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Mungo, Raymond, 1946-

Raymond Mungo Papers
1966-2008
6 boxes (3 linear feet)
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs

Nopper, John

John Nopper Photograph Collection
2012-2013
25 photographs (0.1 linear feet)
Call no.: PH 078
Howard Prussack in a field at High Meadows Farm in Putney, VT
Howard Prussack at High Meadows Farm in Putney, VT

A farmer for over thirty years along the Connecticut River in Vermont, John Nopper came to photography later in life. Drawn to the challenge of capturing individuals and environments in his and surrounding communities, Nopper focuses on portraits and landscapes, and specializes in 11”x17” or larger printing, emphasizing the depth of tone in his black and white photography. His photograph projects often focus on the instruments and individuals of a specific industry or place, and frequently document subjects and vocations he feels warrant increased attention, either due to their methods, like his work documenting traditional maple sugaring and printing practices, or due to current events, such as a more recent project as an embedded photographer within a Vermont city police department.

The John Nopper Photograph Collection currently consists of twenty-five, 11”x17”, black and white prints from the exhibit “Vermont’s Organic Pioneers,” along with the descriptions from the project. In a collaborative effort with interviewer and writer Susan J. Harlow, Nopper photographed the subjects of Harlow’s interviews for an exhibit featuring interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection also includes digital photographs not printed, as well as digital versions of most of the prints.

Gift of John Noper, July 2017
Subjects
  • Northeast Organic Farming Association
  • Organic farmers--Vermont
  • Organic farming--Standards
  • Organic farming--Vermont
  • Sustainable agriculture
Types of material
  • Photographs

Northeast Organic Farming Association (NOFA)

Northeast Organic Farming Association Records
1977-2007
12 boxes (6.5 linear feet)
Call no.: MS 461

The Northeast Organic Farming Association began as the vision of a New York City plumbing supplies salesman and has grown into a large association supporting information-sharing, education, collaboration, and certification. Increasingly influential non-profit organization with chapters in Connecticut, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Vermont, NOFA has “nearly 4,000 farmers, gardeners and consumers working to promote healthy food, organic farming practices and a cleaner environment.”

The NOFA collection includes records, publications, ephemera, photographs, and other materials from NOFA chapters in Massachusetts, Connecticut, New Hampshire, New York, and Vermont, along with material from the Interstate Council. The collection includes information on NOFA’s conferences and programs, educational work, lobbying, and their initiatives in organic certification and organic land care.

Subjects
  • Agriculture--Massachusetts
  • Organic farming
  • Organic gardening
  • Sustainable agriculture
Contributors
  • NOFA Massachusetts

Simon, Peter, 1947-

Peter Simon Collection
ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Slonecker, Blake, 1981-

Blake Slonecker Collection
2008
4 items (0.25 linear feet)
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013
Subjects
  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit (Commune)
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)
Contributors
  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard
Types of material
  • Audiocassettes
  • Oral histories (document genres)

White Light Communications

White Light Communications Collection
1989-1999
150 items (54 linear feet)
Call no.: MS 984

A not-for-profit media company based in Burlington, Vermont, White Light Communications produced dozens of videos during the late 1980s and early 1990s reflecting the voices and experiences of psychiatric survivors. With initial funding from the National Institute of Mental Health, Executive Director Paul Engels and his colleagues, all psychiatric survivors themselves, built a fully-equipped television production studio and conducted nearly one hundred interviews with ex-patients and leaders in the antipsychiatry movement. Although most of the interviews were conducted in Burlington, they also produced documentaries, and covered national events such as the final two Alternatives conferences and “Self Help Live,” a broadcast that focused on highlighting consumer/survivor leaders.

The hundreds of video interviews and other productions that comprise the White Light Communications collection were produced by, for, and about psychiatric survivors. Paul Engels interviewed nearly a hundred ex-patients including important leaders in the movement such as Judi Chamberlin, Sally Zinman, Howie the Harp, and George Ebert, and several episodes focused on the mental health system and activism in Vermont. The subjects of the interviews range widely from homelessness to involuntary treatment, peer support, suicide, surviving the mental health system, and the history of the psychiatric survivors movement.

Gift of Paul Engels, May 2017
Subjects
  • Antipsychiatry
  • Civil rights movements--United States
  • Ex-mental patients
  • Mental health services--United States
  • Mental illness--Alternative treatment
  • Mentally ill--Social conditions
  • Psychiatric survivors movement
Contributors
  • Chamberlin, Judi, 1944-2010
  • Dart, Justin, 1930-2002
  • Ebert, George
  • Engels, Paul
  • Millett, Kate
  • Zinman, Sally
Types of material
  • Oral histories (Document genres)
  • U-matic
  • Videotapes

Abbe, Edward H.

Edward H. Abbe Papers
1828-2004
22 boxes (28.5 linear feet)
Call no.: MS 736
Image of Ed Abbe in Bora Bora, 1987
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Gift of Edward Abbe, Mar. 2012
Subjects
  • Abbe family
  • Boardman family
  • Booth family
  • Electrical engineers
  • General Electric
  • Gifford family
  • Kent School--Students
  • Peck family
  • Rectory School--Students
  • Yale University--Students
Contributors
  • Abbe, Edward H
  • Abbe, Gladys Howard
  • Abbe, William Parker
  • Peck, Edward F
  • Peck, Mary Booth
Types of material
  • Diaries
  • Letters (Correspondence)
  • Photographs

Acker, Bonnie

Bonnie Acker Collection
1983-2000
1 box (1.5 linear feet)
Call no.: MS 582

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Gift of Bonnie Acker, May 2007
Subjects
  • Antinuclear movement--United States
  • Peace movements
Contributors
  • Acker, Bonnie
Types of material
  • Realia

Allis Family

Allis Family Collection
1956-1958
1 vol. (0.15 linear feet)
Call no.: MS 269 bd

The Allis family began farming in Whately, Mass., in 1716, when John Allis came into possession of a property that would be the home to nine generations of his descendants. A typically diverse operation, the farm centered on cattle and dairying and crops such as hay and potatoes, supplemented throughout the year by sugaring, the manufacture of lye soap, bee culture, and opportunistic work ranging from slating to the construction of water systems for farms. It was sold out of the family in 1957.

This small collection contains two closely-related memoirs about the Allis family and their farm in Whately, Mass., focusing on the nineteenth and early twentieth centuries. Written by Lucius Howes Allis, the last Allis to own the farm, when he was 72 years old, “The Allis farm and its families” contains a lengthy genealogy, transcriptions of a handful of family deeds and documents, and brief stories about Lucius’ father Irving during his trip to Kansas and on the farm. “Up on the hill” is a lively memoir written by William R. Phinney, an alumnus of Massachusetts Agricultural College and apparently a friend of the Allis family. Phinney’s account contains excellent accounts of the lives of Elliot, Irving, and Lucius Allis, about farm life in the late nineteenth century, dairying, beekeeping, and other topics.

Subjects
  • Agriculture--Massachusetts--Whately
  • Allis family--Massachusetts
  • Bees--Massachusetts--Whately
  • Cattle--Massachusetts--Whately
  • Dairy farmers--Massachusetts--Whately
  • Farms--Massachusetts--Whately
  • Fires--Massachusetts--Whately
  • Hatfield (Mass.)--History
  • Indian Territory--Description and travel
  • Kansas--Description and travel
  • Maple sugar industry--Massachusetts--Whately
  • Whately (Mass.)--History
Contributors
  • Allis, Lucius Howes, 1886-1963
  • Phinney, William R.
Types of material
  • Genealogies (Histories)
  • Memoirs

Alspach, Russell K. (Russell King), 1901-

Russell K. Alspach Papers
1950-1978
1 box (0.5 linear feet)
Call no.: FS 025

Russel K. Alspach earned his PhD in 1932 from the University of Pennsylvania where he taught English from 1924-1942. After four years of service in the U.S. Navy during World War II, he spent eighteen years as head of the Department of English at West Point Military Academy before retiring in 1965 with the rank of Brigadier General. A specialist in Irish literature with wide ranging interests running from William Butler Yeats to Percy Blythe Shelley and William Faulkner, Alspach published prolifically throughout his career. He took a post-retirement appointment at UMass in 1966, but hardly retired, eventually becoming Head of the Department of English, and teaching until his final retirement and death in 1980.

The Alspach Papers consist of professional correspondence, drafts of writing, and reviews written by Russell K. Alspach. The small collection includes grant applications and notes for Alspach’s Yeats Study Series, as well as a 3.75 inch monographic recording of readings and music by unidentified artists. The Department of Special Collections and University Archives is also home to the Alspach Yeats Collection of rare books.

Gift of Russell K. Alspach, 1999
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
  • Yeats, W. B. (William Butler), 1865-1939
Contributors
  • Alspach, Russell K. (Russell King), 1901-
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