Hugh Potter Baker Papers, 1919-1951.
(4.5 linear feet).
Call no.: RG 003/1 B35
Hugh Baker served as President during most of the existence of Massachusetts State College, taking office in 1933, two years after it changed name from Massachusetts Agricultural College, and retiring in 1947, just as the college became the University of Massachusetts. A forester by training, Baker began his career as a professor, and later dean, in the College of Forestry at Syracuse University. In 1920, he left Syracuse to become Executive Secretary of the American Paper and Pulp Association, and for nearly a decade, he worked in the forestry industry. He returned to academia in 1930, when he resumed the deanship at the New York State School of Forestry. During his presidency at Massachusetts State College, Baker oversaw the construction of improved housing and classroom facilities for students, a new library, the expansion of the liberal arts curriculum, and a near doubling of student enrollment. Further, chapel services were reorganized to be voluntary, and a weekly convocation was initiated. Baker also founded popular annual conferences on recreation and country life.
The Baker Papers include correspondence with college, state, and federal officials, college suppliers, and alumni; speeches and articles; reports and other papers on topics at issue during Baker’s college presidency, 1933-1947, particularly the building program. Also included are several biographical sketches and memorial tributes; clippings and other papers, relating to Baker’s career as professor of forestry at several colleges, trade association executive, and college president.
- Clock chimes--Massachusetts--Amherst--History
- College buildings--Massachusetts--Amherst--History
- Massachusetts State College--Anniversaries, etc
- Massachusetts State College--Buildings
- Massachusetts State College--History
- Massachusetts State College--Student housing
- Massachusetts State College. President
- Massachusetts State College. School of Home Economics
- Massachusetts--Politics and government--1865-1950
- Old Chapel (Amherst, Mass.)--History
- Student housing--Massachusetts--Amherst--History
- University of Massachusetts Amherst--History
- Baker, Hugh Potter, 1878-
Marcia Grover Church Bates Family Papers, 1712-1999.
11 boxes (5.5 linear feet).
Call no.: MS 424
Generations of the Bates and Church families based in North Amherst and Ashfield, Massachusetts. Papers include deeds, a will, correspondence, account books (recording day-to-day expenditures on food, clothing, postage, housekeeping supplies, and laborer’s wages), diaries, an oral history, photographs, genealogical notes, and memorabilia related to the family.
- Ashfield (Mass.)--History
- Bates family
- Church family
- Hotelkeepers--Massachusetts--North Amherst
- Massachusetts Agricultural College--Alumni and alumnae
- Merchants--Massachusetts--North Amherst
- North Amherst (Mass.)--History
- Prescott (Mass.)--History
- Public librarians--Massachusetts
- Worcester (Mass.)--History
- Bates, Marcia Church, 1908-2000
- Church, Cornelia, 1906-1978
- Church, Lucia Grover, 1877-1943
Types of material
- Account books
John W. Bennett Labor Collection, ca. 1880-2000.
Call no.: MS 443
Labor historian John W. Bennett has researched the history of the labor movement since his days as an undergraduate at the University of Massachusetts (Class of 1952). A born collector, he began accumulating memorabilia associated with unions, drawn to their potential as a visual record of labor iconography and self-representation.
Extending back to the 1880s, the Bennett Collection includes examples from around the country, but with a particularly strong representation of New England unions between the mid-1930s and mid-1970s.
- Labor unions--Massachusetts
Types of material
David M. Berke Collection of Nuremberg Trials Depositions, 1944-1945.
1 box (0.25 linear feet).
Call no.: MS 804
During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.
The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.
- Buchenwald (Concentration camp)
- Dachau(Concentration camp)
- Flossenburg (Concentration camp)
- Innsbruck-Reichenau (Labor reform camp)
- Ravensbruck (Concentration camp)
- Sachsenhausen (Concentration camp)
- World War, 1939-1945--Atrocities
- World War, 1939-1945--Prisoners and prisons
- Franz, Edmund F.
- United States. Army. Counter Intelligence Corps
- United States. Army. Office of Special Services
Types of material
Philip Bezanson Papers, 1946-1980.
Call no.: FS 040
An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.
The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
- Bezanson, Philip, 1916-1975
Joseph Laurence Black History of the Book Collection, 1789-1964.
128 items (3 linear feet).
Call no.: RB 023
A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.
The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.
- Books--History--United States
- Dime novels, American
Types of material
Horace Mann Bond Papers, 1830-1979.
169 boxes (84.5 linear feet).
Call no.: MS 411
Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.
Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.
- Africa--Description and travel
- African American educators
- African Americans--Education--History--20th century
- American Society of African Culture
- Atlanta University
- Dillard University
- Fort Valley State College
- International African American Corporation
- Julius Rosenwald Fund
- Lincoln University
- Race relations--United States
- Barnes, Albert C. (Albert Coombs), 1872-1951
- Bond, Horace Mann, 1904-1972
- Bond, James, 1863-1929
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
- Nkrumah, Kwame, 1909-1972
Types of material
Benjamin Briggs Account Book, 1805-1820.
1 vol. (0.25 linear feet).
Call no.: MS 173 bd
Ship’s captain and cobbler from Scituate, Massachusetts. Includes list of ship expenses (harbor master’s fees, wages, wharf fees, provisions, carpenter and blacksmith bills, and bills for loading labor, rigging, and mending the sails), debt accounts with individuals, and accounts for making and mending shoes and boots.
- Barter--Massachusetts--Scituate--19th century
- Brown, Jonathan
- Cook, Ichabod
- Debtor and creditor--Massachusetts--Scituate--19th century
- Litchfield, Nathaniel
- Ozbon, Absalom
- Scituate (Mass.)--Economic conditions--19th century
- Ship captains--Massachusetts--Scituate--19th century
- Shipping--Massachusetts--Scituate--19th century
- Shoemakers--Massachusetts--Scituate--19th century
- Talon, Lewis
- Wilcott, Daniel
- Briggs, Benjamin, 1760-1834
Types of material
Broadside Press Collection, 1965-1984.
1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.
The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.
- African American poets
- African American writers
- Black Arts Movement
- Broadside Press
- Brooks, Gwendolyn, 1917-2000
- Emanuel, James A
- Giovanni, Nikki
- Knight, Etheridge
- Madhubuti, Haki R., 1942-
- Randall, Dudley, 1914-
- Sanchez, Sonia, 1934-
Types of material
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives