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Results for: “Electric lines--Massachusetts--Photographs” (962 collections)SCUA

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MacConnell, William Preston, 1918-

William P. MacConnell Aerial Photograph Collection, ca.1950-2000.

ca.24,000 items
Call no.: Map Collection

In the 1950s, William P. MacConnell (Class of 1943), and his photogrammetry students in the Dept. of Forestry began using aerial photography to map forests, agricultural fields, wetlands, and other land cover in Massachusetts. Their work was eventually expanded to include the mapping of all land use for Massachusetts, making this state the first in the nation to be completely mapped in this fashion, and laying the foundation for the U.S. Fish and Wildlife Service’s National Wetlands Inventory.

The MacConnell Collection includes a comprehensive set of stereopair photographs derived from multiple transects of the state taken between 1950 and 2000. In addition to some original field notes, a stereoscope, and other project materials, the collection includes the following series:

  • 1951: Massachusetts, black and white prints (1:20,000 scale)
  • 1971: Massachusetts, black and white prints (1:20,000)
  • 1985: Massachusetts and Rhode Island, infrared transparencies (1:25,000)
  • 1990: Boston, Cape Cod, Buzzard’s Bay, infrared transparencies (1:12,000)
  • 1991-1992: Massachusetts, infrared transparencies (1:40,000)
  • 1991-1992: Merrimack River Valley, North Shore, MDC-1, infrared transparencies (1:12,000)
  • 1993: Massachusetts, Cape Cod, MDC-2, Nantucket, Dukes and Plymouth Counties, Naushon, West Metro, infrared transparencies (1:12,000)
  • 1999: Massachusetts. infrared transparencies and prints (1:25,000)

The collection is housed in the Map Collection on the 2nd Floor of the library.

Subjects

  • Land use--Massachusetts
  • MacConnell, William Preston, 1918-
  • Maps--Massachusetts
  • Wetlands--Massachusetts

Types of material

  • Aerial photography
  • Maps

Miller Family

Finding aid

Miller Family Photographs, ca.1880-1980.

1 boxes, 1 oversize envelope (1.25 linear feet).
Call no.: MS 119

Four generations of the Miller family from Roxbury and Hull, Massachusetts. Includes photographs mounted on twenty-eight sheets of posterboard and 158 slides stored in two slide trays that are comprised of formal and informal family portraits; family businesses; church and business gatherings; a wedding announcement; and postcards from the early 1900s depicting public recreation sites. More recent photographs reveal how the public recreation sites have changed over the years. Robert Parker Miller, a graduate of the University of Massachusetts Amherst and a member of the Miller family, displayed these images in an exhibit entitled “Trying to Live the American Dream” (1986, Wheeler Gallery).

Subjects

  • Family--United States--History
  • Hull (Mass.)--Photographs
  • Massachusetts--Social life and customs--19th century--Photographs
  • Massachusetts--Social life and customs--20th century--Photographs
  • Roxbury (Mass.)--Pictorial works

Contributors

  • Miller family

Types of material

  • Photographs

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)

Mungo, Raymond, 1946-

Digital (+)Finding aid

Raymond Mungo Papers, 1966-2008.

6 boxes (3 linear feet).
Call no.: MS 659
Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah

Contributors

  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs

Nash-Scott Family

Finding aid

Nash-Scott Family Papers, ca.1830-1957.

15 boxes (15 linear feet).
Call no.: MS 581
Nash family
Nash family

Long-time residents of Hadley, Massachusetts, the Nash and Scott families were united in 1881 when John Nash, a farmer, married Lizzie Scott. Of their seven children, Herman B. Nash, graduated from the Massachusetts Agricultural College in 1917, and immediately enlisted in the army, serving in France at the close of World War I. His youngest sister, Helen, kept the family connected during these years by writing and distributing a family newsletter, the Plainville News.

The Nash-Scott Family Papers contain a number of photographs, including an album capturing a trip to the west coast in 1915 and a canoe trip to Labrador in 1920. Herman B. Nash’s scrapbook documents not only his time as a student at M.A.C., but also his service in France, featuring candid photographs taken by Nash during and after the war as well as identification cards, company rosters, and a German propaganda leaflet picked up near the front. Pamphlets, genealogical notes and postcards complete the collection.

Subjects

  • Hadley (Mass.)--History
  • Hadley (Mass.)--Social life and customs
  • Massachusetts Agricultural College
  • Nash family
  • Scott family
  • World War, 1914-1918--France

Contributors

  • Nash, Herman B

Types of material

  • Photograph albums
  • Photographs

Norfolk Prison Colony Collection

DigitalFinding aid

Norfolk Prison Colony Collection, 1932-1934.

1 box (0.25 linear feet).
Call no.: MS 074
Howard B. Gill and daughter Joan, Mar. 1934
Howard B. Gill and daughter Joan, Mar. 1934

In the late 1920s, the sociologist and prisoner reformer Howard Belding Gill proposed building a “model community prison” at Norfolk, Mass., that would represent a radical new approach to dealing with crime and punishment. Integrating social work and sociological theory into the workings of the prison system, Gill reasoned that it would be possible to diagnose and treat the root problems that led to crime and redirect inmates toward constructive behaviors. Built by inmates themselves, the prison opened in 1932, but with opponents decrying the experiment as a “country club” that coddled prisoners, Gill was forced from the superintendency within just two years.

The collection consists of several drafts of a manuscript by a supporter of Gill’s, Thomas O’Connor, that was intended for publication in The Survey magazine, along with associated correspondence and photographs. Although The Survey’s editor, Arthur Kellogg, was sympathetic enough to pass through several drafts and seek opinions widely, the manuscript appears to have been rejected so as not to cause the governor undue political problems.

Subjects

  • Massachusetts Correctional Institution, Norfolk
  • Prison reformers--Massachusetts
  • Prisons--Massachusetts--Norfolk

Contributors

  • Gill, Howard B. (Howard Belding)
  • Kellogg, Arthur
  • O'Connor, Thomas
  • Parsons, Herbert Collins, 1862-1941
  • Wilkins, Raymond S.

Types of material

  • Photographs

Panus, Mary Lou

Mary Lou Panus Polish American Collection, 1895-1997.

3 boxes (1.25 linear feet).
Call no.: MS 378

Mary Lou Panus documented Polish American life in Massachusetts by collecting newspaper clippings, business cards, programs, and Polish language prayer books and prayer cards.

The Panus collection includes photographs of Polish churches in Massachusetts, reflecting the important role religion played in the culture and in various communities. The collection also includes a doll dressed as a nun.

Subjects

  • Polish Americans--Massachusetts

Contributors

  • Panus, Mary Lou

Parker, George A.

George A. Parker Class of 1876 Photograph Album, 1876.

1 vol., 90 images (0.5 linear feet).
Call no.: RG 130 P37

A prominent member of the Massachusetts Agricultural College Class of 1876, George A. Parker (1853-1926) began a career in landscape gardening and the development of parks shortly after graduation. Shortly after the turn of the century, he was appointed Superintendent of Parks in Hartford, Conn., helping to develop Colt Park and a number of smaller properties that turned the city into one of the models for New England. He resigned from his in January 1926 and died later that year from heart disease.

The Parker Album is a more extensive version of the standard class album for 1876, featuring not only albumen portraits mounted on thick stock of the faculty and students, but almost fifty views of campus. Among these are uncommon images of the major academic buildings, the chapel, and hash house, but also interior and exterior shots of buildings on campus, such as the Botanic Museum and the Durfee greenhouses, and images of the students in military drill. All photographs were taken John L. Lovell of Amherst.

Subjects

  • Massachusetts Agricultural College--Photographs

Contributors

  • Lovell, John L., 1825-1903
  • Parker, George A

Types of material

  • Albumen prints
  • Photographs

Phillips, Marie, 1954-

Digital (+)Finding aid

Marie Phillips Collection, 1948-2007.

1 box (0.5 linear feet).
Call no.: FS 170
Marie Phillips and Jakie,
Marie Phillips and Jakie,

For many years, the UMass Amherst campus was home to several colonies of feral cats that took up residence in its barns and outbuildings, and beginning with Leo V. Robinson in 1945, a succession of individuals were moved to feed and care for the cats. An alumna and employee in Human Relations, Marie Phillips (BA ’78, MPA ’91) took over as feral cat caretaker between 1991 and 2007, joined by her colleague Meg Caulmare of the English Department, and together they supported the colonies along the Cat Corridor stretching from the rear of Munson Hall to the Queen Anne Horse Barn. With increasing construction on campus and careful rehoming, the feral cat population was gradually reduced on campus until 2014, when the last cats to live in the Horse Barn, Mr. Junie Moon and Rusty, were given a home by Caulmare. Phillips wrote about her experiences with two of the more notable cats on campus, Dadcat and Ashes, in her book Dadcat University (2007).

The Phillips collection offers a visual records of the lives of the feral cats on the UMass Amherst campus. A strong supporter of efforts to preserve the declining Horse Barn, Phillips also accumulated photographs, reports, and research materials on the barn and horses at the university.

Subjects

  • Cats--Massachusetts--Amherst
  • Feral cats--Massachusetts--Amherst
  • Munson Annex (University of Massachusetts Amherst)
  • Queen Anne Horse Barn (University of Massachusetts Amherst)

Types of material

  • Photographs

Pierrefeu, Yann de

Finding aid

Yann de Pierrefeu Diaries, 1927-1938.

3 boxes (1.25 linear feet).
Call no.: MS 815
Yann de Pierrefeu, ca.1935
Yann de Pierrefeu, ca.1935

Marie Alphonse Leopold Jehan Tudor Dedons “Yann” de Pierrefeu was born in 1905, the eldest of four children born into a distinguished family and heir to a French marquisate. After attending the Groton School and Harvard, Pierrefeu settled in Cape Ann, marrying Ellen Hemenway Taintor in 1930.

A dedicated, if idiosyncratic diarist, Pierrefeu left a large number of dense and often impenetrable volumes that can be part dream book, part imagination, and part quixotic engagement with the turbulent events of the 1930s. Laden with references to the Oz novels and replete with nicknames and apparently coded language, the diaries offer glimpses into Pierrefeu’s social life and marriage, and his reactions to the Great Depression, national politics, history, and the growing crises in Europe and Asia.

Subjects

  • Depressions--1929
  • Dreams
  • Pierrefeu, Ellen Taintor

Types of material

  • Diaries
  • Photographs
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