University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
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McKenzie, Malcolm Arthur

Malcolm Arthur McKenzie Papers, 1926-1995
3 boxes (4.5 linear feet)
Call no.: FS 107

Forest pathologist and arboriculturist Malcolm Arthur McKenzie was born in Providence, Rhode Island in April 1903. After attending Brown University (PhD Forest Pathology, 1935), he worked successively as a field assistant for the United States Forest Service forest products lab, as an instructor at the University of North Carolina, and finally with the University of Massachusetts Shade Tree Laboratory. He conducted important research on the diseases of shade trees, including Dutch elm disease, wood decay, and tree pests, as well as related issues in tree hazards in public utility work and municipal tree maintenance.

The McKenzie Papers document McKenzie’s association with the UMass Shade Tree Lab, along with some professional correspondence, research notes and publications, and McKenzie’s dissertation on willows.

Gift of Francis W. Holmes, June 2000
Subjects
  • Plant pathology
  • Shade trees
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Botany Department
  • University of Massachusetts Amherst. Shade Tree Laboratory
Contributors
  • McKenzie, Malcolm Arthur, 1903-

Miller Family

Miller Family Photographs, ca.1880-1980
1 boxes, 1 oversize envelope (1.25 linear feet)
Call no.: MS 119

Four generations of the Miller family from Roxbury and Hull, Massachusetts. Includes photographs mounted on twenty-eight sheets of posterboard and 158 slides stored in two slide trays that are comprised of formal and informal family portraits; family businesses; church and business gatherings; a wedding announcement; and postcards from the early 1900s depicting public recreation sites. More recent photographs reveal how the public recreation sites have changed over the years. Robert Parker Miller, a graduate of the University of Massachusetts Amherst and a member of the Miller family, displayed these images in an exhibit entitled “Trying to Live the American Dream” (1986, Wheeler Gallery).

Subjects
  • Family--United States--History
  • Hull (Mass.)--Photographs
  • Massachusetts--Social life and customs--19th century--Photographs
  • Massachusetts--Social life and customs--20th century--Photographs
  • Roxbury (Mass.)--Pictorial works
Contributors
  • Miller family
Types of material
  • Photographs

Mission and history

Mission

Cattle judging at Mass. Agricultural College

Judging cattle at Mass. Agricultural College

A steward of the past for generations to come, SCUA inspires discovery through the collection and curation of cultural heritage materials. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers

African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David Axelrod, Class of 1965

David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Learn more:

Morley, Cathrin

Cathrin Morley Poetry Album, 1832-1837
1 vol. (0.25 linear feet)
Call no.: MS 136 bd

Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.

Subjects
  • Christian poetry, American--Massachusetts--Great Barrington
  • Death--Poetry
  • Great Barrington (Mass.)--History
  • Morley family
  • Sex role--Massachusetts--Great Barrington--Poetry
  • Spiritual life--Poetry
  • Van Duesenville (Great Barrington, Mass.)
  • Women--Poetry
Contributors
  • Morley, Cathrin
Types of material
  • Notebooks
  • Poems

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile, ca.1894
1 item (0.1 linear feet)
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects
  • Kelmscott Press
Contributors
  • Morris, William, 1834-1896
Types of material
  • Holographs (Autographs)

Morton, Cyrus

Cyrus Morton Account Book, 1828-1838
1 vol. (0.25 linear feet)
Call no.: MS 185 bd

The physician Cyrus Morton, (1797-1873) came from a notable medical family from Plymouth County, Mass. His father Nathaniel and son Thomas were both physicians, and his sister-in-law, Julia A.W. (Drew) Winslow was one of the first female medical doctors in the Commonwealth. Morton’s second wife, Lydia Hall (Drew) Morton, was one of the first teachers at the Perkins School for the Blind, and a member of the first graduating class of the Lexington Normal School. Morton died in Halifax on May 18, 1873.

Morton’s account book contains records of frequent visits to his patients, dispensing medicine, his fees and receipts for payment (often received in kind as pigs, fish, beef, hay, wood, the use of a horse, spinning done by widows or wives, digging a well, carpentry, etc.), and a copy of a prayer in Morton’s hand. Among Morton’s patients were Timothy Wood, Stafford Sturtevant, Jacob Thompson, Capts. Knapp and Cushman, and Cyrus Munroe.

Subjects
  • Halifax (Mass.)--Social life and customs--19th centur
  • Physicians--Massachusetts--Halifax--19th century
Contributors
  • Morton, Cyrus, 1797-1873
Types of material
  • Account books

Nash, Herman B., Jr.

Herman B. Nash Papers, ca.1935-2010
7 boxes (10.5 linear feet)
Call no.: MS 895
Image of Civil rights march from Selma to Montgomery, Ala., March 1965
Civil rights march from Selma to Montgomery, Ala., March 1965

In 1944, eighteen-year old Herman B. “Keek” Nash enlisted in the Army, and after intensive Japanese language training, was assigned for duty as an intelligence officer in American-occupied Osaka, Japan. Settling in northern New Jersey after his discharge from the service in 1947, Nash held a succession of jobs, including brakeman on the Pennsylvania Railroad, before deciding to try his hand at teaching, earning a master’s degree in education at Columbia Teachers College. A solid leftist politically and a strong supporter of social justice causes and civil rights, he marched with Martin Luther King at Selma and Washington, though his ardor and political convictions came at a cost. Investigated by the FBI for alleged Communist sympathies in the late 1950s, Nash was fired from his position teaching high school science in Teaneck, N.J., in 1969, after leading a sit-in protest against school tracking. He subsequently returned to work on the railroad, where he was active with the union and took part in efforts to increase participation by African Americans and women. Yoneko Nash, Nash’s wife of 43 years, died in 2004, with Keek following in 2010.

A rich assemblage, the papers of Herman Nash offer a glimpse into the life experiences of a socially conscious veteran of the Second World War. Nearly a quarter of the collection stems from Nash’s time in the military service, including while he was learning Japanese at the University of Chicago (1944-1945) and while he was stationed in occupied Japan from spring 1946 through the following winter. Among other noteworthy items are a thick series of intelligence reports on the reaction of the local population to the occupation, noting episodes of civil unrest, crime, and other forms of social instability. The collection also contains a significant body of correspondence with family and friends, including serval whom he met in Japan. The balance of the collection relates to Nash’s interests in social justice causes, highlighted by a significant series of photographs taken during a massive civil rights demonstration in Montgomery, Ala.

Gift of Alice Nash, 2015, 2017
Subjects
  • Civil rights movements
  • Japan--History--Allied occupation, 1945-1952
Types of material
  • Photographs

Nashua (N.H.) Labor Council

New England Labor New and Commentary Collection, 1989-1990
1 box (1.5 linear feet)
Call no.: MS 286

Established as the newspaper of organized labor in New England in 1989, the New England Labor News and Commentary was the official newspaper of the Nashua, N.H. Labor Council.

Subjects
  • Labor unions--New England
  • Labor--New England--Periodicals
Contributors
  • Nashua (N.H.) Labor Council

National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library, 1965-2013
Image of

The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects
  • Art and state
  • Arts--Management
  • Government aid to the arts
Contributors
  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

National Priorities Project

National Priorities Project Records, 1983-2015
15 boxes (22.5 linear feet)
Call no.: MS 913

A national non-partisan, not-for-profit organization based in Northampton, Mass., the National Priorities Project was founded in 1983 by Greg Speeter, Brenda Loew, Ricky Fogel, and Alwin Schmidt to conduct research into the depths of the federal budget. Their first effort was to analyze the dramatic reductions affecting many social programs, but the organization grew around the principle of making the complex federal budget transparent and more publicly accessible so that the public can better influence how their tax dollars are spent. Nominated for the Nobel Peace Prize in 2014 in recognition of its pioneering work in tracking military spending, the NPP continues to work toward a federal budget that reflects Americans’ priorities, including funding for issues such as inequality, unemployment, education, healthcare, and the need to build a green economy.

The NPP collection documents over thirty years of a not-for-profit organization devoted to research-informed advocacy for a federal budget that reflects the priorities of most Americans. In addition to a run of NPP publications, the collection includes a series of topical files from Greg Speeter and his associates, selected correspondence, talks, and notes on their work.

Gift of Kris Elinevsky, 2016
Subjects
  • Military spending
  • United States--Appropriations and expenditures
Contributors
  • Speeter, Greg
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