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William Hastie, W.E.B. Du Bois, and unidentified man, ca.1947
Front to back: William Hastie, W.E.B. Du Bois,
and unidentified, ca.1947

The Department of Special Collections and University Archives (SCUA) makes reasonable attempts to clarify the copyright status of materials under its care, but cannot claim copyright for every individual item: even if a donor has transferred intellectual property to the letters she has written, for example, she cannot transfer copyright to letters written by others. When it comes to letters received by the donor — half or more of most collections — copyright remains with the writer.

Researchers are legally obligated to ensure their full compliance with the laws pertaining to copyright and intellectual property and must obtain written permission from all interested parties. By itself, permission to examine or duplicate materials held by SCUA does not constitute authorization to publish those materials. A separate written request for permission to publish must be made in advance to SCUA, and permission will be granted only after SCUA has received a properly completed permission form signed by the requester, along with payment for any applicable fees.

An approval of permission to publish from SCUA does not imply that all copyright demands have been met. The University of Massachusetts Amherst assumes no responsibility for infringement of copyright held by others: full responsibility for infringement is assumed by the individual requesting permission to publish.

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  4. ALL requests for permission must be accompanied by a cover letter providing information on the nature of the publication (including print run when appropriate), and acknowledging that use fees may apply.
  5. Permission to publish is granted for one-time, non-exclusive, world-wide rights, solely for the project specified in the agreement and in the medium indicated. Permission is granted for the life of the project.

Citation of material

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[Item details ]. [ Collection name ] ( [Call number] ), Special Collections and University Archives, UMass Amherst Libraries.

Fees for publication

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Perry, Cynthia Shepard

Cynthia Shepard Perry Papers

1946-2010
7 boxes 10.5 linear feet
Call no.: MS 842
Image of Cynthia Shepard Perry, ca.1986
Cynthia Shepard Perry, ca.1986

An educator, diplomat, and expert on Africa, Cynthia Shepard Perry was the first recipient of a PhD from of the Program in International Education at UMass Amherst (1972). Born in Burnett, Indiana, in 1928, Perry was raising a family when she set a twenty-five year goal of earning doctorate and entering international service. One year after earning a bachelor’s degree at Indiana State University in 1967, she arranged for her first trip to Africa, leading a secretarial training project at the University of Nairobi, and over succeeding decades, her connections to the continent deepened dramatically. On faculty at Texas Southern University (1971-1982), Perry served as Associate Director of the university’s Peace Corps Program, which resulted in her leading educational projects in Sierra Leone, Ghana, Nigeria, Liberia, and Kenya. In demand for the expertise she had gained, she worked as a consultant to the US Information Service in Kenya, Nigeria, and Zambia and as Staff Development Officer at the UN Economic Commission for Africa in Addis Ababa. Having become a full professor and Dean of International Affairs, she left TSU in 1982 to take her first diplomatic post as an officer of the Africa Bureau of the US Agency for International Development, followed by successive appointments as Ambassador to Sierra Leone (1986-1989) and Burundi (1989-1993), as Honorary Consul General of Rwanda, and finally an appointment as U.S. Executive Director of the African Development Bank (1996-2001). Although officially retired, Perry remains active in supporting education and development in Africa from her home in Houston. Among many other awards she has received, Perry was the recipient of an honorary doctorate from UMass for her international work and was recognized by the Salute to Service Award.

A record of a life in international service in Africa, the Perry papers includes materials from Perry’s time as head of the African Development Bank and her two ambassadorial appointments, including speeches, some correspondence, and a handful of publications. The collection also includes a series of awards and plaques, some family photographs, and memorabilia.

Gift of Cynthia Shepard Perry, Oct., 2014

Subjects

  • Africa--Foreign relations--United States
  • Burundi--History
  • Sierra Leone--United States
  • United States--Foreign relations--Africa

Types of material

  • Memorabilia
  • Photographs
Perske, Robert

Robert and Martha Perske Papers

1964-2005
13 boxes 19.5 linear feet
Call no.: MS 772
Image of Bob and Martha Perske with their dog, Wolfie, 2004
Bob and Martha Perske with their dog, Wolfie, 2004

While serving with the U.S. Navy in the Philippines during World War II, the teenaged Bob Perske became aware of the vulnerable and disabled in society and turned his life toward advocacy on their behalf. Studying for the ministry after returning to civilian life, Perske was appointed chaplain at the Kansas Neurological Institute, serving children with intellectual disabilities for 11 years, after which he became a full-time street, court, and prison worker — a citizen advocate — laboring in the cause of deinstitutionalization and civil rights of persons with disabilities, particularly those caught in the legal system. After Bob married his wife Martha in 1971, the two became partners in work, with Martha often illustrating Bob’s numerous books and articles. In 2002, Perske was recognized by the American Bar Association as the only non-lawyer to ever receive the Paul Hearne Award for Services to Persons with Disabilities.

The Perske Papers contains a fifty year record of published and unpublished writings by Bob Perske on issues surrounding persons with disabilities, along with correspondence, photographs, and other materials relating to the Perskes’ activism. The correspondence includes a particularly rich set of letters with a fellow advocate for persons with disabilities, Robert R. Williams.

Gift of Robert and Martha Perske, 2013

Subjects

  • Mental retardation--Social aspects
  • People with disabilities--Deinstitutionalization
  • People with disabilities--Legal status, laws, etc.

Contributors

  • Perske, Martha
  • Williams, Robert R.

Types of material

  • Photographs
Phillips, Marie, 1954-

Marie Phillips Collection

1948-2007
1 box 0.5 linear feet
Call no.: FS 170
Image of Marie Phillips and Jakie,
Marie Phillips and Jakie,

For many years, the UMass Amherst campus was home to several colonies of feral cats that took up residence in its barns and outbuildings, and beginning with Leo V. Robinson in 1945, a succession of individuals were moved to feed and care for the cats. An alumna and employee in Human Relations, Marie Phillips (BA ’78, MPA ’91) took over as feral cat caretaker between 1991 and 2007, joined by her colleague Meg Caulmare of the English Department, and together they supported the colonies along the Cat Corridor stretching from the rear of Munson Hall to the Queen Anne Horse Barn. With increasing construction on campus and careful rehoming, the feral cat population was gradually reduced on campus until 2014, when the last cats to live in the Horse Barn, Mr. Junie Moon and Rusty, were given a home by Caulmare. Phillips wrote about her experiences with two of the more notable cats on campus, Dadcat and Ashes, in her book Dadcat University (2007).

The Phillips collection offers a visual records of the lives of the feral cats on the UMass Amherst campus. A strong supporter of efforts to preserve the declining Horse Barn, Phillips also accumulated photographs, reports, and research materials on the barn and horses at the university.

Gift of Marie Phillips, July 2015

Subjects

  • Cats--Massachusetts--Amherst
  • Feral cats--Massachusetts--Amherst
  • Munson Annex (University of Massachusetts Amherst)
  • Queen Anne Horse Barn (University of Massachusetts Amherst)

Types of material

  • Photographs
Photographic collections

Jack Dixon and camera
Jack Dixon and camera, 1929, by Alton Blackington Collection

SCUA is a significant source for visual content, and thousands of digitized images are available for viewing online in our digital repository, Credo. Credo contains thousands of scanned images from our manuscript and photographic collections, representing photographers such as Jeff Albertson, James Baker, Alton Blackington, Burt V. Brooks, Lionel Delevingne, Roy Finestone, Clif Garboden, Diana Mara Henry, Nancy Palmieri, and Peter Simon, as well as over thousands of photographs documenting the history of the University of Massachusetts Amherst community. Although new content is being added to Credo daily, tens of thousands of other photographs are described through manuscript finding aids and have yet to be digitized. All can be viewed on site.


Credo, the digital repository

Advanced

Digital copies of images from SCUA collections are available for a modest fee and modest publication fees may also apply for either commercial or scholarly use. Additional information about our collections can be obtained by contacting our reference staff.

Inventory of unscanned negatives

The Negatives Collection represents over 21,000 photo shoots (perhaps 500,000 images) undertaken by Campus Creative Services between 1954 and 2004. Each negative number represents a single photographic session and may include anywhere from a single image to thirty or more. Please note that the terms used in the inventory were supplied by Photo Services staff over many years and are not always accurate, and furthermore, not all images listed in these inventories were transferred to SCUA. You are always welcome to contact our archivists if you have any questions. Please use the reference number when requesting negatives.

Other UMass photo collections:

While the University Photograph Collection and Photo Center Negatives represent the largest collections of University-related photographs, there are several other smaller collections that visually document UMass.

Contact SCUA for more information about viewing the photographs in these collections.

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Picoult, Jodi, 1966-

Jodi Picoult Papers

1986-2013
53 boxes 40 linear feet
Call no.: MS 791
Image of Jodi Picoult in Botswana, January 2013
Jodi Picoult in Botswana, January 2013

Novelist Jodi Picoult is known for taking on compelling social and ethical issues and weaving them into the works of fiction that have won her a devoted readership. From her first novel, Songs of the Humpback Whale (1992), to her recent bestseller The Storyteller (2013), Picoult has grappled with a range of topics: fractured families, eugenics, school violence, teen suicide, spouse abuse, a child’s legal rights, childhood cancer, gay rights, the death penalty, war criminals, vengeance, justice, faith, the value of life. To Picoult, a passionate researcher, no issue is simple. Through her characters and her stories she engages the complications, considering provocative questions from different angles. Born in 1966, Picoult graduated from Princeton, where she majored in creative writing, and Harvard, where she earned her M.Ed. She and her husband have three grown children and live in Hanover, N.H.

The Jodi Picoult Papers, richly documenting the author’s work process, include research files for Picoult’s novels—correspondence, notes, manuscript pages, and other background material—as well as some drafts, editorial correspondence, clippings, publicity material, early stories, and student material. Also in Special Collections is a comprehensive collection of Picoult’s publications, including the novels in American and foreign-language editions.

Subjects

  • Fiction and reality
  • Fiction--20th century--Stories, plots, etc
  • Fiction--21st century--Stories, plots, etc

Contributors

  • Picoult, Jodi, 1966-
Pictou, Louis, collector

Louis Pictou Mi'kmaq Manuscript

Prior to 1903
1 vol., 140 p. 0.1 linear feet
Call no.: MS 342 bd

The Pictou family were prominent members of the Bear River Band of the Mi’kmaq nation in Nova Scotia during the nineteenth and early twentieth centuries. Notably, Chief Benjamin Pictou (1830-1931) lived for over a century, witnessing the evolution of the Mi’kmaq economy from hunting, fishing, and trapping to include guiding and attempts at agriculture, and was listed by the anthropologist Frank G. Speck in 1922 as having a hunting allocation near Sporting Lake, southwest of the Bear River.

An extensive, unidentified manuscript written in Mi’kmaq (Micmac) language, using the “hieroglyphic” (pictographic) writing system. At one time, the manuscript was apparently in the possession of Louis Pictou, an “Indian guide” on the Bear River, who stating that the manuscript was written by his “ancestors.”

Language(s): Mi'kmaq

Subjects

  • Indians of North America--Nova Scotia
  • Micmac Indians--Manuscripts

Contributors

  • Pictou, Louis
Pierrefeu, Yann de

Yann de Pierrefeu Diaries

1927-1938
3 boxes 1.25 linear feet
Call no.: MS 815
Image of Yann de Pierrefeu, ca.1935
Yann de Pierrefeu, ca.1935

Marie Alphonse Leopold Jehan Tudor Dedons “Yann” de Pierrefeu was born in 1905, the eldest of four children born into a distinguished family and heir to a French marquisate. After attending the Groton School and Harvard, Pierrefeu settled in Cape Ann, marrying Ellen Hemenway Taintor in 1930.

A dedicated, if idiosyncratic diarist, Pierrefeu left a large number of dense and often impenetrable volumes that can be part dream book, part imagination, and part quixotic engagement with the turbulent events of the 1930s. Laden with references to the Oz novels and replete with nicknames and apparently coded language, the diaries offer glimpses into Pierrefeu’s social life and marriage, and his reactions to the Great Depression, national politics, history, and the growing crises in Europe and Asia.

Acquired from Ben Katz, Mar. 2014

Subjects

  • Depressions--1929
  • Dreams
  • Pierrefeu, Ellen Taintor

Types of material

  • Diaries
  • Photographs
Pine Beach Association

Pine Beach Association Collection

1922-1980
1 box 0.5 linear feet
Call no.: MS 666
Image of Woman on a zip line at Lake Rohunta, ca.1925
Woman on a zip line at Lake Rohunta, ca.1925

Founded in Athol, Mass., prior to1922, the Pine Beach Association operated a summer resort on the northern end of Lake Rohunta, a 383-acre reservoir owned largely by the Rodney Hunt Company. Recognizing the touristic and recreational opportunities, the Association built Pine Beach into a facility that included the Rohunta Inn (the former Elm Lodge Clubhouse), a restaurant, camping facilities, and a lifeguard-patrolled swimming area with water slides and other recreational facilities, all with the intent of becoming the “leading inland bathing beach of New England.” Although the hurricane of 1938 washed away Rodney Hunt’s dam and hydroelectric station, Pine Beach remained a popular destination, freely available to the company’s employees. In the 1980s, the properties were sold to the not-for-profit Lake Rohunta Beach Association, an association of 15 residential properties.

This small collection contains postcards, photographs, and ephemeral material relating to the Pine Beach Association, concentrated in its early years.

Gift of the Harris family, 2010.

Subjects

  • Athol (Mass.)--History
  • Hotels--Massachusetts--Athol
  • Lake Rohunta (Mass.)
  • Picnics--Massachusetts--Athol
  • Rodney Hunt Machine Company--Employees--Recreation
  • Summer resorts--Massachusetts--Orange
  • Taverns (Inns)--Massachusetts--Athol

Types of material

  • Photographs
Pines Hotel (South Hadley, Mass.)

Pines Hotel (South Hadley, Mass.) Register

1925-1939
1 vol. 0.25 linear feet
Call no.: MS 498 bd

The Pines in South Hadley, Mass., was a popular meeting place for men to socialize in the 1920s and 1930s. Employees of Bosch Magneto, the West End Sporting Club, and other groups who enjoyed hunting and fishing held special suppers where they consumed their prey with quantities of alcohol, Prohibition or not.

Using a standard hotel register, The Pines recorded a series of meetings of men’s groups in South Hadley, mostly centered around the activities of hunting and fishing. The Bosch Club (apparently employees of Bosch Magneto in Springfield), the Pines Gang, and the West End Sporting Club — with overlapping membership — held an array of events annually, including Coon Suppers, Deer Dinners, and Game Suppers, as well as occasional Chicken Fries, Piano Suppers, Pig Roasts, Dog Roasts, and special events such as member’s weddings. Summaries at the end of the year in 1926 and 1927, replete with bad verse, provide a sense of their socializing.

Acquired from Peter Masi, Mar. 2005

Subjects

  • Fishers--Massachusetts--South Hadley
  • Hunters--Massachusetts--South Hadley
  • Men--Societies and clubs--Massachusetts--South Hadley
  • South Hadley (Mass.)--History