Results for: “Communists--Music” (86 collections)SCUA

Libera, John

John Libera Collection, 1934-1988.

1 flat box (0.25 linear feet).
Call no.: MS 048
Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.


  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs


  • Libera, John

Types of material

  • Photographs

Lichtenstein, Bill

The American Revolution Documentary Collection

Bill Lichtenstein Collection, 1965-1976.

2 boxes (3 linear feet).
Call no.: MS 790
Bill Lichtenstein,1973. Photo by Don Sanford
Bill Lichtenstein,1973. Photo by Don Sanford

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Jamaica--History--1962-
  • WBCN (Radio station : Boston, Mass.)


  • Schechter, Danny

Types of material

  • Photographs
  • Sound recordings
  • Videotapes

Lillydahl, Sandy

Sandy Lillydahl Venceremos Brigade Photograph Collection, 1970-2005 (Bulk: 1970).

1 box (0.5 linear feet).
Call no.: PH 056

A 1969 graduate of Smith College and member of Students for a Democratic Society, Sandy Lillydahl took part in the second contingent of the Venceremos Brigade. Between February and April 1970, Lillydahl and traveled to Cuba as an expression of solidarity with the Cuban people and to assist in the sugarcane harvest.

The 35 color snapshots that comprise the Lillydahl collection document the New England contingent of the second Venceremos Brigade as they worked the sugarcane fields in Aguacate, Cuba, and toured the country. Each image is accompanied by a caption supplied by Lillydahl in 2005, describing the scene and reflecting on her experiences; and the collection also includes copies of the file kept by the FBI on Lillydahl, obtained by her through the Freedom of Information Act in 1975.


  • Cuba--Photographs
  • Students for a Democratic Society (U.S.)--Photographs
  • Sugarcane--Harvesting--Cuba--Photographs
  • Venceremos Brigade--Photographs

Types of material

  • Photographs

Literature & the arts

MAC baseball team, 1878
MAC baseball team, 1878

Literature and the arts play a vital role in the culture and traditions of New England. Western Massachusetts in particular has had a rich history of fostering writers and poets, musicians, dancers, and actors. The Department of Special Collections and University Archives seeks to document not only the lives and work of writers and performers in our region, but the creative and artistic process; showing not just the inspiration, but the perspiration as well.

View all collections in Literature and the arts

Significant collections

  • Arts and arts management
    • Significant collections under the National Arts Policy Archive and Library include materials from the National Endowment for the Arts, the National Assembly of State Arts Agencies, and the Arts Extension Service.
  • Poetry
    • SCUA houses significant collections for the poets Robert Francis, Madeleine de Frees, and Anne Halley, as well as small collections for William Carlos Williams and Wallace Stevens. The records of the Massachusetts Review are an important literary resource.
  • Prose writing
    • Collections of note include the papers of writers William J. Lederer (author of The Ugly American, Nation of Sheep, and Their Own Worst Enemy), William Manchester (The Death of a President and American Caesar), Jodi Picoult (many novels from Songs of the Humpback Whale in 1992 to The Storyteller in 2013), Mary Doyle Curran (The Parish and the Hill).
  • Journalism
    • Journalists and photojournalists associated with traditional print and new media, including an important collection for the Liberation News Service, a media service for the alternative press, and the Social Change Periodicals Collection, which includes alternative and radical small press publications. The papers of Sidney Topol provide insight into the technical development of cable television.
  • Literary criticism and linguistics
    • The papers of literary scholars associated with the University; records of the Massachusetts Review.
  • Performing arts
    • The vibrant performing arts community in western Massachusetts is well represented in SCUA through groups ranging from the Arcadia Players Baroque music ensemble to theater troupes such as Double Edge Theater, the Valley Light Opera, and the New World Theater. Among the most significant national collections are the Roberta Uno Asian Women Playwrights Collection and the papers of African American expatriate actor and director Gordon Heath, while the James Ellis Theatre Collection includes nearly 8,000 printed volumes on the English and American stage, 1750-1915, along with numerous broadsides, graphics, and some manuscript materials. Musical collections include the papers of Philip Bezanson and Charles Bestor, the score collection of Julian Olevsky, and the Katanka Fraser Political Music Collection.
Printed materials

Within its holdings, SCUA houses collections of the published works of W.E.B. Du Bois, Robert Francis, Anne Halley, William J. Lederer, William Manchester, Thomas Mann, William Morris, Wallace Stevens, and William Butler Yeats, as well as the personal poetry libraries of Halley, Francis, and Stevens. The department also has an extensive collection of Science Fiction magazine fiction and Scottish literature.

Mange, Arthur P.

Arthur P. Mange Photograph Collection, 1965-2010.

3 boxes (4.5 linear feet).
Call no.: PH 044
Fern fronds
Fern fronds

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.


  • Amherst (Mass.)--Pictorial works
  • Cemeteries--Pictorial works
  • Hadley (Mass.)--Pictorial works
  • New England--Pictorial works
  • New Salem (Mass.)--Pictorial works
  • New York (N.Y.)--Pictorial works

Types of material

  • Photographs

Markham, George F.

George F. Markham Papers, 1902-1929.

6 boxes (3 linear feet).
Call no.: MS 456

The activist George Markham was born in Wisconsin on Aug. 15, 1909. A graduate of the University of Wisconsin, he began working with the Associated Press in 1936 where he became an ardent member of the American Newspaper Guild. During the Second World War, he served with distinction on the aircraft carriers Saratoga and Yorktown in the South Pacific, however after the war, his leftist politics and associations with Communists led to his dismissal with less than honorable discharge. Following the trial, Markham returned to college to earn a masters degree in social studies and began teaching middle school in Pelham, NY, but was released, probably for political reasons. He later taught in colleges in New York before he and his second wife, Arky, moved to Northampton in the 1960s. George and Arky remain active on behalf of peace and social justice.

The Markham Papers contain materials relating to George Markham’s McCarthy-era trial and dismissal from the Navy, along with documents relating to other aspects of his life and career and the Markham family in Wisconsin. Among these is a fine Civil War unit history of the 20th Indiana Regiment written by Markham’s grandfather, William Brown.


  • Communists--Massachusetts
  • United States--History--Civil War, 1861-1865
  • United States. Congress. House. Committee on Un-American Activities


  • Markham, George F

Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003.

3 boxes (1.5 linear feet).
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.


  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.


  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)

Mungo, Raymond, 1946-

Famous Long Ago Archive

Raymond Mungo Papers, 1966-2008.

6 boxes (3 linear feet).
Call no.: MS 659
Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.


  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah


  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs

National Endowment for the Arts

National Arts Policy Archive and Library

National Endowment for the Arts Collection, 1965-2009.

5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.


  • Art and State
  • Arts--Management
  • Government aid to the arts
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