Bernie Moss Photograph Collection, ca. 1960-1978.
7 boxes (10.5 linear feet).
Call no.: PH 062
A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.
The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.
- Jazz musicians--Massachusetts--Boston--Photographs
Types of material
- Color prints (photographs)
National Arts Policy Archive and Library, 1965-2013.
The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.
Constituent collections include:
- Art and state
- Government aid to the arts
- Americans for the Arts
- National Asssembly of State Arts Agencies
- National Endowment for the Arts
National Priorities Project Records, 1983-2015.
15 boxes (22.5 linear feet).
Call no.: MS 913
A national non-partisan, not-for-profit organization based in Northampton, Mass., the National Priorities Project was founded in 1983 by Greg Speeter, Brenda Loew, Ricky Fogel, and Alwin Schmidt to conduct research into the depths of the federal budget. Their first effort was to analyze the dramatic reductions affecting many social programs, but the organization grew around the principle of making the complex federal budget transparent and more publicly accessible so that the public can better influence how their tax dollars are spent. Nominated for the Nobel Peace Prize in 2014 in recognition of its pioneering work in tracking military spending, the NPP continues to work toward a federal budget that reflects Americans’ priorities, including funding for issues such as inequality, unemployment, education, healthcare, and the need to build a green economy.
The NPP collection documents over thirty years of a not-for-profit organization devoted to research-informed advocacy for a federal budget that reflects the priorities of most Americans. In addition to a run of NPP publications, the collection includes a series of topical files from Greg Speeter and his associates, selected correspondence, talks, and notes on their work.
- Military spending
- United States--Appropriations and expenditures
New England Research Council on Marketing and Food Supply Records, 1922-1955.
3 boxes (1.25 linear feet).
Call no.: MS 028
The New England Research Council on Marketing and Food Supply was established after a 1922 meeting in which Lloyd Tenny of the Agricultural Economics Bureau disclosed that federal money was available for research in marketing. He requested that an advisory council be organized to prevent the duplication of research. The group’s charge was to stimulate and coordinate the studies of economic problems connected with the supply of foods and other agricultural products of New England. Membership of the council was comprised of representatives from institutions and agencies actively involved in prosecuting such economic studies. A number of faculty at the Massachusetts Agricultural College helped to shape the council in its early years, including Kenyon Butterfield and Alexander Cance. The council dissolved in 1955, and the New England Agricultural Economics Council was formed in its place.
The collection contains the records of the NERC from its formation in 1922 until its dissolution in 1955. Included are the council’s constitution adopted in 1922 and unaltered throughout the life of the organization, proceedings of annual meetings, publications, and reports on such topics as milk marketing and fruit and vegetable marketing.
- Agricultural economics--New England
- Dairy products--Marketing--New England
- Food industry and trade--New England
- Food--Marketing--New England
- Butterfield, Kenyon L. (Kenyon Leech), 1868-1935
- Cance, Alexander E
- New England Research Council on Marketing and Food Supply
Western Massachusetts Ice Storm Photograph Collection, 1942.
1 envelope (0.15 linear feet).
Call no.: MS 354
Approximately every twenty years, western New England suffers from devastating ice storms, leaving heavy ice coating on trees and buildings and hazardous conditions. Major storms struck in 1921, 1942, 1961, 1983, 1998, and 2008, with the storm of December 29-30, 1942, disrupting power and closing roads throughout a broad swath of the northeast. In northern New York state, ice depths reached six inches.
The collection includes twenty six of an original thirty eight photographs depicting ice storm damage to power lines in the Pittsfield District (Windsor, Middlefield, Washington Mountain to Becket) resulting from the storm in December 1942. The collection also includes a cover letter pertaining to photos (not included) documenting a similar situation in Northampton, affecting the New England Power Service Co.
- Electric lines--Massachusetts--Photographs
- Electric power systems--Natural disaster effects --Massachusetts--Photographs
- Ice storms--Massachusetts--Photographs
- New England Power Service Company
Types of material
New England Yearly Meeting of Friends Records, 1654-2016.
(384.5 linear feet).
Call no.: MS 902
In 1661, less than a decade after the first Friends arrived in British North America, the precursor to the New England Yearly Meeting was organized as the Rhode Island Yearly Meeting. As one of approximately two dozen yearly meetings in the United States, the NEYM currently comprises eight quarterly meetings and approximately 85 monthlies, which are the basic unit of organization for the Society. Like many Yearly meetings, the NEYM has been diverse in spiritual practice, reflected in a history of separations and reunions. Most famously, Orthodox Friends in New England divided in the 1840s into the increasingly evangelically-oriented Gurneyites, who went by the name Yearly Meeting of Friends for New England (joining Friends United Meeting in 1902), and the Wilburites, sometimes called Conservative Friends. In 1945, the disparate branches formally reunited.
Consolidated beginning in the 1960s, the NEYM collection contains the official records of the New England Yearly Meeting from its founding in the seventeenth century to the present, along with records of most of its constituent Quarterly, Monthly, and Preparative Meetings and records of Quaker schools and trusts. As varied as the Quaker practice they document, these records include minutes of meetings for business; committee records; newsletters, financial records; some personal papers; printed books and serials; and an assortment of photographs, audiovisual materials, microfilm, and electronic records. Of particular note are the vital statistics recorded by the Monthly Meetings, including general information on births, deaths, marriages, membership, and obituaries, and specifically-Quaker information on removals (formal letters written as members moved from one meeting to another), denials, testimonies (beliefs and convictions), and sufferings (penalties Quakers suffered for following testimonies). The Archives Committee of the NEYM is a partner in records management and on-going documentation of the Meeting and its constituent bodies. The collection also includes several thousand Quaker books and pamphlets, including the libraries of Moses and Obadiah Brown and several individual monthly meetings. The records of most monthly meetings in Maine are held at the Maine Historical Society, while important bodies of records are held at the Newport Historical Society (some Nantucket and Rhode Island Meetings) or at individual Monthly Meetings.
- Quakers--New England
- Society of Friends--New England--History
New Victoria Publishers Records, 1974-2009.
6 boxes (11 linear feet).
Call no.: MS 883
Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization. Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.
- Collective labor agreements – Printing industry
- Feminist literature – Publishing
- Lesbian authors
- Lesbians' writings -- Publishing
- Women printers – New England
- Women publishers – New England
- Beth Dingman
- Claudia McKay
- New Victoria Printers
- New Victoria Publishers
Types of material
New WORLD Theater Records, 1979-2010.
41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.
- African Americans--Drama
- American drama--Minority authors
- Asian Americans--Drama
- Ethnic groups--United States--Drama
- Hispanic Americans--Drama
- Minorities--United States--Drama
- University of Massachusetts Amherst
- New WORLD Theater
- Page, Priscilla
- Uno, Roberta, 1956-
Types of material
- Audiovisual materials
- Sound recordings
Jacob and John E. Newland Account Book, 1798-1849.
1 vol. (0.25 linear feet).
Call no.: MS 197 bd
The account book kept by Jacob Newland and later John E. Newland of Mansfield, Massachusetts, between 1798 and 1849, details much about the work of these farmers and their interaction with neighbors in eastern Mansfield during the early nineteenth century. The customers, most of whom seem to have been fellow farmers, made frequent use of the Newlands’ animals and animal-drawn vehicles (carriage, “waggon,” “slay”) for riding and work, in addition to purchasing products, using the Newlands’ labor, and leasing pasture land. The book also served as a leaf press and scrapbook for newspaper items bearing upon the Woman’s Christian Temperance Union, mention of social events and anniversaries, children’s sayings, short romantic fiction, and as a copybook for poetry.
- Newland, Jacob
- Newland, John E
Types of material
Lucy Nguyen Papers, 1983-2001.
2 boxes (0.75 linear feet).
Call no.: FS 026
A scholar of Francophone literature in Asia and Director of the United Asia Learning Resource Center, Lucy Nguyen Hong Nhiem was born in Kontum, Vietnam, in 1939. A graduate of the University of Saigon and teacher of French, she fled Saigon in 1975 just three days before its fall. From a refugee camp in Arkansas, she traveled through Connecticut and then to Springfield, Mass., before arriving at UMass in 1976 to resume her studies. After completing her MA (1978) and PhD (1982), she held positions at Smith, Amherst, and Mount Holyoke Colleges before beginning her tenure at UMass in 1984. An Adjunct Professor of Asian Languages and Literatures, she also served as Academic Advisor to the Bilingual Collegiate Program and Vice-Chair of the Governor’s Advisory Council on Refugees and Immigrants.
Nguyen’s papers are a small but critical collection of materials on Southeast Asian Refugees. Included among the papers are materials relating to the resettlement of Southeast Asian refugees, materials relating to the Governor’s Advisory Council on Refugees and Immigrants (1983), and a paper on the status of refugees in Massachusetts in 1987, along with unpublished writings, professional correspondence, and a handful of notes from a search committee.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Bilingual Collegiate Program
- University of Massachusetts Amherst. Program in Asian Languages and Literatures
- Nguyen, Lucy Hong Nhiem, 1939-