A noted scholar of the social impact of the German Reformation, Miriam Usher Chrisman was born in Ithaca, New York, on May 20, 1920. With degrees from Smith College, American University, and Yale, she served for over thirty years on the faculty of the Department of History at the University of Massachusetts Amherst, becoming a well-loved professor and treasured mentor to a generation of students.
A faithful and colorful correspondent, the bulk of Miriam Chrisman’s papers consist of letters written to family and friends stretching from her college days at Smith through the year before her death. The bulk of the correspondence is with her husband, Donald Chrisman, an orthopedic surgeon who was enrolled at Harvard Medical School during their courtship. Soon after the Chrismans married in November 1943, Donald left for active duty in the Navy on the U.S.S. Baldwin. The couple’s war correspondence is unusually rich, offering insight on everything from the social responsibilities of married couples to their opinions on the progression of the war. Of particular note is a lengthy letter written by Donald during and immediately after D-Day in which he provides Miriam a real-time description of the events and his reactions as they unfold. Later letters document Miriam’s extensive travels including a trip around the world. .
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of History
The first professor of Natural History at the Massachusetts Agricultural College, Henry James Clark, had one of the briefest and most tragic tenures of any member of the faculty during the nineteenth century. Having studied under Asa Gray and Louis Agassiz at Harvard, Clark became an expert microscopist and student of the structure and development of flagellate protozoans and sponges. Barely a year after joining the faculty at Massachusetts Agricultural College at its first professor of Natural History, Clark died of tuberculosis on July 1, 1873.
A small remnant of a brief, but important career in the natural sciences, the Henry James Clark Papers consist largely of obituary notices and a fraction of his published works. The three manuscript items include two letters from Clark’s widow to his obituarist and fellow naturalist, Alpheus Hyatt (one including some minor personal memories), and a contract to build a house on Pleasant Street in Amherst.
Massachusetts Agricultural College--Faculty
Massachusetts Agricultural College. Department of Veterinary Science
A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.
Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.
Owner of a general store and a woolen factory, postmaster, town clerk, and state senator from Gaysville in Stockbridge, Vermont. Daybooks document accounts and transactions with individuals, businesses, Town of Stockbridge, and Narrows School District, method and form of payment (cash and goods), and Gay’s purchases, including labor costs for hauling his freight.
Blanchard, Solomon, b. ca. 1816
Claremont Manufacturing Company--History
Freight and freightage--Rates--Vermont--History--19th century
Gaysville (Vt.)--Economic conditions--19th century
Gaysville (Vt.)--Rural conditions--19th century
Gaysville Forge Company--History
Gaysville Manufacturing Company--History
Narrows School District--History
Stockbridge (Vt.)--Economic conditions--19th century
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.
The organization Justice for Woody (JFW) was formed in December of 2001 in the weeks immediately following the death of Robert “Woody” Woodward, a political and environmental activist, social worker, teacher, and mountaineer. JFW seeks not only to honor Woody’s legacy, but also to advocate for a fair an independent investigation. The collection consists primarily of newspaper articles from various New England papers as well as Attorney General Sorrell’s Report and an independent analysis of it.
Non-partisan political organization based in Amherst, Massachusetts that influences public policy through education and advocacy by registering voters, organizing candidate forums, publishing voting guides, and disseminating general information on the legislative process and the functioning of government on the local, state, and federal levels.
Includes minutes, annual reports, financial records, publications, extensive files on specific programs, photographs, video- and audio-tapes, scrapbooks, and newspaper clippings. Also contains information on two league members who rose to national prominence: Lucy Wilson Benson (Under Secretary of State in the federal government in 1977) and Jane F. Garvey (Administrator of the Federal Aviation Administration in 1997).
Amherst (Mass.)--Politics and government
Massachusetts--Politics and government--1951-
Benson, Lucy Wilson
Garvey, Jane F
League of Women Voters of Amherst (Amherst, Mass.)
Owner of a general store in Fair Haven, Vermont. Includes numbered accounts of customers (many with Welsh surnames), lists of items purchased, the price per measure, forms of payment (cash, goods, services, credit, making clothes), and the goods that were sold (such as fabrics, ready-made clothes, eggs and dairy products, fruits and nuts, garden seeds, cutlery and tinware, and jewelry).
Barter--Vermont--Fair Haven (Town)--History--19th century
Consumer goods--Vermont--Fair Haven (Town)--Prices--History--19th century
Consumers--Vermont--Fair Haven (Town)--History--19th century
Fair Haven (Vt. : Town)--Economic conditions--19th century
Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.
Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.
Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.
This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.