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SCUA

Results for: “Freedom of the press” (195 collections)SCUA

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Aronson, James

DigitalFinding aid

James Aronson Collection of W.E.B. Du Bois, 1946-1983.

2 boxes (1.5 linear feet).
Call no.: MS 292

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Subjects

  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Death and burial
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on Pan-Africanism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on pacifism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on socialism
  • National Guardian
  • Socialism--Africa

Contributors

  • Du Bois, Shirley Graham, 1896-1977
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Photographs
  • Speeches

Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection, 1977-2013.

2 boxes (3 linear feet).
Call no.: MS 832
John Roy, Three Cows
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects

  • Art and technology
  • Lithography
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History

Contributors

  • Davies, Hanlyn
  • Feshbach, Oriole Farb
  • Michaud, Ronald
  • Murata, Hiroshi, 1941-
  • Roy, John
  • Schläppi, Dale

Types of material

  • Lithographs
  • Photographs

Bailey, Ebenezer

Finding aid

Ebenezer Bailey Papers, 1852-1882.

1 box (0.25 linear feet).
Call no.: MS 448

Ebenezer Bailey was a wholesale shoe purchaser and distributor from Massachusetts. The collection comprises just over 100 items, the bulk of which are receipts for the purchase and sale of shoes and slippers, covering the period from 1852 to 1882.

Subjects

  • Business records--Massachusetts
  • Dearborn, J. J
  • Lynn (Mass.)--History
  • Shoe industry--Massachusetts--Lynn
  • Shoe industry--New England--History--19th century

Contributors

  • Bailey, Ebenezer

Types of material

  • Receipts (Financial records)

Baker, James

DigitalFinding aid

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs

Banks, Katherine Bell

DigitalFinding aid

Katherine Bell Banks Papers, 1926-1960.

1 box (0.25 linear feet).
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Subjects

  • African Americans--History--1877-1964

Contributors

  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Letters (Correspondence)
  • Photographs

Barkin, Solomon, 1907-

Finding aid

Solomon Barkin Papers, 1930-1988.

(11 linear feet).
Call no.: FS 100

Born in 1902, Solomon Barkin was an economist, education director for the Textile Workers Union of America (TWUA ), and from 1968 to 1978 a professor at the University of Massachusetts and research associate at the Labor Center.

The bulk of the Barkin collection, over 10.5 linear feet, consists of bound notebooks containing speeches, typescripts, and printed versions of articles, book reviews, congressional testimony, forewords, and introductions — nearly 600 in all — written by Barkin. One box (0.5 linear foot) contains correspondence, bibliographies, tributes and awards, and a biography. Generally, the collection illustrates Barkin’s life as both a union organizer and an economist. His writings reflect his attempts to create “a system of trade union economics” as a counterpoise to standard “enterprise economics,” as well as his belief that labor should not be viewed as a commodity.

Subjects

  • Labor unions--Massachusetts
  • Textile Workers Union of America
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Labor Relations and Research Center

Contributors

  • Barkin, Solomon, 1907-

Bartlett, Simeon

Finding aid

Simeon Bartlett Account Books, 1792-1867.

2 vols. (0.5 linear feet).
Call no.: MS 175 bd

Freight hauler, farmer, sawmill owner, and possibly a hatmaker from Williamsburg, Massachusetts.

The first volume of Bartlett’s accounts includes records of Bartlett’s income, sales and exchange of goods and services, and details about his employees and family (such as family births, deaths, and marriages). Volume 2 contains lists of hat purchases, lists of teachers and their pay, his participation in town affairs, and a number of lyrics to Civil War songs.

Subjects

  • Clapp, Joseph
  • Hat trade--Massachusetts--South Hadley
  • Lyman, Joseph
  • Rice, Aaron
  • Songs
  • Songs, English
  • United States--History--Civil War, 1861-1865--Songs and music
  • Williamsburg (Mass.)--Economic conditions

Contributors

  • Bartlett, Simeon, b. 1764

Types of material

  • Account books

Bezanson, Philip, 1916-1975

Finding aid

Philip Bezanson Papers, 1946-1980.

9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bezanson, Philip, 1916-1975

Black, Joseph Laurence, 1962-

Finding aid

Joseph Laurence Black History of the Book Collection, 1789-1964.

128 items (3 linear feet).
Call no.: RB 023
The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks

Bleyman, Lea K.

Finding aid

Lea K. Bleyman Papers, 1958-2004.

2 boxes (3 linear feet).
Call no.: MS 548

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Subjects

  • Baruch College--Faculty
  • Paramecium--Genetics
  • Protozoans--Composition
  • Protozoans--Genetics
  • Protozoology--Conference
  • Society of Protozoologists
  • Tetrahymena--Genetics

Contributors

  • Bleyman, Lea K
  • Nanney, David Ledbetter, 1925-
  • Sonneborn, Tracy Morton, 1905-1981

Types of material

  • Laboratory notes
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