Results for: “Jews--Social conditions--United States” (624 collections)SCUA

Kennedy, Malcolm G.

Malcolm G. Kennedy Papers, 1967-1983.

3 boxes (4.5 linear feet).
Call no.: MS 678

Malcolm G. Kennedy became active in the antifluoridation struggle in 1954 when the possibility of fluoridating the water supply in his native Portland, Maine, was first proposed. Kennedy was a well-known figure in antifluoridation circles for over three decades and was the first president of the Greater Portland Citizens Against Public Fluoridation.

Centered on activities in Portland, the Kennedy Papers document antifluoridation activism during the height of the controversy in the late 1960s and early 1970s. A relatively rich body of correspondence with regional and national colleagues in the movement is accompanied by supporting materials and some newspaper clippings relating to efforts to fluoridate water supplies in Maine.

Subjects

  • Antifluoridation movement--Maine

Contributors

  • Kennedy, Malcolm G

Kenseth-Abel, Elaine

Elaine Kenseth-Abel Cambodian Photographs, 1970-1979.

1 box (1.5 linear feet).
Call no.: MS 115

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.

Subjects

  • Cambodia--Photographs
  • Cambodians--Massachusetts--Amherst
  • Refugees--Cambodia
  • Refugees--Thailand
  • Thailand--Photographs

Contributors

  • Huot, E. Seng
  • Kenseth-Abel, Elaine

Types of material

  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.

19 items (0.25 linear feet).
Call no.: PH 019
Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.

Subjects

  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs

Contributors

  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs

Lapolice, Aubrey D.

Aubrey D. Lapolice Collection, 1910-1981.

1 box (0.25 linear feet).
Call no.: PH 070
'Our first students, 1921'
'Our first students, 1921'

Born in Chicopee Falls, Mass., Aubrey D. Lapolice (1893-1981) was a maintenance superintendent at the Belchertown State School for a forty year period, from the time of its establishment through his retirement in 1961. A veteran of the First World War, he oversaw a campus of nearly 850 acres and a physical plant of nearly one hundred buildings and structures. He died in February 1981.

The Lapolice collection includes 35 images of the physical plant and construction projects at the Belchertown State School during its first two decades of operation and 21 images of the welcome home parade in Belchertown in 1946 for returning American troops.

Subjects

  • Belchertown State School--Photographs
  • Construction projects--Massachusetts--Belchertown--Photographs
  • Hampden Railroad--Photographs
  • Mentally disabled--Massachusetts--Belchertown
  • Parades--Massachusetts--Belchertown--Photographs
  • Psychiatric hospitals--Massachusetts--Belchertown--Photographs
  • World War, 1939-1945--Veterans

Types of material

  • Photographs

Lavallee, Winston

Winston Lavallee Collection, 1937-2005.

1 box (1.5 linear feet).
Call no.: MS 796
CCC camp
CCC camp

A native New Englander, Winston Lavallee grew up in the Berkshires and attended UMass Amherst where he received his Ph.D. in entomology. He served as a professor for more than 35 years at Holyoke Community College and as a life-long advocate for the stewardship of natural resources and ecological sustainability. Lavallee is the author of several short stories and two novels: Tempest in the Wilderness and Dancing in the Dark, a novel about the Civilian Conservation Corps.

The collection consists of research notes, publications, photographs, and the recollections of men who Lavallee interviewed about their service in the Civilian Conservation Corps. These materials were first accumulated to record the conservation and plant pest control techniques employed in New England during the 1930s-1940s, but were later used during the preparation and writing of Dancing in the Dark. Altogether they offer rich historical background on the CCC and the men who were employed in the various jobs, such as road building, fire hazard reduction, and the development of recreational space, which constituted the program.

Subjects

  • Civilian Conservation Corps (U.S.)--New England--History
  • Civilian Conservation Corps (U.S.)--Photographs
  • New Deal, 1933-1939--New England--History

Contributors

  • Civilian Conservation Corps (U.S.)
  • Lavallee, Winston

Types of material

  • Oral histories
  • Photographs

Lederer, William J., 1912-

William Lederer Papers, ca. 1930-1985.

91 boxes (61 linear feet).
Call no.: MS 158
William Lederer in naval uniform
William Lederer in naval uniform

William J. Lederer began his long career in the Navy in 1930. During his twenty-eight years of service he traveled throughout Asia on some 30 trips, acquiring several books worth of experience, criticisms, and insight. In 1948, Lederer attended the Bread Loaf Writer’s Conference in Vermont and met fellow author and political theorist Eugene Burdick. Disillusioned with the style and substance of America’s diplomatic efforts in Southeast Asia, Lederer and Burdick openly sought to demonstrate their belief that American officials and civilians could make a substantial difference in Southeast Asian politics if they were willing to learn local languages, follow local customs and employ regional military tactics. Together they co-authored two widely influential books, The Ugly American (1958) and Sarkhan (1965).

The collection includes materials related to most of his major publications including, A Nation of Sheep, The Ugly American, Sarkhan, Our Own Worst Enemy, I, Giorghos, Mirages of Marriage, and Martial Choices. A substantial series of correspondence traces Lederer’s associations and communications throughout his entire career. Area files, research materials, and photographs are also include, but not yet fully processed.

Subjects

  • Southeast Asia--Economic conditions
  • Southeast Asia--Politics and government--1945-
  • United States--Foreign relations
  • United States--Politics and government--1945-
  • Vietnam War, 1961-1975

Contributors

  • Burdick, Eugene
  • Lederer, William J., 1912-

Types of material

  • Photographs

Levy, Donald

Part of: The American Revolution Documentary Collection

Donald Levy Papers, 1966-1987.

2 boxes (2 linear feet).
Call no.: MS 878
Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

Subjects

  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts

Contributors

  • Richman, Jonathan (Vocalist)

Types of material

  • Clippings
  • Petitions
  • Photographs

Lewis, David L., 1936-

David Levering Lewis Papers, ca.1955-2012.

54 boxes (81 linear feet).
Call no.: MS 827
David Levering Lewis
David Levering Lewis

The historian David Levering Lewis is the author of eight remarkably diverse monographs. Raised in an academic family, his father was president of Morris Brown College, Lewis enrolled at Fisk University at the age of 15 and was only 26 when he was awarded a doctorate in modern European history from the London School of Economics (1962). Through an academic career that has included numerous stops, including Morgan State, Notre Dame, Howard, the University of the District of Columbia (1970-1980), and Rutgers (1985-2003), Lewis remained consistently productive. Author of the first academic biography of Martin Luther King (1970) and a history of the Dreyfus Affair (1974), he wrote an influential study of the Harlem renaissance (1981) and important works on colonialism in Africa (1987) and Islamic Spain (2008), but he is best known for his two monumental biographies of W.E.B. Du Bois (1993, 2000), each of which was awarded a Pulitzer Prize. One of the most lauded African American historians of his generation, Lewis was recipient of the Bancroft Prize, the Francis Parkman Prizes, the 2009 National Humanities Medal, and a MacArthur Foundation Fellowship, and he was elected as a Fellow of both the American Academy of Arts and Sciences and the American Philosophical Society. Lewis was Julius Silver University Professor in History at New York University from 2003 until his retirement.

The papers of David Levering Lewis document a long and productive career as an academic historian and scholar of African American history and culture. Beginning with his years in college and graduate school, the collection offers a rich perspective on the evolution of his career. Lewis’s essential biographies of W.E.B. Du Bois are particularly well documented, however the collection includes abundant materials for each of his earlier projects, including correspondence, research notes, and drafts.

Subjects

  • African Americans--History
  • Colonies--Africa--History
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Harlem Renaissance
  • Historians--United States
  • King, Martin Luther, Jr., 1929-1968
  • United States--History--20th century

Types of material

  • Photographs

Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection, 1977-1979.

3 boxes (2 linear feet).
Call no.: PH 059
Cotton Mill no. 2, Beijing, 1977
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.

Subjects

  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs

Types of material

  • Photographs
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