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Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003
3 boxes (1.5 linear feet)
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.

Subjects
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century
Types of material
  • Account books
  • Correspondence
  • Photographs

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978
7 boxes (10.5 linear feet)
Call no.: PH 062
Bernie Moss Photograph Collection image
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects
  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs
Types of material
  • Color prints (photographs)

New England Intercollegiate Lacrosse League

New England Intercollegiate Lacrosse League Records, 1893-1977
9 boxes (5.5 linear feet)
Call no.: MS 331

When Charles Marsters founded the Boston Lacrosse Club in 1913, the club was the only one in New England to play teams from outside of the region. Under Marsters’s leadership, however, participation in the sport rose steadily at both the high school and collegiate level, helping establish New England as one of the centers of the American game. In 1935, he and Tom Dent founded the New England Intercollegiate Lacrosse League (NEILL) to continue to build the sport.

The NEILL records document the growth of lacrosse from informal club team play to a more regulated, interscholastic and intercollegiate varsity sport. The bulk of the collection consists of correspondence, minutes, and agendas kept by co-founder Charles Marsters and a handful of other NEILL officers, but with material documenting the growth of the sport at UMass Amherst from the 1950s onward and the addition of women’s lacrosse as a collegiate sport. The collection also includes some printed material (including rulebooks), news clippings, and photographs.

Subjects
  • College sports--New England
  • Lacrosse for women--United States
  • Lacrosse guide
  • Lacrosse--New England--History
  • School sports--New England
  • University of Massachusetts Amherst--Sports
Contributors
  • Boyden, Frank L. (Frank Learoyd), 1879-1972
  • Marsters, Charles E
  • New England Intercollegiate Lacrosse League

New England Regional Planning Commission

New England Regional Planning Commission Collection, 1935-1943
3 boxes (1.5 linear feet)
Call no.: MS 069

Organized in March 1934, the New England Regional Planning Commission was a coalition of state planning boards intended as a permanent, non-partisan, representative body. Charged with the continuous coordination, review, and revision of state plans, the Commission coordinated research and physical planning relating to transportation (including the highway system and airports), interstate water resources, land utilization, conservation of forests and wildlife, and recreational facilities.

This small collection consists of printed reports, bulletins, and minutes from the NERPC from its founding through middle of the Second World War. Ephemeral in nature, the reports chart the growth of regional cooperation in planning in the use of water and land resources and the transportation system, spurred by the federal New Deal.

Subjects
  • Airports--New England
  • New England--Economic conditions
  • Regional planning--New England
  • Roads--New England
  • Transportation--New England
  • Water-supply--New England
Contributors
  • New England Regional Planning Commission

New England Yearly Meeting of Friends

New England Yearly Meeting of Friends Quaker History Collection, 1783-1950
1 box (0.5 linear feet)
Call no.: MS 926

During the early twentieth century, the library at the Moses Brown School (formerly the Friends Boarding School) became an informal repository for Quaker manuscripts reflecting the history and work of the Society of Friends. Most of these materials were later transferred for custody to the school’s governing body, the New England Yearly Meeting of Friends.

This miscellaneous assortment of letters was apparently set aside by the staff at the Moses Brown School due to their historical content and preserved in the “vault.” Many of the letters appear to have been retained as good examples of Quaker expression of family and friendly bonds or as documentation about significant periods in Quaker history, particularly the Gurneyite-Wilburite controversy of the 1840s, and several touch on Quaker involvement in the antislavery and peace movements. Of special note are four interesting letters from the Quaker minister and social reformer, Elizabeth Comstock, written during and just after the Civil War; a series of nine lengthy letters from a visiting English minister Isaac Stephenson, traveling through New England meetings; a substantial series of letters from prominent Friend Samuel Boyd Tobey; and three letters from Harriet Beecher Stowe to Sarah F. Tobey regarding attempts to connect Stowe with Alexander T. Stewart in hopes of raising funds for her plans for the education of women.

Subjects
  • Antislavery movements--United States
  • Gurney, James Joseph
  • Society of Friends--History
  • Wilbur, John,
Contributors
  • Comstock, Elizabeth L.
  • Stewart, Alexander Turney, 1803-1876
  • Stowe, Harriet Beecher, 1811-1896
  • Tobey, Samuel Boyd, 1805-1867

Northampton Cutlery Company

Northampton Cutlery Company Records, 1869-1987
113 boxes (55.75 linear feet)
Call no.: MS 058

The Northampton Cutlery Company was among the major firms in a region known for high quality cutlery manufacture. Incorporated in 1871 with Judge Samuel L. Hinckley, its largest stockholder, as its first President, the company was located along the Mill River in Northampton, Massachusetts, where operations continued until its closing in 1987.

Records document company operations and technology used in the cutlery manufacturing process, as well as details about employment of immigrant and working class families in the region. Includes administrative, legal, and financial records; correspondence; personnel and labor relations files; and production schedules and specifications.

Subjects
  • Cutlery trade--Massachusetts
  • Northampton (Mass.)--History
Contributors
  • Northampton Cutlery Company

Northampton State Hospital

Northampton State Hospital Annual Reports, 1856-1939
74 items (digital)
Call no.: Digital

The Northampton State Hospital was opened in 1858 to provide moral therapy to the “insane,” and under the superintendency of Pliny Earle, became one of the best known asylums in New England. Before the turn of the century, however, the Hospital declined, facing the problems of overcrowding, poor sanitation, and inadequate funding. The push for psychiatric deinstitutionalization in the 1960s and 1970s resulted in a steady reduction of the patient population, the last eleven of whom left Northampton State in 1993.

With the Government Documents staff, SCUA has digitized the annual reports of the Northampton State Hospital from the beginning until the last published report in 1939. The reports appeared annually from 1856 until 1924 and irregularly from then until 1939.

Patterson, Charles H.

Charles H. Patterson Papers, 1930-1958
2 boxes (1 linear feet)
Call no.: FS 089
Charles H. Patterson Papers image
Charles H. Patterson.
Photo by Frank A. Waugh, 1926

For many years, Charles H. Patterson served as head of the Department of Language and Literature at Massachusetts Agricultural College. Born in Smithsonville, Ont., in 1863, Patterson received both a BA (1887) and MA (1893) from Tufts University before launching his teaching career. He joined the faculty at MAC as an assistant professor of English, in 1916, after 13 years at West Virginia University. A former professional actor, he taught courses in modern literature, with a particular interest in drama, and served as department chair for nearly a decade before his sudden death in 1933.

The Patterson Papers contain a small selection of correspondence and notes on English composition and literature as taught at Massachusetts Agricultural College. Most noteworthy, perhaps, is a draft of Patterson’s unpublished book, The Amazing Boucicault.

Subjects
  • Boucicault, Dion, 1820-1890
  • Drama--Study and teaching
  • Massachusetts Agricultural College--Faculty
  • Massachusetts Agricultural College. Department of English
Contributors
  • Patterson, Charles H

Perreault, Alida

Alida Perreault Papers, 1906-1957 (Bulk: 1928-1933)
2 boxes (1 linear feet)
Call no.: MS 808
Alida Perreault Papers image

Alida Capistrant was the eleventh of twelve children in a large French-Canadian family in South Hadley, Massachusetts born on July 24,1914. Her parents both immigrated from Quebec in 1885. On September 30, 1895 they were married in South Hadley. The Capistrant family rented their home until 1912 when they purchased their first house in South Hadley. Alida had an active social life as a teenager and considered attending college or university, but did not pursue any further education until about 1943, when she studied at the Providence Hospital School of Nursing in Holyoke, Massachusetts. Two years later she married James Perreault and the couple had two children, a daughter, Marcia (Perreault) Matthieu and a son, David James Perreault. They lived in South Hadley until 2003, when they moved to Chandler, Arizona to be near their daughter. Alida Perreault died of complications from Alzheimer’s disease on April 7, 2006, and James died in 2008. Both are buried in Saint Rose Cemetery in South Hadley next to Alida’s family.

Alida’s correspondence during her high school years (1928-1932) reveal a young woman with a substantial network of friends and family. The bulk of the collection consists of letters from several friends, including two potential romantic interests. Letters document daily activities, family happenings, and later Alida’s interest in a career as a nurse and her leadership role in the South Hadley Women’s Club.

Subjects
  • Capistrant family--Correspondence
  • Family--Massachusetts--History
  • High school students--Massachusetts
  • South Hadley (Mass.)--History
  • Williston Northampton School (Easthampton, Mass.)
Contributors
  • Fogg, Esther
  • McEwan, William
  • Mitkiewitcz, Freddie A.
Types of material
  • Correspondence
  • Greeting cards
  • Invitations
Jack Dixon and camera
Jack Dixon and camera, 1929
Alton Blackington Collection

SCUA is a significant source for visual content, and thousands of digitized images are available for viewing online in our digital repository, Credo. Credo contains thousands of scanned images from our manuscript and photographic collections, representing photographers such as Jeff Albertson, James Baker, Alton Blackington, Burt V. Brooks, Lionel Delevingne, Roy Finestone, and Diana Mara Henry, as well as over 13,000 photographs documenting the history of the University of Massachusetts Amherst community. Although new content is being added to Credo daily, tens of thousands of other photographs are described through manuscript finding aids and have yet to be digitized. All can be viewed on site.

Digital copies of images from SCUA collections are available for a modest fee and modest publication fees may also apply for either commercial or scholarly use. Additional information about our collections can be obtained by contacting our reference staff.

Inventory of unscanned negatives

The Negatives Collection represents over 21,000 photo shoots (perhaps 500,000 images) undertaken by Campus Creative Services between 1954 and 2004. Each negative number represents a single photographic session and may include anywhere from a single image to thirty or more. Please note that the terms used in the inventory were supplied by Photo Services staff over many years and are not always accurate, and furthermore, not all images listed in these inventories were transferred to SCUA. You are always welcome to contact our archivists if you have any questions. Please use the reference number when requesting negatives.

Other UMass photo collections:

While the University Photograph Collection and Photo Center Negatives represent the largest collections of University-related photographs, there are several other smaller collections that visually document UMass.

Contact SCUA for more information about viewing the photographs in these collections.

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