Results for: “September 11 Terrorist Attacks, 2001” (181 collections)SCUA

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Beato, Felice, b. ca. 1825

Felice Beato Photograph Collection, ca.1863-1871.

(1.5 linear feet).
Call no.: PH 004
Kaisando temple
Kaisando temple

A pioneer in war and documentary photography, the Anglo-Greek photographer Felice Beato was an important chronicler of late-Edo and early-Meiji era Japan. Between 1863 and 1877, Beato took a stunning array of views, portraits, ethnographic images, and genre scenes and helped train the first generation of Japanese photographers.

The Beato Collection includes ten images taken by Felice Beato in Japan between 1863 and 1871, including his famous view of Daibutsu, the Great Buddha at Kotokuin Temple, Kamakura; his view of one of the residences of the Shimabara clan; two very scarce views of a farmhouse and agricultural laborers, probably taken along the Tokaido Road; two views of Yokohama; and a fine view of a naval fleet at Nagasaki.

Subjects

  • Japan--Photographs
  • Japan--Social life and customs
  • Nagasaki (Japan)--Photographs
  • Temples--Japan--Photographs
  • Yokohama (Japan)--Photographs

Contributors

  • Beato, Felice, b. ca. 1825

Types of material

  • Albumen prints
  • Photographs

Belcher Family

Belcher Family Account Books, 1847-1858.

2 vols. (0.25 linear feet).
Call no.: MS 208 bd

Owners of a butcher shop in Foxborough, Massachusetts. Includes customer names, prices of meat, form of payment (principally cash), and Belcher family information.

Subjects

  • Belcher family
  • Butchers--Massachusetts--Foxborough
  • Consumers--Massachusetts--Foxborough
  • Diet--Massachusetts--Foxborough
  • Foxborough (Mass.)--Economic conditions--19th century
  • Meat--Prices--Massachusetts--Foxborough
  • Shopping--Massachusetts--Foxborough

Contributors

  • Belcher, Lewis T., b. 1798
  • Belcher, Lewis W., b. 1826

Types of material

  • Account books

Bestor, Charles

Charles Bestor Papers, 1971-2002.

2 boxes (0.75 linear feet).
Call no.: FS 035

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bestor, Charles

Bey, Hanif Shabazz

Hanif Shabazz Bey Memoir, ca. 1985.

1 envelope (0.10 linear feet).
Call no.: MS 695 bd
Hanif Shabazz Bey
Hanif Shabazz Bey

Hanif Shabazz Bey is one of the “Virgin Island Five” accused and convicted of murdering eight tourists at a golf course in the U.S. Virgin Islands on September 6, 1972. The murders occurred during a turbulent period of rebellion on the Islands, a time when a movement to resist colonial rule was growing in the U.S. occupied Virgin Islands and elsewhere. The reaction to the crime, which was rapidly characterized as racially and politically motivated, from the authorities was both swift and revealing: over a hundred Black activists were picked up for interrogation and the island of St. Croix was put under martial law. Beaumont Gereau (Hanif Shabazz Bey) was one of five men apprehended and charged with the attack; each of the men accused was a known supporter of the Virgin Island independence movement. Detained and subjected to torture, the five men ultimately confessed to the crime and were tried for murder. Despite the many indications that the subsequent trial was profoundly flawed, the men were found guilty and sentenced to eight consecutive life terms.

“The Beginning of Hell” is a typed memoir by Hanif Shabazz Bey, a prisoner from the Virgin Islands held in the U.S. Written sometime after 1985, the memoir provides a personal account of Bey’s childhood in the Virgin Islands, his service in the U.S. Army in Vietnam, and the social and political conditions of the Islands during the early 1970s that led up to his arrest and conviction for the murder of eight tourists in 1972. Bey details the torture and other harsh interrogation tactics employed by prosecutors, the trial, and its aftermath, including his confinement to prisons first in Puerto Rico and then the U.S. In prison, Bey chronicles inhumane treatment and conditions, his conversion to Islam, and his efforts to seek assistance to reduce his sentence.

Subjects

  • Prisoners' writings
  • Prisoners--United States
  • Prisoners--Virgin Islands
  • Prisons--United States

Contributors

  • Bey, Hanif Shabazz

Types of material

  • Memoirs

Bleyman, Lea K.

Lea K. Bleyman Papers, 1958-2004.

2 boxes (3 linear feet).
Call no.: MS 548

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Subjects

  • Baruch College--Faculty
  • Paramecium--Genetics
  • Protozoans--Composition
  • Protozoans--Genetics
  • Protozoology--Conference
  • Society of Protozoologists
  • Tetrahymena--Genetics

Contributors

  • Bleyman, Lea K
  • Nanney, David Ledbetter, 1925-
  • Sonneborn, Tracy Morton, 1905-1981

Types of material

  • Laboratory notes

Brinley Family

Brinley Family Papers, 1643-1950.

(4.75 linear feet).
Call no.: MS 161
Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists

Types of material

  • Deeds
  • Realia

Broadside Press

Broadside Press Collection, 1965-1984.

1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters

Brooks Farm

"Summer Scenes, Brooke Farm, 1922", 1922-1923.

1 vol. (0.1 linear feet).
Call no.: PH 037
Haying at MAC
Haying at MAC

In 1922, the Commonwealth of Massachusetts appropriated $15,000 for the Massachusetts Agricultural College to purchase sixty acres of land lying immediately north of the existing Experiment Station. Known as the William P. Brooks Experimental Farm, the property was intended as a site for experimental work devoted to the dominant crops of the Connecticut Valley, tobacco and onions.

This small homemade photograph album documents a picnic and group outing at the Brooke (i.e. Brooks) Farm at Massachusetts Agricultural College in September 1922. Although the participants — over thirty of them — are unidentified, they took part in standard picnic activities, including a tug of war, three legged race, and rope jumping. The album contains labeled snapshots pasted onto thick brown paper, tied with a brown ribbon, and includes images of haying on the farm (with Stockbridge Hall in the background) and the homes of William P. Brooks and Prof. Arthur N. Julian.

Subjects

  • Amherst (Mass.)--Photographs
  • Brooks Experimental Farm (Amherst, Mass.)
  • Hay
  • Massachusetts Agricultural College--Photographs
  • Picnics--Photographs

Contributors

  • Fay, Harry W.

Types of material

  • Photograph albums
  • Photographs

Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934.

3 boxes (1.5 linear feet).
Call no.: PH 060

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Subjects

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs

Types of material

  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Campano, Anthony

Anthony Campano Papers, 1956-2007.

2 boxes (1 linear feet).
Call no.: MS 617

Anthony “Tony” Campano and Shizuko Shirai met by chance in January 1955 as Tony was passing through Yokohama en route to his new post in Akiya. Recently transferred to Japan, Tony enlisted in the U.S. Army a little over a year earlier, serving first in Korea. As their relationship blossomed, Tony and Shizuko set up housekeeping until his enlistment ended and he returned home to Boston. Determined to get back to Japan quickly and marry Shizuko, the two continued their courtship by mail, sending letters through Conrad Totman and Albert Braggs, both stationed in Japan. By the summer of 1956, Tony re-enlisted in the Army, this time stationed in the Medical Battalion of the 24th Division located in Seoul, Korea. There he remained until August 1957 when he was finally able to secure official authorization to marry Shizuko. Cutting their honeymoon short to deal with her medical emergency, Tony returned to his post in Korea. The couple reunited in November of that year after Tony secured a new assignment in Yokohama.

The letters of Tony Campano to Shizuko Shirai during the year or more they were separated document their unlikely romance. Soon after Tony returned home when his first enlistment ended, friends and family tried to discourage him from pursuing a relationship with Shizuko. Despite their age difference–Shizuko was eleven years older– and the language barrier, the two ultimately married. In addition to the couple’s long-distance courtship letters, the collection also contains about 100 letters exchanged between Campano and Conrad Totman, dating from their early days in the U.S. Army to the present; taken together they document a friendship of more than fifty years.

Subjects

  • Japan--Social life and customs--1945-
  • United States. Army--Non-commissioned officers--Correspondence

Contributors

  • Campano, Anthony
  • Campano, Shizuko Shirai
  • Totman, Conrad D

Types of material

  • Letters (Correspondence)
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