Results for: “Turners Falls (Mass.)--History” (684 collections)SCUA

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. ...
  11. 69

Joseph D. Norton and Son

Joseph D. Norton and Son Account Book, 1851-1881.

1 vol. (0.25 linear feet).
Call no.: MS 103 bd

Father and son wood turners, manufacturers of ladders, and general wood workers from the Loudville section of Westhampton, Massachusetts. Includes names of customers and businesses (bulk of the accounts are with local lumber and furniture dealers S.M. Smith Co., E.H. Lyman, Medad Pomeroy, and Charles Loud & Co.), items sold (such as bureaus, tables, and lumber), furniture that they repaired, and supply items which they acquired (such as varnish, stain, glass, tacks). Also contains documentation of employee payment, flour, tow, sugar, and coffee purchases, and employee lost work days.

Subjects

  • Charles Loud and Co
  • E. H. Lyman (Firm)
  • Furniture industry and trade--Massachusetts--Northampton--History--19th century
  • Furniture industry and trade--Massachusetts--Westhampton--History--19th century
  • Furniture--Repairing--Massachusetts--Loudville--History--19th century
  • Ladders
  • Loudville (Mass.)--Economic conditions--19th century
  • Lumber trade--Massachusetts--Northampton--History--19th century
  • Lumber trade--Massachusetts--Westhampton--History--19th century
  • Medad Pomeroy (Firm)
  • S.M. Smith Co.
  • Wages--Furniture workers--Massachusetts--Loudville--History--19th century
  • Wages-in-kind--Massachusetts--Loudville--History--19th century
  • Woodworkers--Massachusetts--Loudville--Economic conditions--19th century

Contributors

  • Norton, Joseph D.
  • Norton, Leonard

Types of material

  • Account books

Lamson and Goodnow

Lamson and Goodnow Records, 1837-1911.

23 boxes, 14 vols. (38 linear feet).
Call no.: MS 662
Lamson and Goodnow
Lamson and Goodnow

In 1834, Silas Lamson devised a curved snath that greatly improved the efficiency of the scythe, and riding the commercial success of his invention, Lamson, his sons Ebenezer and Nathaniel, and partner Abel Goodnow, founded the manufacturing firm of Lamson and Goodnow in Shelburne Falls, Mass., in 1837. Early in its history, Lamson and Goodnow recruited skilled workers from cutlery centers in England and Germany and began manufacturing the high quality knives and tableware that have remained the center of their production ever since. The firm was a major contributor to the region’s transformation from a primarily agricultural to an industrial economy, and by the time of the Civil War, they helped establish the Connecticut River Valley had emerged as the center of American cutlery production. At vartious points during their history, Lamson and Goodnow have been involved in the manufacture of arms (e.g. the Springfield Rifle), sewing machines, agricultural implements, and other tools. They remain active in the production of cutlery, trade tools, and kitchenware.

The Lamson and Goodnow records contain relatively dense documentation of a major manufacturer of cutlery and agricultural implements from roughly the time of its founding in 1837 through shortly after the turn of the twentieth century. In addition to account books, records of orders, sales, and production, and a dizzying array of canceled checks, receipts, and trade cards, the collection includes correspondence from field agents and customers that document the growth of the company during the first 75 years of its operation.

Subjects

  • Cutlery trade--Massachusetts
  • Shelburne Falls (Mass.)--History

Contributors

  • Lamson and Goodnow

Types of material

  • Account books

Lyman Family Papers

Lyman Family Papers, 1839-1942.

7 boxes (2.25 linear feet).
Call no.: MS 634
Edward H.R. and Catharine A. Lyman on their wedding day
Edward H.R. and Catharine A. Lyman on their wedding day

The descendants of Joseph Lyman (1767-1847) flourished in nineteenth century Northampton, Mass., achieving social prominence, financial success, and a degree of intellectual acclaim. Having settled in Northampton before 1654, just a generation removed from emigration, the Lymans featured prominently in the development of the Connecticut River Valley. A Yale-educated clerk of the Hampshire County courts, Joseph’s descendants included sons Joseph Lyman (an engineer and antislavery man) and Samuel Fowler Lyman (a jurist), and three Harvard-educated grandsons, Benjamin Smith Lyman (a geologist and traveler in Meiji-era Japan) and brothers Joseph and Frank Lyman (both trained in the natural sciences).

Consisting of the scattered correspondence and photographic record of three generations of an intellectually adventurous Northampton family, the Lyman collection explores the ebb and flow of family relations, collegiate education, and educational travel in Europe during the mid-nineteenth century, with important content on antislavery and the Free State movement in Kansas. Although the family’s tendency to reuse names (repeatedly) presents a challenge in distinguishing the various recipients, the focal points of the collection include the geologist Benjamin Smith Lyman, his uncle Joseph (1812-1871), cousins Joseph (1851-1883) and Frank, and Frank’s son Frank Lyman, Jr. Antislavery is a major theme in the letters of Samuel F. Lyman to his son Benjamin, and in the letterbook of the Kansas Land Trust, an affiliate of the New England Emigrant Aid Company, of which the elder Joseph was Treasurer.

Subjects

  • Antislavery movements--Massachusetts
  • Germany--Description and travel--19th century
  • Harvard University--Students
  • Kansas Land Trust
  • Kansas--History--1854-1861
  • New England Emigrant Aid Company

Contributors

  • Lawrence, Amos Adams, 1814-1886
  • Lyman, Benjamin Smith, 1835-1920
  • Lyman, Joseph B, 1812-1871

Types of material

  • Photographs

Millman, George H. (George Harold), 1919-

George Millman Papers, 1944-1945.

3 boxes (3 linear feet).
Call no.: MS 728
George and Lillian Millman
George and Lillian Millman

Born in Boston, Massachusetts in 1919, George Millman attended Massachusetts State College briefly, but was forced to drop out after his freshman year due to financial hardship. After attending a three-month intensive training course, Millman was employed by the War Department in 1941 as a civilian inspector in the munitions plant in New London, Connecticut. In the months that followed the attack on Pearl Harbor, he felt it was his patriotic duty to join the armed forces and enlisted on May 28, 1942. Called to active duty six months later, Millman was commissioned as a 2nd Lieutenant in the Army Air Corps on April 29, 1943. Already dating his soon-to-be-bride Lillian, the couple decided to marry immediately before he could be sent overseas. Assigned to a class on the theoretical aspects of radar at Harvard University, Millman was ordered to report to the Army Air Force Technical School in Boca Raton in late 1943. On June 24, 1944, he received secret travel orders assigning him to the 5th Air Force Service Command in Brisbane, Australia. There he began training fighter pilots on the use and operation of the newly developed airborne radar, AN/APS-4. Throughout his tour in the Pacific, which ended in early 1946, Millman traveled throughout the region, including time in Australia, the Netherlands East Indies, the Netherlands New Guinea, and the Philippines.

Containing almost 400 letters written to his wife Lillian during World War II, Millman’s papers detail nearly every aspect of life in the service during wartime. From chronicling extreme environmental conditions to his feelings of frustration while awaiting assignment, Millman’s letters offer a personal perspective of the impact of war on an individual and his loved ones. While his letters carefully avoid any details about his work that could have been censored, they capture in extraordinary detail the day-to-day life of a serviceman in the Pacific theater during WWII. Millman published his letters to his wife in 2011 in a book entitled Letters to Lillian.

Subjects

  • World War, 1939-1945

Contributors

  • Millman, George H. (George Harold), 1919-

Types of material

  • Letters (Correspondence)

New WORLD Theater

New WORLD Theater Records, 1979-2010.

41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst

Contributors

  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-

Types of material

  • Audiovisual materials
  • Sound recordings

Santerre Franco-American Collection

Richard Santerre Franco-American Collection, 1872-1978.

113 items (6 linear feet).
Call no.: RB 009

An historian from Lowell, Mass., Richard Santerre received his doctorate from Boston College in 1974 for his dissertation Le Roman Franco-Americain en Nouvelle Angleterre, 1878-1943. For more than twenty years he published regularly on the history of French and French-Canadian immigrants in New England, particularly Massachusetts, while doing so, assembling a significant collection of books on the subject.

With titles in both French and English, the Santerre Collection deals with the wide range of Franco-American experience in New England, touching on topics from literature and the arts to religion, benevolent societies, language, the process of assimilation, biography, and history. The collection includes several uncommon imprints regarding French American communities in Lowell, Lawrence, New Bedford, and Worcester, Mass., as well as in Maine, New Hampshire, and Rhode Island, and it includes publications of associations such as the Ralliement Français en Amérique, the Association Canado-Americain, and the Alliance Française de Lowell.

Subjects

  • Franco-Americans--Connecticut
  • Franco-Americans--Massachusetts
  • Franco-Americans--New Hampshire
  • Franco-Americans--Rhode Island
  • French Canadians

Contributors

  • Santerre, Richard

Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005.

25 boxes (9 linear feet).
Call no.: MS 345
Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects

  • Asian American women authors
  • New WORLD Theater
  • Playwrights

Contributors

  • Uno, Roberta, 1956-

Types of material

  • Scripts (Documents)

Waugh, Frank A. (Frank Albert), 1869-1943

Frank A. Waugh Papers, 1896-1983.


Call no.: FS 088
Frank A Waugh with flute
Frank A Waugh with flute

Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

Subjects

  • Landscape architecture--United States--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Horticulture

Contributors

  • Waugh, Frank A. (Frank Albert), 1869-1943

Types of material

  • Etchings
  • Lantern slides
  • Photographs

Western New England Poetry Collection

Western New England Poetry Collection, 1977-2008.

4 boxes (2 linear feet).
Call no.: MS 561
Silkworm, 2007
Silkworm, 2007

Since 2004, the Florence Poets Society has been a hub of the poetry communities in Western Massachusetts, promoting the sharing, reading, and publication of works by its members. The group has sponsored outdoor poetry festivals, poetry slams, and readings and it has encouraged publication of poetry through its annual review, The Silkworm, and through chapbooks of its members.

Established in partnership with Rich Puchalsky and the Florence Poets Society, the Western New England Poetry Collection constitutes an effort to document the vibrant poetry communities in Western New England. The collection includes all forms of poetry, from the written to the spoken word, in all formats, but with a particular emphasis upon locally produced and often difficult to find chapbooks, small press books, unpublished works, and limited run periodicals. The collection is not limited to members of the Florence Poets Society, and additions from poets in Western New England are eagerly welcomed.

Subjects

  • Poetry--New England

Contributors

  • Florence Poets Society
  • Puchalsky, Rich

Wright, John

John Wright Account Books, 1818-1859.

9 vols. (3 linear feet).
Call no.: MS 162

Farmer, freight hauler, laborer, cider-maker, landlord, and town official who was a seventh-generation descendant of Samuel Wright, one of the first English settlers of Northampton, Massachusetts. Nine bound volumes and four folders of loose material include accounts of his businesses with his brother Samuel and son Edwin and activities, as well as letters, and miscellaneous papers and figurings.

Subjects

  • Farmers--Massachusetts--Northampton
  • Freight and freightage--Massachusetts
  • Northampton (Mass.)--Economic conditions--19th century

Types of material

  • Account books
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. ...
  11. 69
Special Collections and University Archives logo