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American Morgan Horse Association

American Morgan Horse Association Registry Records

1911-1981
119 boxes 150 linear feet
Call no.: MS 781
Image of Morgan horses at MAC
Morgan horses at MAC

In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.

The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.

Subjects

  • Horses--Breeding
  • Morgan horse
American Revolution Documentary Collection

The American Revolution Documentary Collection

ca.1968-2010
Image of

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings
American Tour de Sol

American Tour de Sol Records

1989-2006
16 boxes 24 linear feet
Call no.: MS 872

The Tour de Sol was created in Switzerland in 1985 to build awareness and support for solar electricity aka photovoltaics (PV) by demonstrating that they work and can power cars! The American Tour de Sol began four years later and ran for 18 years under the aegis of the Northeast Solar Energy Association (NESEA). In 1990, it evolved into an annual 8-day road rally in the Northeast that demonstrated that practical electric vehicles recharged by renewably-produced electricity were viable, and could cut urban air pollution and climate change emissions. In later years, at the insistence and with support from the U.S. Department of Energy (DOE), the event expanded to demonstrate all alternative fuel vehicles. The winners were determined by roadworthiness, driving range, energy efficiency (miles per gallon equivalent-MPGe), and low climate change emissions (carbon dioxide equivalent-CO2e). Vehicle categories encouraged entries made by major auto companies; entrepreneurs such as Solectria, and Solar Car Corp; as well as college, university, and high school student teams. In its final years, a Monte Carlo-style rally was added for new hybrid vehicle owners to demonstrate high mileage, and an electric bicycle category was added as well as an ‘Electrathon’ event to demonstrate non-auto options.

The American Tour de Sol collection includes annual Rule Books, magazines with full list of participants, reports, copies of 200-300 news clippings per year, videos of TV news coverage, and extensive collection of photographs, interviews, and videotapes documenting the Tour and its participants throughout its 18 years. After the Tour de Sol in Switzerland closed its doors, the American Tour de Sol changed its name simply to ‘Tour de Sol.’ For clarity, we have retained the word ‘American’ in the collection title.

Gift of Nancy Hazard, June 2015

Subjects

  • Automobile racing
  • Electric vehicles
  • Solar cars

Contributors

  • Northeast Sustainable Energy Association

Types of material

  • Photographs
  • Videotapes
American Watch Company. Band

American Watch Company Band Engagement Book

1878-1883
1 vol. 0.25 linear feet
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.

Subjects

  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century

Contributors

  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)

Types of material

  • Appointment books
American Writing Paper Company

American Writing Paper Company Records

1851-1960
19 boxes 9.5 linear feet
Call no.: MS 062

Paper company based in Holyoke, Massachusetts that at one time controlled 75% of the total United States fine paper output. Records include board of directors’ minutes, by-laws, blueprints, land transactions, merger agreements, and publications. Labor files (1936-1960) comprise the bulk of the collection and include contracts, correspondence, grievances, and negotiations.

Subjects

  • Collective bargaining--Paper industry--Massachusetts--Holyoke
  • Holyoke (Mass.)--Economic conditions--19th century
  • Holyoke (Mass.)--Economic conditions--20th century
  • Labor unions--Massachusetts--Holyoke
  • Paper industry workers--Labor unions--Massachusetts
  • Paper industry--Massachusetts--Holyoke
  • Strikes and lockouts--Paper industry--Massachusetts--Holyoke

Contributors

  • American Writing Paper Company

Types of material

  • Blueprints
  • Photographs
Constitutionalism in American Life Conference

Constitutionalism in American Life Conference Collection

1986
1 box 0.25 linear feet
Call no.: MS 140

A conference hosted by the University of Massachusetts Amherst on November 7-9, 1986, that examined the impact of the Constitution on politics and government, foreign policy, race relations, and the economy, and also discussed the impact on the constitution of popular struggles and the emergence of “rights consciousness.” Includes papers presented at the conference that were to be subsequently published in a special bicentennial issue of the Journal of American History.

Subjects

  • Constitutional history--United States--Congresses
  • Constitutional law--United States--Congresses
  • Journal of American history
  • University of Massachusetts Amherst--History
Polish American Collection

Polish American Collection

1940s-2000
5 boxes 5.25 linear feet
Call no.: MS 464

Collection documenting Polish American culture, language, and history consisting of newspapers and news clippings, programs for Polish religious and cultural events, newsletters of Polish American organizations, and Polish publications including religious works and language textbooks.

Subjects

  • Polish Americans
Rural American Women’s Conference

Rural American Women Conference Records

1978-1981
5 boxes 2.5 linear feet
Call no.: MS 146

Feeling the frustrations of millions of women and girls in rural America who lacked the support or resources necessary to combat unemployment, inadequate medical care, and domestic violence, Jane Threatt along with several other women decided to form a non-profit organization that would unite these women and give them a national voice. Established in 1978, Rural American Women (RAW) was organized to promote the interests of rural women in the areas of equal rights, employment, education, family life, and freedom of all forms of discrimination.

In 1981 RAW held a series of five regional conferences throughout the country, and the bulk of this collection consists of records relating to the New England meeting. The records also include some materials documenting the group’s activities at their national headquarters in D.C., such as minutes, correspondence, newsletters, and pamphlets.

Subjects

  • Rural women

Contributors

  • Rural American Women
Santerre Franco-American Collection

Richard Santerre Franco-American Collection

1872-1978
113 items 6 linear feet
Call no.: RB 009

An historian from Lowell, Mass., Richard Santerre received his doctorate from Boston College in 1974 for his dissertation Le Roman Franco-Americain en Nouvelle Angleterre, 1878-1943. For more than twenty years he published regularly on the history of French and French-Canadian immigrants in New England, particularly Massachusetts, while doing so, assembling a significant collection of books on the subject.

With titles in both French and English, the Santerre Collection deals with the wide range of Franco-American experience in New England, touching on topics from literature and the arts to religion, benevolent societies, language, the process of assimilation, biography, and history. The collection includes several uncommon imprints regarding French American communities in Lowell, Lawrence, New Bedford, and Worcester, Mass., as well as in Maine, New Hampshire, and Rhode Island, and it includes publications of associations such as the Ralliement Français en Amérique, the Association Canado-Americain, and the Alliance Française de Lowell.

Language(s): French

Subjects

  • Franco-Americans--Connecticut
  • Franco-Americans--Massachusetts
  • Franco-Americans--New Hampshire
  • Franco-Americans--Rhode Island
  • French Canadians

Contributors

  • Santerre, Richard
Restrictions: Collection currently unavailable due to renovation in SCUA
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)