University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
SCUA

You searched for: "“Bontemps, Arna Wendell, 1902-1973”" (page 6 of 22)

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. 9
  11. ...
  12. 22

Bezanson, Philip, 1916-1975

Philip Bezanson Papers, 1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bezanson, Philip, 1916-1975

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964
128 items (3 linear feet)
Call no.: RB 023
Joseph Laurence Black History of the Book Collection image
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects
  • Books--History--United States
  • Dime novels, American
Types of material
  • Almanacs
  • Scrapbooks

Bleyman, Lea K.

Lea K. Bleyman Papers, 1958-2004
2 boxes (3 linear feet)
Call no.: MS 548

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Subjects
  • Baruch College--Faculty
  • Paramecium--Genetics
  • Protozoans--Composition
  • Protozoans--Genetics
  • Protozoology--Conference
  • Society of Protozoologists
  • Tetrahymena--Genetics
Contributors
  • Bleyman, Lea K
  • Nanney, David Ledbetter, 1925-
  • Sonneborn, Tracy Morton, 1905-1981
Types of material
  • Laboratory notes

Boston Jazz Society

Boston Jazz Society Records, ca. 1973-2014
6 boxes (10 linear feet)
Call no.: MS 880
Boston Jazz Society Records image

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Subjects
  • Jazz musicians--Massachusetts--Boston
  • Jazz--Massachusetts--Boston
Contributors
  • Berklee School of Music
  • Haynes, Roy
  • Henderson, Aureldon Edward
  • New England Conservatory of Music

Brann, Clinton

Clinton Brann Papers, 1891-1963
4 boxes (1.5 linear feet)
Call no.: MS 594
Clinton Brann Papers image
Clinton Brann

In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann’s letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns’ life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.

Subjects
  • Brann family
  • Courtship
  • Dentists--Iowa
  • World War, 1914-1918--Medical care
Contributors
  • Brann, Clinton
  • Brann, Rhea Oppenheimer
Types of material
  • Photographs
  • Scrapbooks

Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Burt V. Brooks Photograph Collection image

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Brotherhood of the Spirit

Brotherhood of the Spirit Documentary, ca.1973
15.24 minutes
Call no.: Video

Beginning in a treehouse in Leyden, Mass., during the summer of 1968, the Brotherhood of the Spirit (later the Renaissance Community) grew to become the largest commune in the eastern United States. Founded by Michael Metelica and six friends, and infused with the spiritual teachings of Elwood Babbitt, the commune relocated several times during its first half decade, setting down at different points in Heath, Charlemont, Warwick, Turners Falls, and Gill, Mass., as well as Guilford, Vt.

Produced at UMass Amherst, this video (digitized from a 16mm motion picture original) provides a largely laudatory glimpse of commune life during the boom years of the Brotherhood of the Spirit, probably around 1973. Sound quality in the video is highly uneven, often poor, particularly in the first two minutes.

Subjects
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Metelica, Michael
Types of material
  • Motion pictures (Visual works)

Brown, Daniel A.

Daniel A. Brown Photograph Collection, 1968-2003
ca.450 items
Call no.: PH 011
Daniel A. Brown Photograph Collection image
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Subjects
  • Babbitt, Elwood, 1922-
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Metelica, Michael
  • Renaissance Community (Commune)
Contributors
  • Brown, Daniel A
  • Cohen, Gary
Types of material
  • Photographs

Brown, Robert E.

Robert E. Brown Southbridge (Mass.) Collection, 1973-1977
1 box (0.25 linear feet)
Call no.: MS 029

During the mid-1970s, Robert Brown worked as a fifth grade teacher at the West Street School, Southbridge, Mass., while pursuing a graduate degree in anthropology at UMass Amherst under Joel Halpern. Part of Brown’s research involved conducting oral histories with Southbridge families identified as “ethnic,” including Albanian, Greek, Polish, Portuguese, Italian, and Puerto Rican, as well as the only African American family in town at the time. Brown published his work in local newspapers and ultimately in the book, The New New Englanders (Worcester, Mass.: Commonwealth Press, 1980).

The Brown collection includes copies of his newspaper articles, profiles of the families he studied, and apparently complete transcripts of two oral history interviews. Also included are copies of two papers by Brown on Southbridge, possibly for an anthropology class, analyzing the education of Puerto Rican students and the lives of Rumanian Americans.

Subjects
  • African Americans--Massachusetts--Southbridge
  • Greek Americans--Massachusetts--Southbridge
  • Immigrants--Massachusetts
  • Italian Americans--Massachusetts--Southbridge
  • Rumanian Americans--Massachusetts--Southbridge
  • Southbridge (Mass.)--History
Contributors
  • Brown, Robert E
Types of material
  • Oral histories

Burgett-Irey family

Burgett-Irey Family Papers, 1832-2010 (Bulk: 1929-2008)
4 boxes (2 linear feet)
Call no.: MS 605

Born in 1908 to Louis and Sarah Kessel Burgett, Katherine grew up on the family farm outside of Oquawka, Illinois. In 1924 her parents purchased their own farm in Monmouth, which they later lost due to the devastating impact of the Depression on agriculture, and it was there that she first met her future husband, Kenneth Monroe Irey, a student at Monmouth College. The newlyweds moved to New Jersey in 1931 where Kenneth was transferred for work. As a chemical engineer, Kenneth enjoyed a successful career and comfortably supported his wife and two children. Retiring in 1970, he and Katherine spent their later years pursuing two passions: traveling and bird-watching. Kenneth and Katherine’s eldest daughter, June Irey Guild, spent most of her adult life in Massachusetts where she has married twice, raised six children, and operated her own business. During her retirement years, June focused on preserving her family’s history by collecting letters and recoding family narratives.

The Burgett-Irey Family Papers chronicle the changes that many twentieth-century American families experienced as the nation descended into an economic depression, entered into a world war, and emerged as one of the most powerful countries in the world. The collection, which will continue to grow, includes approximately 65 letters between Katherine Burgett Irey and her family. Most of the letters exchange family updates, particularly precious after Katherine relocated to New Jersey. Among the earliest letters is an account of Katherine and Kenneth’s first meeting described as “fast work,” since he asked her out on the spot. Also included are autobiographical writings by Kenneth describing his cross-country trip to California in 1927 and a brief history of his life and career.

Subjects
  • Bird watching
  • Burgett family
  • Irey family
  • Marriage--United States
  • Motherhood--United States--History--20th century
  • Mothers--United States--History--20th century
  • Women--United States--History--20th century
Contributors
  • Guild, June Irey
  • Irey, Katherine Burgett
  • Irey, Kenneth Monroe, 1905-1994
Types of material
  • Diaries
  • Letters (Correspondence)
  • Slides
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. 9
  11. ...
  12. 22

© 2016 Special Collections and University Archives * UMass Amherst Libraries

Site policies