walker Gibson

Walker Gibson, a professor of English at the University from 1967 to 1987, was a passionate teacher of writing and rhetoric and author of humorous verse. Gibson was born in Jacksonville, Florida in 1919 but was raised in Albany, New York. He earned his B.A. from Yale in 1940 and began graduate work at Harvard, however, his studies were interrupted by World War II, where he served in the U.S. Army Air Corps. After the War, Gibson earned his M.A. from the University of Iowa, where he was a research assistant for the Iowa Writers Workshop. For the next twenty years, Gibson taught English and writing at Amherst College and published prose and his signature humorous verse in the New Yorker, Atlantic, Harpers, and the New York Times Magazine among others. Gibson also published several books, including collections of verse, as well as prose works on writing, teaching composition, and literary criticism. Gibson died at the age of 90 in February, 2009.

The Walker Gibson Papers document the writer and teacher’s career through published and unpublished early writings during his years at Yale, binders including his published writings from the 1950s, correspondence with Theodore Baird, his supervisor at Amherst College, and lecture notes from his University writing and English classes. Completing the collection are three folders of miscellaneous correspondence and a folder of Gibson’s unpublished manuscripts from the late seventies and early eighties.

Gift of W. Walker Gibson, 1999
Subjects
  • National Council of Teachers of English
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Gibson, W. Walker
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