Results for: “Green, Paula” (65 collections)SCUA

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National Endowment for the Arts

National Arts Policy Archive and Library

National Endowment for the Arts Collection, 1965-2009.

5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects

  • Art and State
  • Arts--Management
  • Government aid to the arts

Newhall, James R. (James Robinson), 1809-1893

James Robinson Newhall Account Book, 1851-1883.

1 vol. (0.25 linear feet).
Call no.: MS 177 bd

Prominent lawyer, judge, and author from Lynn, Massachusetts. Includes services as lawyer and judge (such as selling stocks, writing wills, mortgage notices, and lien certificates, and acting as administrator of estates), mention of various court cases, family members, and prominent townspeople. Also contains personal records pertaining to a rental property, and the sale of his book, History of Lynn.

Subjects

  • Curtin, Martha
  • Green, Benjamin F
  • Guardian and ward--Massachusetts--History--19th century
  • Hazeltine, Phebe
  • Hilton, John
  • Judges--Massachusetts--Lynn--Economic conditions--19th century
  • Lawyers--Massachusetts--Lynn--Economic conditions--19th century
  • Lindsay, James N
  • Merritt, Charles
  • Mount Holyoke Female Seminary--History
  • Munroe, James
  • Newhall, James R. (James Robinson), 1809-1893. History of Lynn
  • Practice of law--Massachusetts--Lynn--History--19th century
  • Rent charges--Massachusetts--Lynn--History--19th century
  • Rental housing--Massachusetts--Lynn--History--19th century
  • Usher, Roland
  • Vennard, John C

Contributors

  • Newhall, James R. (James Robinson), 1809-1893

Types of material

  • Account books

Northampton Labor Council (AFL-CIO)

Northampton Labor Council Minutebooks, 1933-1985.

2 boxes (0.75 linear feet).
Call no.: MS 055

From its origins in 1899 as the Northampton Central Labor Union, the Northampton Labor Council coordinated political activity and worked for union cooperation in strikes, boycotts, and celebrations. With 29 unions in its ranks by 1903, it was one of the few labor councils to include both AFL and CIO affiliates during the period of their intense competition during the 1930s, however from 1945 until the AFL-CIO merger, CIO unions were excluded. By 1985, the NLC had 14 affiliated local unions.

As the coordinating body for the political and social activities of fourteen labor unions in Northampton, Massachusetts, and the surrounding area, the Labor Council generated union support for strikes, boycotts, and celebrations, and hosting annual Labor Day parades. Includes photocopies of four minutebooks, spanning the years 1933-1985.

Subjects

  • Central Labor Union (Northampton, Mass.)
  • Labor unions--Massachusetts--Northampton
  • Northampton (Mass.)--Economic conditions--20th century
  • Northampton (Mass.)--Social conditions--20th century

Contributors

  • Northampton Labor Council (AFL-CIO)

Radical Student Union (RSU)

Radical Student Union Records, 1905-2006 (Bulk: 1978-2005).

22 boxes (14.5 linear feet).
Call no.: RG 45/80 R1

Founded by Charles Bagli in 1976, the Revolutionary Student Brigade at UMass Amherst (later the Radical Student Union) has been a focal point for organization by politically radical students. RSU members have responded to issues of social justice, addressing both local, regional, and national concerns ranging from militarism to the environment, racism and sexism to globalization.

The RSU records document the history of a particularly long-lived organization of left-leaning student activists at the University of Massachusetts Amherst. Beginning in the mid-1970s, as students were searching for ways to build upon the legacy of the previous decade, the RSU has been a constant presence on campus, weathering the Reagan years, tough budgetary times, and dramatic changes in the political culture at the national and state levels. The RSU reached its peak during the 1980s with protests against American involvement in Central America, CIA recruitment on campus, American support for the Apartheid regime in South Africa, and government-funded weapons research, but in later years, the organization has continued to adapt, organizing against globalization, sweatshops, the Iraq War, and a host of other issues.

Subjects

  • Anti-apartheid movements--Massachusetts
  • Central America--Foreign relations--United States
  • College students--Political activity
  • Communism
  • El Salvador--History--1979-1992
  • Guatemala--History--1945-1982
  • Iraq War, 2003-
  • Nicaragua--History--1979-1990
  • Peace movements--Massachusetts
  • Persian Gulf War, 1991
  • Political activists--Massachusetts--History
  • Racism
  • Socialism
  • Student movements
  • United States--Foreign relations--Central America
  • United States. Central Intelligence Agency
  • University of Massachusetts Amherst

Contributors

  • Progressive Student Network
  • Radical Student Union
  • Revolutionary Student Brigade

Types of material

  • Banners

Rotundo, Barbara

Association for Gravestone Studies Collection

Barbara Rotundo Photograph Collection, ca.1970-2004.

9 boxes (10 linear feet).
Call no.: PH 050

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Subjects

  • Cemeteries--New York (State)
  • Sepulchral monuments--New Jersey
  • Sepulchral monuments--New York (State)
  • Sepulchral monuments--Pennsylvania

Contributors

  • Rotundo, Barbara

Types of material

  • Photographs

Rubin, Emanuel, 1935-

Emanuel Rubin Papers, 1964-2006.

5 boxes (7.5 linear feet).
Call no.: FS 155
Emanuel Rubin
Emanuel Rubin

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

Subjects

  • Glees, catches, rounds, etc.--History and criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Judaic and Near Eastern Studies
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Rubin, Emanuel, 1935-

Types of material

  • Photographs
  • Scores

Slonecker, Blake, 1981-

Blake Slonecker Collection, 2008.

4 items (0.25 linear feet).
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Subjects

  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit Community
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)

Contributors

  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard

Types of material

  • Audiocassettes
  • Oral histories (document genres)

Social Change Colloquium

Student holding academic gown adorned with Black Power symbol, 1970
Barn

Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.

Colloquia are free and open to the public.

Colloquium 2014, Tenth Anniversary (Monday, November 3rd)
A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s

November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?

The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.

Panel:
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries

Moderator:
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)

Participant bios

Verandah Porche
Verandah Porche

Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.

Susan Mareneck
Susan Mareneck

Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.

John Scagliotti
John Scagliotti

John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.

Daniel Keller
Daniel Keller

Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.

Timothy Miller
Timothy Miller

Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”

UMass Amherst. Library

UMass Amherst. Library, 1876-2007.

(75 linear feet).
Call no.: RG 8

Beginning in a room in the first South College building, filled with books donated by faculty, staff, and students, the University Library has grown to include over three million items. After expanding into larger quarters in the Old Chapel Building in 1884 (the first campus building designed as a library), the library was relocated to Goodell Hall (1935) and the University Library tower (1973), named the W.E.B. Du Bois Library in 1996. Other library facilities on campus have included libraries for the biological sciences, physical sciences, and the Music Library, as well as the Integrated Science and Engineering Library in the Lederle Graduate Research Center.

The collection consists of basic administrative records of many library departments, the records of the Library Director (1924-1975), other materials that document the library, its staff and activities, and information about the design, construction, and dedication of the W.E.B. Du Bois Library tower, the Hampshire Inter-Library Center (HILC), and Five College cooperation.

Subjects

  • Academic libraries--Massachusetts

Contributors

  • University of Massachusetts Amherst. Library

Unzicker, Rae

Rae Unzicker Papers, 1979-1997.

1 box (1.5 linear feet).
Call no.: MS 818
Rae Unzicker
Rae Unzicker

Rae Unzicker’s exposure to the psychiatric system began at a young age. Growing up in an abusive home, her parents sent her to psychiatrists off and on for years before she was involuntarily committed. While there, she was quickly introduced to the chaotic and damaging atmosphere of a psychiatric institution, exposing her to mandatory drugs, seclusion rooms, forced feeding, and work “therapy” that required her to wash dishes six hours a day. Once she was release, Unzicker’s road to recovery was long, but after several suicide attempts and stays at other treatment facilities, she ultimately counted herself–along with her friend Judi Chamberlin, an early leader in the movement–a psychiatric survivor. Like Chamberlin, Unzicker embraced her role as an advocate of patient’s rights and for the radical transformation of the mental-health system. In 1995, President Clinton appointed her to the National Council on Disability; two years later she was elected president of the National Association for Rights Protection and Advocacy (NARPA). Unzicker was widely known for her public appearances, conferences and speeches, and her writings, including numerous articles and contributions to the book Beyond Bedlam: Contemporary Women Psychiatric Survivors Speak Out. A survivor of cancer of the jaw and breast, Rae Unzicker died at her home in Sioux Falls, South Dakota on March 22, 2001 at the age of 52.

Although a small collection, Rae Unzicker’s papers document her activities as a leading advocate for the rights of mental health patients, including transcripts of speeches and videotaped appearances, correspondence and feedback related to workshops and conferences, press kits, and newspaper clippings. The most important materials, however, are her writings. It is through her poems and her full-length memoir, You Never Gave Me M & M’s, that Unzicker’s story and voice are preserved.

Subjects

  • Antipsychiatry
  • Ex-mental patients
  • People with disabilities--Civil rights
  • People with disabilities--Legal status, laws, etc.

Contributors

  • Unzicker, Rae

Types of material

  • Memoirs
  • Videotapes
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