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You searched for: "“Cambodia--Photographs”" (page 6 of 37)

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Howes Brothers

Howes Brothers Photograph Collection, ca. 1882-1907
1 box (0.5 linear feet)
Call no.: MS 313

Alvah, Walter, and George Howes brothers traveled the Pioneer Valley of Massachusetts in the last two decades of the 19th century, taking photographs of the residents and documenting the customs, fashions, architecture, industry, technology, and economic conditions of rural New England.

The Howes collection includes 200 study prints selected from 20,000 negatives held by the Ashfield Historical Society.

Subjects
  • Massachusetts--History
Contributors
  • Howes, Alvah
  • Howes, George
  • Howes, Walter
Types of material
  • Photographs

Indusco Bailie Schools

Indusco Bailie School Collection, 1940-1952
1 box (0.25 linear feet)
Call no.: MS 564
Image of Bailie Technical School boys with masks
Bailie Technical School boys with masks

Following the Japanese invasion of China in 1937, the New Zealand expatriate Rewi Alley threw his considerable talents behind the war effort. Building upon knowledge acquired over a decade of living in China, Alley helped organize the Chinese Industrial Cooperative Movement (CIC). The CIC coordinated the creation of industrial cooperatives throughout unoccupied China to keep industrial production flowing, and it sponsored a series of industrial schools named after Alley’s friend Joseph Bailie to provide training and support.

The Indusco Bailie School Collection includes documents and photographs relating to the establishment and operation of the Bailie Schools in China during and immediately after the Second World War. Probably associated with the Indusco offices in New York City, these documents include a model constitution for industrial cooperatives, typewritten reports on Bailie Schools, and published articles describing the schools’ efforts. The reports extend through 1949, and include three mimeographed newsletters from the Shantan Bailie School for the months immediately following the school’s liberation by Communist forces. Also included are printed works by Alley and eighteen photographs taken between 1942 and 1944 of students and scenes at Bailie Schools.

Subjects
  • China--History--1937-1949
  • Chinese industrial cooperatives
  • Cooperative societies--China
  • Shantan Bailie School (Kansu, China)
  • Sino-Japanese War, 1937-1945
  • World War, 1939-1945
Contributors
  • Indusco
  • Rewi, Alley, 1897-1987
Types of material
  • Photographs

International Center for the Disabled

International Center for the Disabled Records, 1917-2012
73 boxes (108 linear feet)
Call no.: MS 792

Founded in 1917, the International Center for the Disabled was the nation’s first outpatient rehabilitiation center. With the support of benefactor Jeremiah Millbank, the ICD was dedicated to helping disabled veterans reintegrate into all aspects of American life. Over the years, it has assumed a leading role in development of the profession of physical medicine, training physicians and nurses for the Veterans Administration, creating rehabilitation programs for the Army and VA, manufacturing prosthetics, and providing vocational rehabilitation for disabled veterans and others. The ICD remains a leading international advocate for the needs of people with disabilities and was instrumental in passage of the Americans with Disabilities Act in 1990, remaining true to their mission of training people with barriers to employment as they enter the workforce.

The ICD collection includes a rich array of official minutes, correspondence, and publications documenting the development of rehabilitation services for persons with disabilities, and a remarkable record of the success of a philanthropic enterprise. Of particular note are are the large holdings of photographs documenting ICD’s work from its early days through the dawn of the 21st century.

Gift of ICD, Aug. 2013
Subjects
  • Disabled veterans
  • People with disabilities--Rehabilitation
  • Veterans--Rehabilitation
Contributors
  • Milbank, Jeremiah, 1887-1972
Types of material
  • Photographs

Jones, Richard, 1937-1991

Richard Jones Papers, ca.1970-1991
2 boxes (1 linear feet)
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects
  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Jones, Richard
Types of material
  • Photographs

Judice, Edward

Edward Judice Photograph Collection, 1973-2010
281 digital images, 2 videos
Call no.: PH 046
Image of Lathe operator, Rodney Hunt co., 1974
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects
  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.
Contributors
  • Judice, Edward
Types of material
  • Digital images
  • Video recordings

Kenseth-Abel, Elaine

Elaine Kenseth-Abel Cambodian Photographs, 1970-1979
1 box (1.5 linear feet)
Call no.: MS 115

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.

Subjects
  • Cambodia--Photographs
  • Cambodians--Massachusetts--Amherst
  • Refugees--Cambodia
  • Refugees--Thailand
  • Thailand--Photographs
Contributors
  • Huot, E. Seng
  • Kenseth-Abel, Elaine
Types of material
  • Photographs

Keystone View Company

World War Through the Stereoscope and Stereographic Viewer Collection, ca. 1917-1923
2 boxes
Call no.: PH 077

The Keystone View Company was founded in Meadville, Penn., by Pennsylvania native B. L. Singley (1864-1938), who had been a salesman for the stereographic producer and distributor Underwood & Underwood. The first prints sold under the Keystone name were Singley’s own photographs of the 1892 French Creek flood. Incorporated in 1905, Keystone opened its Educational Department, creating products designed for classroom use, with an emphasis on social studies, geography, and the sciences. As the company grew, with branch offices in several major cities and staff photographers all over the world, it acquired the stereographic inventories of several of its competitors, including Underwood & Underwood, becoming the largest company of its kind in the world. In 1932, Keystone launched its Stereophthalmic Department, which included stereoscopic vision tests and products for correcting vision problems. Singley retired as Keystone’s president in 1936 or 1937, and Keystone was bought by Mast Development Company in 1963.

This 1923 boxed set, World War Through the Stereoscope, part of the “Stereographic Library” and housed in a box imitating the look of a two-volume set of books, contains 100 images of World War I and just after, taken ca. 1917-1921. The stereographic prints are pasted onto Keystone’s distinctive grey curved mounts, with extensive descriptive information on the reverse of each mount. Prints are numbered with identifiers—those beginning with “V” were originally Underwood photographs—as well as numbers indicating the order in which they are to be viewed. The stereographs are accompanied by a viewer, also manufactured by Keystone.

Gift of Ed Klekowski, May 2017
Subjects
  • World War, 1914-1918
Contributors
  • Keystone View Company
  • Singley, B. L. (Benjamin Lloyd)
  • Underwood & Underwood
Types of material
  • Photographs
  • Stereographs
  • Stereoscopes

Killgrove, Ethel A.

Ethel A. Killgrove Papers, 1948-1962 (Bulk: 1949-1951)
1 box (0.25 linear feet)
Call no.: MS 866
Image of Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950
Ethel A. Killgrove and Mr. Braden, Addis Ababa, 1950

Between 1948 and 1951, Chicagoan Ethel A. Killgrove worked as a missionary with the Sudan Interior Mission. A graduate of the St. Paul Bible Institute, Killgrove was based in Aden, Yemen, and worked spreading the gospel and in Addis Ababa, Ethiopia. After returning home in 1951, Killgrove studied education at Wheaton College (Bed, 1959) and Roosevelt (MEd., 1963), teaching in elementary schools in Illinois and Chester County, Pa. She died in Lancaster, Pa., in 2002.

The 142 letters that Killgrove wrote home to her parents and brother Tom include fascinating information on life as a missionary in British-controlled Aden and Ethiopia during the transitional years following the end of World War II. From her perspective on the southern rim of the Middle East, Killgore was witness to the of the impact of the formation of the state of Israel and the growing hostility toward colonial domination in the Arab world and Africa. The collection includes an excellent photograph album with 55 images of her time in mission, along with 65 other images.

Acquired from Michael Brown, May 2015
Subjects
  • Aden (Yemen)--Description and travel
  • Ethiopia--Description and travel
  • Missionaries--Africa
  • Missionaries--Ethiopia
  • Missionaries--Yemen
Contributors
  • Sudan Interior Mission
Types of material
  • Photographs

Kingsbury family

Kingsbury Family Papers, 1862-2006 (Bulk: 1881-1902)
10 boxes (6 linear feet)
Call no.: MS 504
Image of Kingsbury children, ca.1910
Kingsbury children, ca.1910

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.

Gift of Conrad and Michiko Totman, 2006
Subjects
  • Conway (Mass.)--Genealogy
  • Kingsbury Family
  • Shelburne (Mass.)--Genealogy
  • Totman family
Contributors
  • Drew, Raymond Totman, 1923-1981
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J
Types of material
  • Genealogies
  • Letters (Correspondence)
  • Memoirs
  • Photographs
  • Tintypes

Le, Van Khoa

Le Van Khoa Photograph Collection, Undated
7 items (0.1 linear feet)
Call no.: MS 170
Image of Going home
Going home

The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.

Subjects
  • Vietnam--Photographs
Types of material
  • Photographs
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