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New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

Nichols, Reuben

Reuben Nichols, The adventures and ramblings of a sailor, 1840
1 vol. (0.1 linear feet)
Call no.: MS 901 bd

The son of a Revolutionary War veteran from Fairfield County, Conn., Reuben Nichols went to sea as teenager and spent a quarter of a century sailing the Atlantic aboard merchant ships and privateers. After rising to become master of the New York and Savannah packets Exact and Angelique in the 1830s, he retired to a life on shore near Bridgeport.

This vigorous account of a life on the antebellum seas runs Nichols’ childhood hardships through a series of adventures at sea in war and peace. An observant and effective writer, Nichols describes voyages to western and northern Europe, the Mediterranean, the Caribbean, and South America during and after the War of 1812. During a colorful career, he took part in the operations of warships and privateers, witnessed attempted mutinies and desertions, rescued the abolitionist John Hopper from a mob in Georgia, and was drawn into the struggles for colonial liberation. His experiences aboard the privateer Kemp and descriptions of Haiti, Cape Verde, Spain, Gibraltar, Turkey, and Argentina are particularly evocative.

Acquired from William Reese, Mar. 2016
Subjects
  • Abolitionists--Georgia
  • Argentina--Description and travel--19th century
  • Aruba--Description and travel--19th century
  • Gibraltar--Description and travel--19th century
  • Haiti--Description and travel--19th century
  • Hopper, John, 1815-1865
  • Merchant ships--Connecticut
  • Mutiny
  • Privateering
  • Sailors--Connecticut
  • Spain--Description and travel--19th century
  • Stratford (Conn.)--History
  • Turkey--Description and travel--19th century
  • United States--History--War of 1812--Naval operations
Types of material
  • Autobiographies
  • Memoirs

Patagonia

Patagonian Rebellion Collection, 1921-1965
1 box (0.5 linear feet)
Call no.: MS 353

In 1921-1922, Chilean workers on sheep ranches in Patagonia rebelled violently against their conditions, egged on by anarchist agitators. Under pressure from Conservatives to act decisively, the Radical government in Buenos Aires ordered the 10th Cavalry Regiment under Hector Benigno Varela to quell the disturbance, which they did with a heavy hand.

The Patagonian Rebellion Collection consists of typescripts and photocopies of materials relating to the suppression of the workers’ revolt of 1921-1922. The most significant items include the official diaries and reports of cavalry officers sent to quell the uprising, but the collection also includes correspondence after the fact, news clippings documenting public reaction, and photocopies of photographs depicting the principle individuals involved and the damage wrought. .

Gift of Robert Potash, 1988
Language(s): Spanish
Subjects
  • Argentina--History
  • Argentina--History--Revolution
  • Varela, Hector B
Contributors
  • Anello, Alfredo
  • Campos, Pedro E
  • Ibarra, Pedro Vinas
Types of material
  • Diaries

Rugendas, Johann Moritz, 1802-1858

Juan Mauricio Rugendas Letters, 1835-1845
1 box (0.5 linear feet)
Call no.: MS 271

Born in Germany as Johann Moritz Rugendas, Juan Rugendas was a painter who spent much of his adult life working and traveling in South America. The collection includes a total of 4 poems and 192 personal letters received by Rugendas from four friends during the years 1835 to 1845. Rugendas received the bulk of these letters while living in Valparaíso, Chile, where he found political asylum, and in Lima, Peru from 1842 to 1844.

Gift of Robert Potash, 1988
Language(s): Spanish
Subjects
  • Argentina--Description and travel
  • Argentina--Social life and customs--19th century
  • Painters--South America
Contributors
  • Bustamante, José Javier y Tomás
  • Espinosa, Juan, 1804-1871
  • Godoy, Juan Gualberto, 1793-1864
  • Oro, Domingo de, 1800-1879
  • Rugendas, Johann Moritz, 1802-1858
Types of material
  • Letters (Correspondence)
  • Poems

Stone, George E. (George Edward), 1860-1941

George Edward Stone Papers, 1890-1957
14 boxes (6.75 linear feet)
Call no.: FS 085

Professor of Botany, Massachusetts Agricultural College.

Correspondence, lecture notes, reports, notes on experiments, drawings depicting original apparatus, scrapbooks of printed botanical illustrations, student papers, genealogies, memorabilia, and photographs; together with papers reflecting administrative and official duties; correspondence, notes, and news clippings on psychic phenomena; and autobiographical notes, including reflections on Massachusetts Agricultural College and on Emily Dickinson.

Subjects
  • Botany--Massachusetts
  • Dickinson, Emily, 1830-1886
  • Horticulture--Massachusetts
  • Massachusetts Agricultural College--Faculty
  • Massachusetts Agricultural College. Botany Department
  • Plant physiology--Massachusetts
Contributors
  • Barlow, Waldo
  • Stone, George E. (George Edward), 1860-1941
Types of material
  • Herbaria
  • Photographs

Swados, Harvey, 1920-1972

Harvey Swados Papers, 1933-1983
49 boxes (23 linear feet)
Call no.: MS 218

The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.

The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.

Subjects
  • Authors, American--20th century--Biography
  • Jewish authors--United States--Biography
  • National Book Awards--History--20th century
  • Socialists--United States--Biography
Contributors
  • Bellow, Saul
  • Farrell, James T. (James Thomas), 1904-1979
  • Gold, Herbert, 1924-
  • Hofstadter, Richard, 1916-1970
  • Howe, Irving
  • Malamud, Bernard
  • Mills, C. Wright (Charles Wright), 1916-1962
  • Swados, Harvey, 1920-1972

Tillis, Frederick, 1930-

Frederick Tillis Papers, 1970-2010
10 boxes (8 linear feet)
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects
  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Tillis, Frederick, 1930-
Types of material
  • Scores

University of Massachusetts Amherst. Students

University of Massachusetts Amherst. Student Body, 1867-2007
(155 linear feet)
Call no.: RG 045

Since the arrival of the first class of students at Massachusetts Agricultural College in 1867, the student body at UMass has grown to over 20,500 undergraduates and nearly 6,000 graduate students.

Record Group 45 includes the collected records of student activities at UMass Amherst, from student publications and organizations (fraternities and sororities, unions, and honorary societies) to records of student government, student protests, and religious and social groups. Also included are class notes and correspondence of some individual students while enrolled in the University.

Connect to another siteA number of student publications have been digitized and are indexed in YouMass.
Subjects
  • Aggie Life
  • Bay State Ruralist
  • College Signal
  • College students--Massachusetts
  • Greek letter societies--Massachusetts
  • Student newspapers and periodicals--Massachusetts
  • University of Massachusetts Amherst--Students

Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005
25 boxes (9 linear feet)
Call no.: MS 345
Image of Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects
  • Asian American women authors
  • New WORLD Theater
  • Playwrights
Contributors
  • Uno, Roberta, 1956-
Types of material
  • Scripts (Documents)

Valley Peace Center (Amherst, Mass.)

Valley Peace Center Records, 1965-1973
28 boxes (13.5 linear feet)
Call no.: MS 301

In the summer of 1967, members of University of Massachusetts Amherst campus groups, such as the Faculty Group on War and Peace and the Students for Political Action, joined with individuals from other area colleges and from the community at large to form the Valley Peace Center of Amherst for the purposes of opposing the Vietnam War, providing draft counseling, eliciting pledges from the government to avoid first use of nuclear and biological weapons, and reduction of the power of the “military-industrial complex”. The Center was active for more than five and a half years, drawing its financial support largely from the community and its human resources from student and community volunteers.

Correspondence, minutes, volunteer and membership lists, financial records, newsletters, questionnaires, notes, petitions, clippings, posters, circulars, pamphlets, periodicals, other printed matter, and memorabilia. Includes material relating to alternative service, boycotts, war tax resistance, prison reform, environmental quality, and political candidates.

Gift of Nonny Burack and Dean A. Allen, 1974
Subjects
  • Amherst (Mass.)--Social conditions--20th century
  • Draft--United States--History
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts--Amherst
  • Social movements--Massachusetts--Amherst
  • Vietnam War, 1961-1975--Protest movements--Massachusetts--Amherst
  • Westover Air Force Base (Mass.)--History--20th century
Contributors
  • Valley Peace Center (Amherst, Mass.)
Types of material
  • Ephemera
  • Pamphlets
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