Arts & literature (117 collections) SCUA

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992.

44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Hicks, Adeline

Adeline Hicks Papers, 1917-1987.

3 boxes (1.25 linear feet).
Call no.: FS 070

Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.

Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Physical Education

Contributors

  • Hicks, Adeline

Hollister, Leonard D.

Leonard D. Hollister Collection, 1890-1966.

48 boxes, 94 items (56 linear feet).
Call no.: MS 688
Santa Clara figurative bowl (70.291)
Santa Clara figurative bowl (70.291)

Born in Denver, Colorado, in October 1884, Leonard D. Hollister was a collector of Southwestern Native American pottery and the son of Uriah S. Hollister, a prominent executive with the Continental Oil Company and author of The Navajo and His Blanket (1903), an early work on Navajo textiles.

The Hollister collection is a diverse assemblage of 94 works by Native American potters, representing a cross-section of southwestern cultures and pueblos. According to Fred A. Rosenstock, who purchased the collection after Hollister’s death, the pieces were acquired one or two at a time over several decades, often purchased directly from the artist. Hollister acquired examples from pueblos including Acoma, Cochiti, Hopi, Jemez, Laguna, Maricopa, Picuris, San Ildefonso, San Felipe, San Juan, Santa Clara, Santo Domingo, Taos, Tesusque, Zia, and Zuni. The signed pieces, over a quarter of the collection, includes works by some of the century’s most influential potters.

Subjects

  • Indian pottery--North America
  • Pueblo Indians--Industries

Types of material

  • Pottery (Object genre)

Howes, Jeanne C., 1916-

Jeanne Howes Papers, 1967-2006.

2 boxes (0.75 linear feet).
Call no.: MS 471

Independent Melville scholar, Jeanne Howes proved that Herman Melville’s first book, Redburn, or, The Schoolmaster of Morning, was published anonymously in 1844. This collection contains her published articles and book about Melville, as well as a self-published work about Nathan and Seth Howes who were credited with creating the first American tented circus.

Also a poet, her papers include letters from Robert Francis, with whom she carried on a regular correspondence for nearly a decade, as well as unpublished typescripts of her own poems.

Subjects

  • Poetry

Contributors

  • Francis, Robert, 1901-1987
  • Howes, Jeanne C., 1916-

Hyde, Dan

Dan Hyde Journal, 1837.

1 vol. (0.1 linear feet).
Call no.: MS 035

Little is known about Dan Hyde other than he appears to have been a resident of Ontario County, New York, during the period of the Second Great Awakening, probably in either the town of Farmington or Manchester.

This small paper-bound booklet includes some miscellaneous accounts along with three poems, “The Genesee song,” “Remember Lot’s wife,” and “Encouragement to pray.”

Subjects

  • Ontario County (N.Y.)--History
  • Religious poetry

Contributors

  • Hyde, Dan

Types of material

  • Poetry

Independent Film & Video Monthly

Independent Film and Video Monthly Collection, 1975-2006.

28 boxes (42 linear feet).
Call no.: MS 771

Begun in 1978 by the Association of Independent Video and Filmmakers, The Independent is a leading source of information for independent, grassroots, and activist media-makers. Published monthly, The Independent carries articles and criticism on documentary and independent films and fulfills an important role in providing inspiration and connections for the independent media community. Although the AIVF shut its doors in July 2006, suspending print publication of The Independent, Independent Media Publications acquired the rights to the publications and archives of The Independent Film & Video Monthly in 2007 and will continue the journal online.

In addition to a nearly complete run of The Independent, now fully digitized, the collection contains the surviving editorial and production records for the journal.

Subjects

  • Documentary films--Periodicals
  • Experimental films--Periodicals

Contributors

  • Association of Independent Video and Filmakers
  • Foundation for Independent Video and Film (U.S.)

Jones, Richard

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs

Junkins, Donald

Donald Junkins Papers, 1961-1970.

3 boxes (1.5 linear feet).
Call no.: FS 074

A poet, expert on the works of Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document some of his creative output while at the University through a collection of literary journals containing his poetry, drafts of poems, published and unpublished with notes and galley proofs of his poetry collection And Sandpipers She Said, published by The University of Massachusetts Press in 1970. Two mimeographed publications of student poems represent his teaching work at Chico State University.

Subjects

  • Poetry
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Junkins, Donald

Kahn, Paul S.

Paul S. Kahn Papers, 1964-2009.

10 boxes (17 linear feet).
Call no.: MS 786
Paul Kahn
Paul Kahn

An artist, writer, and activist for the disabled, Paul S. Kahn was born on Nov. 6, 1945, into a second-generation family of Jewish immigrants in Auburndale, Mass. Early in life, Kahn rebelled against the perceived “powerlessness” of the neuromuscular disorder with which he was born, pursuing an artistic, academic, and activist life. While studying drawing, painting, and sculpture at Boston University and earning a MA in counseling at Northeastern (1982), Kahn became an activist in the independent living movement and a pioneer in advocating for personal care assistance. Living independently from 1979, he worked as staff therapist at the Beth Israel-Deaconess Medical Center, as leader of a support group for the Muscular Dystrophy Association, and as a member of the Massachusetts Governor’s Advisory Commission on Disability Policy. In 1980, Kahn met Ruth Stern, who would become his frequent collaborator and wife of 21 years. As Kahn’s physical condition weakened after 1987 and he became dependent upon a ventilator, his creative focus shifted increasingly from art to writing and editing. The last two decades of his life were remarkably productive, resulting in over twenty plays and dozens of published essays and poems, and he was the long-time editor of the newsletter Disability Issues. Kahn died on Jan. 1, 2010.

Paul Kahn’s papers are a reflection of the intensely creative life of a committed activist. The collection centers on Kahn’s literary work, including manuscripts of his plays, essays, and poetry, but it includes numerous examples of his artwork and a number of home movies and tape recordings from his childhood.

Subjects

  • People with disabilities and the arts
  • People with disabilities--Civil rights

Types of material

  • Paintings (Visual works)

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs
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