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Amalgamated Clothing Workers of America. New England Joint Board

ACWA New England Joint Board Records
1939-1976
1 vol. (0.25 linear feet)
Call no.: MS 193

Organized in Chicago in 1914, the Amalgamated Clothing Workers of America was formed after a split in the United Garment Workers, and quickly became the dominant force for union in the men’s clothing industry. Within a decade of its founding, ACWA had more than 100,000 members across the U.S. and Canada.

Records of the New England Joint Board of ACWA consist of general correspondence, membership lists, press releases, and collective bargaining files for companies such as Arlan’s Department Stores, Bedford Shirtmakers Corporation, Ethan Ames Company, Holyoke Shirt Company, Lawrence Clothing Company, and Whitney Shirt Company.

Subjects
  • Clothing trade--Labor unions--Massachusetts
  • Labor unions--Massachusetts
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--New England
Contributors
  • Amalgamated Clothing Workers of America. New England Joint Board

Amelia Earhart’s Underground Flying Society

Amelia Earhart’s Underground Flying Society Records
1986-2000
1 box (0.2 linear feet)
Call no.: MS 940
logo
Amelia Earhart’s Underground Flying Society logo

Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s) was a lesbian social club based out of Lebanon, N.H., serving the Upper Valley area of Vermont and New Hampshire, and beyond. Reachable via an unnamed post-office box, the club began in 1979 and provided members not only with much sought after social, leisure, and entertainment opportunities, but also a unique community of peers for discussion and activities around political, educational, health, and legal issues of importance to women and lesbians. Like their famous namesake, the Amelia’s did not shy away from risks in supporting women, the feminist movement, or actions promoting and educating about lesbians. The group often overlapped with feminist and lesbian print shop and publishing company, New Victoria Press, and the Amelia’s often used the New Vic building for their meetings.

The Amelia Earhart’s Underground Flying Society Records consist of over 25 issues of the “Amelia’s Newsletter” from 1986-2000; two clippings covering news related to the group, including the repeated vandalization of their “Upper Valley Lesbians” Adopt-A-Highway Program sign; a 1994 audiocassette of interviews for an oral history of the Amelia’s; and a VHS tape of a community event held in 2003 to reflect on the women’s movement in the Upper Valley in the 1970s and 1980s. The newsletter offers detailed documentation of the group and their concerns, including calendars of their social gatherings and other local, regional, and national events of interest, and recaps of relevant news to the lesbian community including updates about politics, legal issues, civil rights and benefits, marriage, discrimination cases, women’s health, education and school issues, and lesbian focused social and entertainment events.

Subjects
  • Feminism--New England--History
  • Lesbian community--New England
  • Lesbian community--New Hampshire
  • Lesbian community--Vermont
Contributors
  • Dingman, Beth
Types of material
  • Audiocassettes
  • Newsletters
  • VHS

American History Workshop

American History Workshop Records
1980-2016
42 boxes (63 linear feet)
Call no.: MS 922

Founded by Richard Rabinowitz in 1980, American History Workshop is a consortium of historians, designers, and filmmakers who promote public understanding of history through innovative exhibition and interpretation. Collaborating with a national roster of clients, the AHW provides consultation and assistance in developing, designing, and installing exhibitions that convey current historical scholarship and pedagogical practice for the public. Their exhibits have explored a wide array of critical themes in American history, including slavery, civil rights, and social justice; Constitutional and political history; immigration; urbanization; and labor history. In recent years, they have expanded their operations to include services such as audience analysis, media production, fund raising assistance, and organizational development.

The records of the American History Workshop document over three decades of work by one of the premier firms in historical exhibition and interpretation. The collection contains detailed records of nearly 600 projects prepared in collaboration with organizations ranging from the New-York Historical Society and Arizona Historical Society to the Smithsonian, the Lower East Side Tenement Museum, and the National Underground Railroad Freedom Center.

Gift of Richard Rabinowitz, 2016
Subjects
  • Exhibitions
  • Public history
Contributors
  • Rabinowitz, Richard
  • Singer, Michael

Anglin family

Anglin Family Papers
1874-1955 (Bulk: 1914-1926)
2 boxes (1 linear feet)
Call no.: MS 699
Image of Anglin family and friends, ca.1921
Anglin family and friends, ca.1921

Born in Cork, Ireland to a prosperous family, the Anglin siblings began immigrating to Canada and the United States in 1903. The first to relocate to Canada, brothers Will and Sydney pursued vastly different careers, one as a Presbyterian minister and the other as a salesman at a Toronto slaughterhouse. George and Crawford both served in the military during World War I, the former in the British Infantry as a medical officer and the latter in the 4th University Overseas Company first in France and later in Belgium where he died saving the life of a wounded soldier. Gladys Anglin trained as a nurse, but worked in a Canadian department store and at the Railway Office before suffering a mental breakdown and entering the Ontario Hospital as a patient. Ethel remained in Ireland the longest where she taught Domestic Economics at a technical school. The only Anglin to immigrate to the United States and the only female sibling to marry, Ida and husband David Jackson settled in Monson, Massachusetts where they raised four daughters.

The Anglin siblings were part of a close knit family who stayed in contact despite their geographic separation through their correspondence. Siblings wrote and exchanged lengthy letters that document not only family news, but also news of local and national significance. Topics addressed in their letters include World War I, the Irish revolution, medicine, religious ministry, and domestic issues from the ability of a single woman to support herself through work to child rearing.

Subjects
  • Anglin family--Correspondence
  • Ireland--Emigration and immigration--History
  • Ireland--History--War of Independence, 1919-1921
  • Irish--Canada--History
  • Irish--United States--History
  • World War, 1914-1918

Aronson, James

James Aronson Collection of W.E.B. Du Bois
1946-1983
2 boxes (1.5 linear feet)
Call no.: MS 292

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Subjects
  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Death and burial
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on Pan-Africanism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on pacifism
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on socialism
  • National Guardian
  • Socialism--Africa
Contributors
  • Du Bois, Shirley Graham, 1896-1977
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Photographs
  • Speeches

Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection
1977-2013
2 boxes (3 linear feet)
Call no.: MS 832
Image of John Roy, Three Cows
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects
  • Art and technology
  • Lithography
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History
Contributors
  • Davies, Hanlyn
  • Feshbach, Oriole Farb
  • Michaud, Ronald
  • Murata, Hiroshi, 1941-
  • Roy, John
  • Schläppi, Dale
Types of material
  • Lithographs
  • Photographs

Bailey, Ebenezer

Ebenezer Bailey Papers
1852-1882
1 box (0.25 linear feet)
Call no.: MS 448

Ebenezer Bailey was a wholesale shoe purchaser and distributor from Massachusetts. The collection comprises just over 100 items, the bulk of which are receipts for the purchase and sale of shoes and slippers, covering the period from 1852 to 1882.

Acquired from Peter Masi, Mar. 2005
Subjects
  • Business records--Massachusetts
  • Dearborn, J. J
  • Lynn (Mass.)--History
  • Shoe industry--Massachusetts--Lynn
  • Shoe industry--New England--History--19th century
Contributors
  • Bailey, Ebenezer
Types of material
  • Receipts (Financial records)

Baker, James

James Baker Free Spirit Press Collection
1969-2005 (Bulk: 1969-1974)
3 boxes (1.25 linear feet)
Call no.: MS 834
Image of Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects
  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs
Contributors
  • Geisler, Bruce
Types of material
  • Photographs

Banks, Katherine Bell

Katherine Bell Banks Papers
1926-1960
1 box (0.25 linear feet)
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Subjects
  • African Americans--History--1877-1964
Contributors
  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Letters (Correspondence)
  • Photographs

Barkin, Solomon, 1907-

Solomon Barkin Papers
1930-1988
(11 linear feet)
Call no.: FS 100

Born in 1902, Solomon Barkin was an economist, education director for the Textile Workers Union of America (TWUA ), and from 1968 to 1978 a professor at the University of Massachusetts and research associate at the Labor Center.

The bulk of the Barkin collection, over 10.5 linear feet, consists of bound notebooks containing speeches, typescripts, and printed versions of articles, book reviews, congressional testimony, forewords, and introductions — nearly 600 in all — written by Barkin. One box (0.5 linear foot) contains correspondence, bibliographies, tributes and awards, and a biography. Generally, the collection illustrates Barkin’s life as both a union organizer and an economist. His writings reflect his attempts to create “a system of trade union economics” as a counterpoise to standard “enterprise economics,” as well as his belief that labor should not be viewed as a commodity.

Subjects
  • Labor unions--Massachusetts
  • Textile Workers Union of America
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Labor Relations and Research Center
Contributors
  • Barkin, Solomon, 1907-
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